Archive for July, 2016

 

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I wonder how much Marathon Man speaks William Goldman‘s novel of the same name but in any case, this suspense/thriller film was a crazy contribution to the American cinema in many ways. I liked the direction of film (John Schlesinger) which was straight to subject, mixing and bringing complexity in characters of Doc (Roy Scheider) the CIA guy and big B of the marathon man (Dustin Hoffman), and Elsa (Marthe Keller) the gf of Babe, the marathon man.

First hour of the film was generally growing concerns to know a possible crime scene at some stage and that was the beauty of film-making, the director exactly was spot on. Again my same concern in every film i.e., character development and that was another home run by the director. First hour of Dustin Hoffman’s central character was much of supporting role till the murder of Doc. And from the murder, Babe was the anchor of the ship.

Another impression was the antagonist, in fact a cruel antagonist. The film was mostly remembered for the role of Dr. Christian Szell, a Nazi war criminal played by Laurence Olivier. He played a marvelous villain and thanks to him that due to that unforgettable torturing scene, viewers had to think twice before paying a visit to the dentist. His repeated dialogue “Is it safe?” itself was cruel and annoying but was to play our nerves in few seconds. This role earned the legend his only Academy nomination for Best ‘Supporting’ Actor.

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The great British actor gave his heart out in displaying a spectacular performance. This is the film when he was in treatment of cancer and the case was so serious that he took this role to leave a large sum of earned money to his family. He had to shoot the scenes every day with heavy doses of painkillers which later affected his memory. He lived another 13 years after a successful operation.

The then 38 y.o. Hoffman lost 13 pounds for the role to shape himself as a graduate student. The bathtub scene of his drowning was real as he himself requested to water him as long as possible to offer a realistic view. An interesting trivia confirmed that the guy who played Dr. Szell’s brother whose car was involved in oil-truck collision in opening-scene was, in real, a survivor of Hindenburg Disaster.

One major difference between the novel and film was unfortunately the conclusion. Sources said that Hoffman was unhappy whereas Goldman used the word ‘shit’ to the interviewer to mark his opinion for the conclusion. In the film, Babe moved Szell on gunpoint to the pump-room and forced him to swallow the diamonds whereas in the novel, Babe lead Szell to the Central Park and fired multiple shots on him.

Marathon Man was a brilliant storyteller which explored Nazi war criminals staging appearances in remaining old years of their lives and handling/mishandling of CIA. It was and is a perfect treat for Hoffman or Olivier fans to watch their magic.

Ratings: 8.2/10

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My Bollywood’s Best of 2015

Posted: July 20, 2016 in MovieTalks
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Half a year is done and I forget to write a blog on my picks from different categories of Bollywood films. I did this last year for 2014 edition. I hope I am not that late as time pass swiftly nowadays. 

Like every passing year, Bollywood’s growth increases worldwide but the quality and standard of the film decreases. Recognition nowadays among the actors is star-power and among the leading actresses is the one with useful skin-shows. Above all you insured to be more successful in this industry if you have a strong background and belong to rich people who are industrialists, politicians, businessmen, military or in same cinematic profession. The unlucky ones have to join parallel cinema with more brain and wisdom among the cast and filmmakers.

In recent years, there has been change in atmosphere as the artists of parallel and entertaining cinema are involved in same projects and work together. Some sensible writers and talented directors work with involvement of more production companies. Some of the films from last year have been highly impressive and these were those which were not eye-catching in box-office collections.

What disgust me was pathetic inclusions in nominations for different categories in their recognized FILMFARE awards. Tragedy is that the functions are not worth and are more focused on high-level tcp ratings. If you notice, many many big names of the industry are absent and are disappearing in years. People have lost interest in FILMFARE because the functions are bias and predictable. Awards nowadays are won not by right and deserving candidates. Forget about winning, when the nominations are announced the viewers go insane because of plenty of blunders.

From below the categories, I will try to speak some lines where I see FILMFARE at huge fault. Like last year’s blog, I will divide the categories in three sections i.e., Music, Technical and Major. My selections are purely my honest selections to what I believe was deserving. Some of the categories do not need details because it is unnecessary. With the name of winners from each category, I will mention other names who deserve to be the other bests. So here I go;

MUSICAL SECTION

BEST BACKGROUND SCORE

SANDESH SHANDILYA (MANJHI: THE MOUNTAIN MAN)

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Other notable works: Amit Trivedi (Bombay Velvet) & Hitesh Sonik (Hunterrr)

 BEST PLAYBACK SINGERS

PAPON – MOH MOH KE DHAAGE (DUM LAGA KE HAISHA)

NEETI MOHAN – DHADAAM DHADAAM (BOMBAY VELVET)

BEST SONG & LYRICS

AGAR TUM SAATH HO (ALKA YAGNIK/ARIJIT SINGH/IRSHAD KAMIL/A.R.RAHMANTAMASHA)

BEST MUSIC

ANUPAM ROY (PIKU)

Other notable works: Amit Trivedi (Bombay Velvet) & Indian Ocean (Masaan)

TECHNICAL SECTION

BEST COSTUME DESIGN

ANJU MODI & MAXIMA BASU (BAJIRAO MASTANI)

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Other notable works: Niharika Khan (Bombay Velvet) & Wafisha Rahman (Manjhi)

BEST PRODUCTION DESIGN

ERROL KELLY, SONAL SAWANT & SHAIRA KAPOOR (BOMBAY VELVET)

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Other notable works: Sriram Iyengar, Saloni Dhatrak & Sujeet Sawant (Bajirao Mastani)

BEST SOUND DESIGN

BISHWADEEP CHATTERJEE (PIKU)

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BEST SCENE

MASAAN

Imagine a boy from extremely poor background, whose ancestors have history of working in profession of burning corpse and a girl from upper caste begin loving each other. And one day, after exchange of a lovely relationship for weeks, he happen to see her dead body in his working site brought to burn the corpse! We don’t see such tragic moments in young love stories like this. It was an intimate scene and full of intensity. There come this scene and the obvious case is more grieving. Vicky Kaushal‘s presentation of agony is unexplainable here. I could not find a HQ video of the scene. I have no doubt this is the best scene shot in any film of the year.

BEST EDITING

A.SREEKAR PRASAD (TALVAR)

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BEST CINEMATOGRAPHY

NIKOS ANDRITSAKIS (DETECTIVE BYOMKESH BAKSHY)

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Other notable works: Avinash Arun (Masaan) & Rajiv Jain (Manjhi)

BEST ACTION

BADLAPUR

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Other notable works: Titli & Detective Byomkesh Bakshy

BEST SCREENPLAY

JUHI CHATURVEDI (PIKU)

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BEST DIALOGUES

JUHI CHATURVEDI (PIKU)

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BEST STORY

KANU BEHL (TITLI)

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Other notable works: Jeethu Joseph (Drishyam) & Harshavardhan Kulkarni (Hunterrr)

MAJOR SECTION

BEST SUPPORTING ACTRESS

KONKONA SEN SHARMA (TALVAR)

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Konkona don’t need any introduction. Open her filmography and you will find dozens of impressive roles she has played in her acting career. Talvar is another addition in her CV. She along with Neeraj Kabi displayed one of the best supporting performances in recent years and guess what, she wasn’t even nominated in Filmfare for this category.

Other Notable Performances: Shefali Shah (Dil Dhadakne Do), Tabu (Drishyam), Shivani Raghuvanshi (Titli) & Huma Qureshi (Badlapur)

BEST SUPPORTING ACTOR

NAWAZUDDIN SIDDIQUI (BADLAPUR)

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The year 2015 was remarkably a year for best male performances in supporting roles. Title was a trinity of performances between three brothers. Anil Kapoor developed his skills playing role of angry father in Dil Dhadakne Do. Neeraj Kabi brought all his theater experience in Detective Byomkesh Bakshy and Talvar. Vicky Kaushal turned out to be one of the most promising newcomers in Masaan. Karan Johar was the surprise package in Bombay Velvet and Ashraful Haque did superb job as Manjhi’s father in his final film.

But above all it is the actor in his heydays who is building a very strong career making his name in almost every film. Nawazuddin Siddiqui in Badlapur is someone you would like to hit and slap as much as hard you want. He gives a lot of energy to his villainous role and don’t even feel bad for the guy who lost his family. His character has shades and changes color like chameleon. He and Varun, the two leading actors of the film are two sides of the coin begging for mercy.

Other Notable Performances: Karan Johar (Bombay Velvet), Amit Sial/Ranvir Shorey (Titli), Vicky Kaushal (Masaan), Anil Kapoor (Dil Dhadakne Do), Ashraful Haque (Manjhi), Neeraj Kabi (Talvar)

BEST ACTRESS

RICHA CHADDA (MASAAN)

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It wasn’t a year of extraordinary performance by the leading actresses. Then Richa Chadda happened. She is Devi Pathak in Masaan who was caught with him by the police in the hotel for obvious reason. Then her struggles begin to make a life of herself by switching jobs but cannot afford a payment of hefty bribe the policemen ask her and her father for the video they made in hotel. It was tough to decide the winner but then I decided that Deepika for Piku was the closest and second-best to her.

How rude and disgusting that such performance wasn’t appreciated enough to be nominated in Filmfare for the same category. More to a mockery, Kajol and Sonam Kapoor were gifted places in the category for Dilwale and Dolly Ki Doli whose performances were no where in comparison to this.

Other Notable Performances: Besides Deepika Padukone for Piku, Anushka Sharma did a terrific job in Bombay Velvet as Rosie the Jazz singer. She performed impressive facial expressions in numbers like Fifi and Dhadaam Dhadaam. Then there is Bhumi Pednekar (Dum Laga Ke Haisha) who gained 30kg for the role of an overweight wife and made a stunning debut, was also ignored by Filmfare in the category. And why should I not count lil’ Harshaali Malhotra! 8-year-old child actress made promising debut as Munni in Bajrangi Bhaijaan and was the only shining moment in the whole ridiculously garbage film. At this tiny age, she showed a character and discipline of emotions on a dolly face.

BEST ACTOR

NAWAZUDDIN SIDDIQUI (MANJHI)

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It will be a sin to overlook such astonishing performance. It will be a mockery to consider it only one of the best performances. His star is shining brightly in recent years but this performance need an author to release a book full of praise. I hardly have seen actors reaching closest to the perfection like J.K.Simmons in Whiplash or DiCaprio in The Revenant worldwide but in India, it is hard to bring that so much in the artistry to present a character what Nawaz did in portraying Dashrath Manjhi.

Nawazuddin’s title role of Manjhi is full of life. You want a father or a husband, you want a man of his principles or determination, you want an example of sacrifice and hardship and last but not the least you want to see a man who broke the mountain to honor his wife he loved the most in entire life – there you have all superbly defined.  

When it comes to emotions, this actor has no boundaries to express. A facial performance is very vital in acting and keen learners of theater always win the performances. He easily is the best actor for last year.

In three words – Shandaar! Zabardast! Zindabad!

Some readers may get confused of not picking Manoj Bajpayee for Aligarh. Let me clear, the reason I omitted is because the film is released in India this year in February. The closest to this competitor was hugely/heavily ignored Shashank Arora for Titli.

Omission of Nawaz for Manjhi from the last Filmfare Awards easily is one of the most shocking blunders in their history. How disgusting and utter disappointing is to see the genuine winner not included in the nominations but Salman Khan and Shah Rukh Khan for Bajrangi Bhaijaan and Dilwale respectively! This shows the standard of Filmfare nowadays and ridiculous selections by the judges of these panels.

Other Notable Performances: Shashank Arora (Titli), Sanjay Mishra (Masaan), Amitabh Bachchan (Piku) & Varun Dhawan (Badlapur)

BEST DIRECTOR

SRIRAM RAGHAVAN (BADLAPUR)

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Yes he is and I am not surprised. A silent and dark tale of two characters hanging on different corners eagerly waiting to leave a mark on each other. It is about making an extraordinary film from an ordinary script. We have watched films when the leading actor loses the one he loves and plans to take revenge. Same goes here but with same story, it easily distinguishes from other films of the past thanks to Sriram’s directional artistry. 

What propels you is the building of intensity on Raghu (Varun Dhawan) when he loses his wife and child in very first scene. The rage factor of Raghu is where he work out, the way he beat or hit few characters by hammer is violent and loud to your ears. With time much to offer, Sriram builds the leading character very well. He is excellent on bringing the best of the leading performer as he did with Urmila in ‘Ek Haseena Thi‘ and Neil Nitin Mukesh in ‘Johnny Gaddaar‘. 

Other Notable Performances: The closest competitor to Sriram is Shoojit Sircar for Piku. Meghna Gulzar for Talvar was surprise package. I found Anurag Kashyup‘s direction for Bombay Velvet very very impressive as the film was hugely rejected by the viewers. Neeraj Ghaywan was also fantastic keeping a balance between two different stories in Masaan.

BEST FILM

PIKU

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Piku (Deepika) plans a trip to Kolkata with her dad (Amitabh) but none of Rana’s (Irrfan) cab drivers are available. So Rana decides to serve them and the real fun begins. This is a freshly-baked comedy-drama film with mehfil-loot performances by main actors. Father-daughter chemistry is terrific and the characters development is right on spot. 

Piku is a beautiful slice of life or your favorite cup of coffee, a mind freshener giving your energy an extra-boost because the flow of the film builds on you. A combination of brilliant story, screenplay and dialogues make this very-original film exciting for the viewers and can be repeatedly watched. 

Other Notable Films: Masaan, Talvar, Titli, Manjhi, Bombay Velvet, Hunterrr, Drishyam and Badlapur.

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My good morning happens with the shocking news of Qandeel Baloch‘s murder! I am not a frequent visitor nor am I her fan but I have seen her earliest videos on her Facebook page and came to understand that she was one of those human species who chose to post silly nonsense videos to get a swift popularity. Her popularity brought the same arguments about downfall in society’s moral collapse with the repeated questions of “Where is Pakistan going?” and now is reigniting debate about honor killings in the country.

Yes indeed it is a morale collapse among the individuals doing naughty and silly stuff nowadays. Eyes of us men are no innocent to the videos we are fond of. Nope not talking about the videos of the adult industry but generally speaking, female individuals of different ages in South Asian societies have done way more than what the deceased used to do on social media. We have seen them making and forwarding amateur home videos like stripping behind the close doors, naked selfies, courtships in front of continuously adjusting camera and God knows what else for the sake of the demands coming from their seasonal boyfriends despite knowing the fact that there is every chance of the books from her storehouse to be transferred towards the library. But that morality can be corrected, vanishing her from earth is not the solution. Was QB a bigger threat than ISIS’?

Let me justify definition of ‘Moral Collapse’ prevailing in this country by four understood phases of this tragic life cycle.

  1. QB posted silly videos for popularity, many of those alarmed if she had mental issues.
  2. The viewers have/had different opinions and every opinion doesn’t make sense like her. Some turn out to be perverts and some become bonerfide seasonal mullahs who watch the whole video and then declare her ‘gandi’. Some females in the comments recruit her in adult industry or curse with a rolling-pin in hand.
  3. Instead of correcting or ignoring her (because her’s is/was none of our folking business); people all of a sudden become responsible for their khandaan or become patriotic and mullah and begin delivering threats to her. And one day someone kill her and the killer is none other than her brother whose so-called gherat was sleeping all these years.
  4. Most of the people who come to know the news of her death are actually glad, happy and excited as if they have passed some exam.

All four phases explain the collapse in morality. We have no business to what an individual does. I can fully understand from what ‘shame’ her brother has gone through, how his friends, neighbors, kins and society has been treating, teasing and scolding her. But but but committing crime and taking her soul is the most dumbest and disgusting idea. Whatever she was, taking the human soul is not in our hand and Islam teaches us that killing a human is killing humanity.

It is irrelevant, very very irrelevant and nowhere in any condition or space of judgment to kill her just because of your hatred or her business. Just because you don’t like her or she expose her skin too much, does it make you think that she brought shame to your family and your country? And does this reasoning power give you license to kill her?

The regular boners of the deceased’s videos who are now happy for her being killed by her brother under the name of ‪‎honor killing should from now on mind their own business and should not speak shite about‪ ‎Sharmeen Obaid-Chinoy. The lady won us not one but 2 Academy awards for her documentaries on acid attacks and honor killings in Pakistan and many people from her country criticized her for presenting ‘bad’ image of Pakistan.

Those who are laughing and enjoying her death from now on should also not criticize and emphasize on extreme feminism either people encouraged towards extreme feminism are right or wrong. Because if you can laugh on the death of a girl who was expressing her good or bad freedom in her videos, it makes no sense to speak how much your country cares about women’s rights because I don’t see that happening in this country. Just a month ago, one lady was abused live on TV speaking of women’s rights by a JUI guy while a lady was called a name in the assembly.

We Pakistani nation are just like pleasure-house visitors who enjoy every inch of solicitor’s skin in the courtship and lovemaking and help her strip her clothes. But once we are done, we leave her just over there and even talk dirty about her the other day. Even accuse her for being a public property or root of all evil. World has gone so cruel and planet Earth is no more a safer and peaceful place to live.

Members of civil society and the Human Rights Commission of Pakistan hold placards during a protest in Islamabad May 29, 2014 against the killing of Farzana Iqbal, 25, by family members on Tuesday in Lahore. Pakistani Prime Minister Nawaz Sharif has demanded to know why police apparently stood by while Farzana Iqbal, a pregnant woman, was stoned and beaten to death by her family in front of one of the country's top courts, his spokesman said on Thursday. She was attacked on Tuesday, police said, because she had married the man she loved. Her husband said that police did nothing during the 15 minutes the violence lasted outside Lahore High Court. REUTERS/Faisal Mahmood    (PAKISTAN - Tags: CIVIL UNREST POLITICS CRIME LAW) - RTR3REE6

Sometimes I wonder why honor killings happen more in Asia specifically in India, Pakistan, Afghanistan, Iran and Jordan. Even when such crime happens in America and Europe, most of the cases associate with the immigrants, or Muslim families mostly coming from Pakistan and Iran. Remember Belgium’s first ever honor-killing trial few years ago? She was 20-year-old Sadia Shaikh, a Pakistani girl who was fatally shot three times by her brother for not accepting an arranged marriage with her cousin to whom she had never met in Pakistan.

Back in 2005, there was an honor-killing case in Denmark that involved 7 members of Pakistani family and friends. 18-year-old Ghazala Khan escaped from her home and married the guy to whom she loved after her declaration of wish towards her family was exchanged with their harsh beating. Two days after the wedding, Ghazala’s brother shot the couples on the order of her father to save the family ‘honor’.

In Brescia, Italy, a Pakistani father slit throat of his daughter 28 times! The reason of murder? His father state that his daughter Hina Saleem had turned from Asian girl into a Western woman who refused an arranged marriage and lived with her Italian boyfriend! Hina’s family buried her body in their house garden.

Honor killing event in Switzerland was more horrifying when a father killed his 16-year-old daughter Sawera by striking axe on her head a dozen times. Reason? A Christian boyfriend!

Britain has many cases of honor killings among the immigrants and Asian Muslim families. Bradford-born British-Pakistani Shafilea Ahmad‘s murder was a much talk in Britain a decade ago when she all of a sudden disappeared from home but months later, her dead body was found. Her parents were found innocent until Shafilea’s sister broke years later. She admitted that the parents killed her due to the reason of not accepting arranged marriage by force resulting in bringing ‘shame’ to the family.

Samaira Nazir’s case was her wish to marry an Afghan immigrant which was rejected by her family due to different caste. After argument, her brother and cousin stabbed her more than a dozen times using 4 knives in front of her family.

I highlighted only Pakistani cases because that is my concern in the blog as there have been many tragic events from Arab and Iranian families in West as well as Indians. So many tragic events of honor killings I mentioned above have one thing in common i.e., the parents feeling embarrassed that the daughter may/will bring ‘shame’ to her family and entire khandaan. Despite the fact many of the cases which happened in the West, the parents with such pathetic ideology and preferring their pride and shame over their daughter’s life and her choice is beyond my understanding. Living in the west or any country where multinationals live together bring a lot of cultural and religious understandings but such parents in that same atmosphere confuse me with their ideologies. Why on earth the parents do not see what her daughter wants, what she desire and with whom she find her happiness? Why bother judging her instead of giving your blessings? Girls would never run away to make you think of family’s pride and shame only if you accept her what she want. How come killing your own daughter becomes an ultimate solution? Are these type of parents psychopaths or what?

QB’s case is not that different. Just few days ago, she admitted she was married ‘by force’ back in 2008 and also had a son. After the beatings, she divorced and never contacted the man Ashiq Hussain of Kot Addu who first appeared on TV to claim that he is QB’s husband. And today she is killed by her own brother with some sources saying that she had received threats from Mufti Abdul Qavi with home she made some popular selfies a month ago. If the whole chapter of her forced marriage is true then she fell in same category as above-mentioned cases. We have watched girls with such mad cases who met tragedies in the past. Further investigations will clear and let us know further.

Last of all, I condemn the honor killings of QB and victims of all the above-mentioned and not-mentioned cases. I condemn all the crimes and abuses happening in Pakistan and other countries which little children and females of different ages are paying a heavy price for that. It is also terrible to see tortures and killings of Black Americans in recent days.  I feel hurt for all the terror attacks happening in the world and extreme pain for the massacre and holocaust suffered by Palestinians and Syrians, and people in Kashmir, Myanmar and many places. The remaining lives you and me are breathing is polluted now and it has become a terrible terrible world. May God answer our just calls, appeals, requests and prays and give patience to the friends and families of those who lost their lives for good Amen.

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First thing first. I was watching Davis-Crawford starrer What Ever Happened To Baby Jane few weeks ago. Bette Davis’ scintillating performance made me curious to check the results of Academy Awards of that year. I was flabbergasted to see that she didn’t win for the character Baby Jane which qualified to become a memorable cult classic in coming years and decades. More painful for Davis was that the recipient of the award was none other than the film’s co.star and her biggest rival, Joan Crawford, who accepted the award on the winner’s behalf in her absence. Why? That is the other story.

So who was the winner? She was Anne Bancroft who played Anne Sullivan in The Miracle Worker (TMW). That earned my attention and made me watch the film so here is the review.

A short history of the film is that it actually was William Gibson‘s three-act play based on Helen Keller‘ autobiography “The Story of My Life” which was premiered on Broadway at the Playhouse Theater between 1959 and 1961. The production of entire 719 performances were directed by Arthur Penn. Anne Bancroft and Patty Duke performed leading roles of Anne Sullivan and Hellen Keller respectively.

Play-writer Gibson, director Penn and both leading performers Bancroft and Duke reunited in 1962 for the film version. United Artists, the production company for the film version, put the condition on the director to offer the budget of $5m if he choose Elizabeth Taylor for the role of Anne Sullivan but $500k if he insist to continue with Anne Bancroft. Penn decided the choose the latter and the rest was history.

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A very sensitive subject was brought to the screen with plenty of promises in the story and the dynamic duo. All focus was on Bancroft/Duke which for them was a routine outing after their hundreds of performances together at the Playhouse Theater. But the film was what defined a plague of emotions and distortions resting on each other’s shoulders.

 

TMW was about two unparalleled people who had to understand each other throughout the film. It was a suicidal attempt of a teacher to control an ill-fated hopeless spoiled child who was not able to hear or see since birth. So the teacher Anne was established with blindness of visions who recently lost her brother while the student Hellen was gutted with muttered eyes and mumbled ears, lost in her mother’s echoes. The magic began when both came to same frame and wonders happened. Anne’s strictness towards the spoiled child rose alarm towards her parents as doubts began foiling whether bringing teacher Anne for their child was a careful decision or not.

There were numerous scenes of the silent duo displaying a bravura performance but the jaw-dropper easily was the dining room battle scene. That was a 9-minute sequence which required 3 cameras and was shot in 5 days.

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Overall, TMW was an honest portrayal of emotional violence and the desperation of escaping from the dark world to the other dark world was insane. I liked the violence in the melodrama; the face-slaps, breaking of plates, throwing objects which was very natural.

43 years later, Sanjay Leela Bhansali made Black on the same tone as TMW based on Hellen Keller’s life. Gender of teacher was changed as Amitabh Bachchan played the role of Anne Sullivan while Ayesha Kapoor and Rani Mukherji played Hellen Keller’s young and adult versions. That year, Time Magazine of Europe chose Black five of the best films around the globe.

Anne Bancroft and Patty Duke played unforgettable roles and won their acting awards in the Oscar the following year. Superb film.

Film Ratings: 8.4/10

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Dreams rot in jealousy and fraction of life freeze with idiocy. Two tamed sisters in one roof with a peculiar understanding live a rough and rigid life. Blanche Hudson is on a permanent wheelchair and her sister Jane Hudson, once a child stage performer under the name Baby Jane, has health and mental issues loyal with liquor.

Baby Jane is now a forgotten name and out of any limelight and she clearly blames Blanche that she ruined her career. Then Jane in fury hit her car on Blanche taking her legs forever. Bounding her life within a room, Jane’s behavior towards Blanche goes worse and mentally tortures her by many ways.

What Ever Happened to Baby Jane is a psychological thriller directed by Robert Aldrich and based on Henry Farrell‘s novel of the same name and enjoys a cult status among moviegoers. The biggest reason of this movie’s immense popularity was bringing two of the greatest darlings of Hollywood’s golden era in same frame who never shared the screen together – Bette Davis and Joan Crawford.

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The legacy behind uniting two wonderful actresses burdens a major fact that the names were, are and will always remain Hollywood’s most notorious feud. In their careers, both ladies carried tremendous hatred for each other for many reasons and the same level of respect was maintained in the making of movie.

There is one intense scene where Jane (Davis) beats Blanche (Crawford) after Blanche forces to drop herself from wheelchair to the ground floor to call the doc and asks for help by reporting Jane’s mental problems. Crawford was concerned that Davis would actually hurt her, and asked for a body double. There was one close up however that a double could not be used for. When this was filmed, Davis did clip Crawford’s head – Crawford screamed, and filming stopped. “I barely touched her” said unapologetic Davis. Others claimed that she left Crawford in need of stitches.

Another scene is a sweet revenge by Crawford over Davis. There is a scene when Jane has to lift Blanche from her bed towards the door. Crawford knew that Davis had suffered back problems in the past, so she drops her weight in the hands of Davis to make her feel worse. When the filming was finished, Davis was screaming in agony, and Crawford strolled back to her dressing room.

That is not enough! Bette Davis was nominated for Best Actress in Oscars for the role but that night in the Academy Awards function, she lost the award to Anne Bancroft for The Miracle Worker. In Anne’s absence, it was none other than Crawford to accept the award on her behalf in front of Davis. Some have claimed, Crawford pushed Davis while walking towards the stage and said “Step aside; I have an award to accept!”

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Whatever Happened to Baby Jane is a smashed pumpkin caused by a running vehicle. A genuine psychoanalysis of hatred among the kins. It is not only Davis-Crawford show, the whole movie is also a story-teller to the generations. Before WHTBJ happened, the careers of both legendary actresses were waning and both in the same weak timeline were in need of a successful movie. Another great aspect of the movie is the description of downfall in fates or shall I say instant karma. How the success has its last goodbye on you and you make unsuccessful attempts of winning the same limelight but in reality you are faking and fading yourself. Bette Davis as Baby Jane displays amazing portrayal of emotions. Her performance in last 30 minutes will break you.

On the other hand, Crawford as Blanche is the perfect patient on wheelchair who understands and translates her desperation in performance. The most critical portion of her superior performance is when she lifts herself from the wheelchair and strives to walk down the ladder to chase the telephone.

WHTBJ was nominated for 5 Academy Awards including Best Actress to Better Davis and winning for Best Costume Design. It indeed is insane movie but worth a name for inclusion in the list when it comes to picking best movies of the sixties. Unforgettable Davis-Crawford show!!

Movie Ratings: 8.2/10

Follow me on TWITTER @saminaik_asn

Dawn Of Justice – The Ultimate Case (Part-2)

Posted: July 13, 2016 in Film Reviews, MovieTalks
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This part will touch some more important issues and aspects related to the film Batman v Superman (BatSup). Before I begin, I must remind the readers here that this blog is continuity to the previous blog. So the first timers of the ultimate case here should first read the previous part here.

BEST SCENES

 

1) COLLAPSE OF WAYNE BUILDING

Although it was General Zod‘s wrath on Metropolis as Mr. False God tried to avoid as many casualties as he can but it was too late and severe was the collateral damage. One of the damages perforated the owner and made his mind to save the entire human race from the culprit even if there was a 1% chance. The visual presentation of the collapse was intense and powerful. And the collapse was where the rivalry came to birth. Scenes after the collapse will remind the comic readers the story-lines, Batman: Cataclysm and Batman: Aftershock.

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2) GRANNY’S PEACH TEA

No matter how bad was Shah Rukh as Lex Luthor, he did a cruel favor to Senator Finch and viewers by teaching a very expensive lesson. The court hearings abruptly paused by the scared Senator when she witnessed the jar. To the standards of a deceiving villain, this was unpredictably more than a cruel punishment. Luthor played an astonishing strategy behind the scenes and successfully manipulated much of the outsiders of court to gash more hatred towards a False God.

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3) BRUCE WAYNE’S WORKOUT

The Batman of 40s cannot offer you much of the 127 styles of martial arts he learnt in young age in his prime fighting career but he performed impressive workouts which was highly necessary to present.

4) THE GLADIATOR MATCH

This was the match written in the clouds. As Lex played the role of Michael Buffer by announcing and adding more spice by billing the fight as God versus Man, Day versus Night, Son of Krypton versus Bat of Gotham, this created more intensity. Result? I found a much heavenly comfort to see the fight between the iconic heroes and that turned out to be jubilant. The fight surpassed my expectations. This is exactly what we all needed. Plus the glimpse of fight is somewhere similar to the writings of Frank Miller’s The Dark Knight Returns. One cannot ask for a better fight between God and man than this.

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5) ARRIVAL OF WONDER WOMAN

As much as Lex proved an overacting jester to me, his creation shattered the level of curiosity to know him. Doomsday was Lex’s answer to destroy the MOS. The battle was deadly but it was more like a hard struggle of lowering down the sound knob of stereo system when it is the loudest when you are very far and your parents are about to enter home.

Anyhow the battle met its peak at the sudden arrival of Wonder Woman who as Diana Prince was walking hither and thither before. I would say the flow of that battle action sequence was so deep to me that I couldn’t realize that the one who saved poor Batman’s ass from Doom-Doom wouldn’t be the recharge Superman on the space but her. Wonder Woman theme was very impressive but the intro of WW was far better than the other two heroes in the film.

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WHY BATSUP DIDN’T COME UP TO THE EXPECTATION?

 

1) DEADPOOL

Not many have noticed and tried to analyze as what exactly made the response of general public so negative. What deceived them? Why did the film with so many promises become unacceptable? In my view, the first reason was the funny guy in the red suit. Deadpool was released a month prior to BatSup. Being r-rated, Deadpool wasn’t a huge threat to the film’s business as Captain America: Civil War which was released after it. But Deadpool the superhero and Deadpool the film met an unexpected universal appraisal.

Contrary to philosophy and filmmaking of DCs, Deadpool was a highly entertaining popcorn grabbing comedy film which won heart of all age of viewers turning the tables wrong on the producers of BatSup who were prepared to show a very dark humorless presentation of the film a month later. Being the highest grossing r-rated film, such success built uninsured change in emotions among the viewers in tatters as the overjoyed viewers of Deadpool fell in their graves in the theaters to find the film awful. Naturally it was like watching any Terrence Malick film after any of Frat Pack films.

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2) UNDERSTANDING A UNIVERSE DIFFERENT THAN MARVEL CINEMATIC UNIVERSE

Being a DC Comics lover, I have a lot of respect for Marvel comics as both the giant comics publishing companies created the most loving superheroes in the golden age for generations. But what hurts me is such a powerful cinematic universe of Marvel are more inclined towards box office collections than the character development of their superheroes. Filmmakers in MCU produce popcorn grabbing circus films where the focus is on winning hearts of the viewers by entertaining them. The producers are more focused on eating peanuts in circus rather than reading to us Marvel’s best comics stories. They make their superheroes jesters in the court. We see superheroes performing slapstick, acting silly and speaking one-liners. Films like Iron Man 3, Ant-Man, Guardians of the Galaxy and Age of Ultron were all funny films. Recently released Captain America: Civil War made a mockery of all involved major superheroes fighting in airport and joking/apologizing while punching each other.

As Marvel Studios were the first among the comics publishing companies to create a cinematic universe with the help of Walt Disney Studios, it became acceptable for viewers to recognize the films based on Marvel superheroes as the true comics cinematic industry. There was no competition in years as WB were focused on Christopher Nolan‘s The Dark Knight Trilogy. When The Dark Knight Rises was released,  MCU were concluding their first phase. This year with the release of BatSup, MCU have entered in their 3rd phase.

Many of the DC superheroes are not that universally recognized as Batman and Superman. Even the third hero of trinity who is Wonder Woman never got a single film before this in 75 years, so is the case with other heroes. So for the viewers, it will take time to understand the existence and culture of this universe and its heroes, and their powers and villains. It is pretty hard to expect their heroes to be as funny and perform slapstick as heroes existing in Marvel universe.

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3) IMPROPER CONSTRUCTION OF DCEU

After announcing the birth of their cinematic universe rival to MCU, the biggest challenge for the big bosses of DC/WB was to create a distinguished, recognized but an acceptable universe. WB lacks no finance to fund the DC films but it was all about the best brain creating a perfect theory before forwarding a proposal. For me the outcome was very strange and questionable.

In Oct.2014, when WB announced 10 DC films to be produced and released between 2016 and 2020, it was a massive disappointment to see every JL superhero gifted a solo film but not Batman! (Superman had his MOS before all this)

Besides that, film for Green Lantern, being such a beloved superhero among the comic readers was adjusted last which gave a hint that he will be introduced to us pretty late. Shazam indeed is a potential name but wasn’t DC’s original property in first place. Shazam character was created under Fawcett Comics and ran the issues until the company shut down. In 1972, DC publisher licensed Shazam from Fawcett and revived.

Two JL films were slated in different future timelines, the first part being the fourth in line to release even before solo films on Aquaman, Flash and Cyborg with no proper introductions which brought more confusions to understand their strategy towards assembling a team of heroes so early and so undefined with underdeveloped characters.

The reason why the story of BatSup to the viewers in theater fell so incoherent was the very reason described in previous paragraph that for assembling a team in so near future, they made the film look overstuffed.

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4) BRINGING TWO ICONIC HEROES FACE-OFF TOO EARLY

Indeed historic announcement of bringing BatSup together at San Diego comic-con three years ago was crazy which made the attendees and viewers lose their mind in excitement. But some brains surely began thinking as what made them brought none other than Batman in to Superman’s world? Was that their only key to challenge or announce a new universe rival to them?

Bringing Batman meant connecting two different worlds in same film with more than one story. With recent conclusion of Nolan’s trilogy, reintroducing Batman in mere four years was too early. Producers needed some more breathing to watch a new Batman. Nolan’s and Zack’s Batman were very different, could have been better if he had been given his own standalone film first and later introduced him to MOS.

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5) RELEASED PG-13 THEATRICAL CUT

This was the major reason why the film received negative reviews by critics and general public. A 150-minute film released in March worldwide offered us a confused broken story-line making every viewer Sherlock to magnify and puzzle the broken pieces himself/herself. The editor who chose to cut no less than 30 minutes lacerated very very critical and defining moments of the film due to the fact, the critics and general public turned clueless and gave up.

Had the producers decided to release the 182-minute original cut in first place, the critics would have penned positive reviews and would also have made the percentage bar rise above in Metacritic and Rotten Tomatoes. The general viewers would accept and the box office collections would definitely hit a billion-dollar mark. Like I said before, I waited months and watched the original cut at first place, and I admit that this version meticulously made more sense than the released one, defined the core characters more broad and created a more cohesive transition.

ADDITIONAL FOOTAGES IN ULTIMATE EDITION

 

Like I wrote above that many of the important scenes were badly cut from the released version. Let me notify you the deleted scenes proving the laziness of WB for forwarding the film without pointing or realizing what a terrible mistake that was;

1) Jimmy Olsen wasn’t introduced in the beginning.

2) Superman wasn’t shown helping the rescuers pulling out dead bodies after the blast in court which after that he flew in disdain and left the scene with the witnesses sharing negative responses.

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3) The very next scene, Lex Luthor rushed to LexCorp only to spot a damaged glass-box with no kryptonite. It never showed the viewers that Lex Luthor had seen the footage from one of the CCTV cameras that Batman entered the LexCorp office and grabbed the element. Had they shown this scene in released version, would make sense for viewers how in the world the Caped Crusader got the Kryptonite.

4) Both scenes featuring Jenna Malone was cut from the released version which made the viewers pay a very heavy price of dislikeness. Malone played the scientist at S.T.A.R. Labs, Jenet Klyburn, who has a couple of scenes in the film of sheer prominence. UE version clears that she is the one to whom Louis Lane hand over the bullet for scanning  which was shot and found in Africa.

In the other scene after the blast in court, it is again she who confirms that the same bullet and Wallace Keefe‘s wheelchair were made from the same metal and the inside of wheelchair was lined with lead. And we know Superman’s weakness that he can detect any solid object but not lead. Without this confirmation in released version, viewers would have raised the question how come Superman didn’t detect a bomb in the court.

5) The most important cut from the released version easily was the moment before the arrest of Lex Luthor which shows the upcoming JL villain Steppenwolf. His cameo before the arrest of Lex Luthor in UE was a very critical bombshell on the viewers after watching the whole film. WB will regret cutting this scene from the released version. An angry departure of his hologram existence after communicating with Lex Luthor raised questions. Was Lex aware of Steppenwolf’s existence even before he planned to take on Superman? Was Lex already in talks with him? Was creation of Doomsday idea of Lex or his? and many more. But in any case, his short appearance in ultimate edition made some sense of properly introducing the commander of parademons. The announcement of his being main villain was unnecessary if they had included this vital scene in released version.

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HOW DC EXTENDED UNIVERSE SHOULD HAVE BEEN CREATED AND PRESENTED?

 

Ok I know the existing universe will run as planned whatever the case is but I have every right to forward my idea of a better and acceptable universe than this. Because in first place, I disagree with the decided structure of this running cinematic universe due to the reasons I explained above in Improper Construction of DCEU.

I need no urgency or haste to play cat and mouse game in order to come close to Marvel and their universe. If WB would hand me this responsibility, I would prefer presenting origin stories of iconic heroes over a gladiator match and assembling of JL at the speed of light. My creation of universe will have phases (say Phase I, II, III and so on). For a better foundation, my pillars in Phase-I should be strong enough to hold the next phases.

My Phase-I will have 8 films, seven of these will be origins-based solo films for each original member of the JL. Those members are Superman, Batman, Wonder Woman, Green Lantern, The Flash, Aquaman and Martian Manhunter. The reason of strictly picking these seven heroes for Phase-I is because when the first ever Justice League was assembled as JL or Justice League of America (JLA), the above-mentioned superheroes were assembled to appear in The Brave and the Bold (issue#28) back in 1960 conceived by writer Gardner Fox. With seven origins-based solo films, my eight and final Phase-I film will be a proper JL film where all the seven above-mentioned heroes will unite to fight against one of the main allies of Darkseid.

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This is the most simplest way to present a universe with more breathing in origins and character developments in superheroes each film. Just like MCU did for their first and the most impressive phase. By second and third phase, all seven superheroes can proceed to complete their trilogies with other films to introduce other potential superheroes like Green Arrow/Black Canary, Booster Gold/Blue Beetle, Shazam/Black Adam, Birds of Prey, Teen Titans, Supergirl, Hawkman/Hawkgirl, Lobo and many more.

WHAT TO EXPECT FROM FUTURE DC FILMS?

 

With 81% record drop in box office collections in second week, WB was hit by a meteorite with the most harsh responses and many of the viewers complained the film to be humorless. For the sake of excellent collections from future DC films, the producers are compromised to add humor in a dark universe and fulfill their demands, so that their eyes would meet a glimpse of a colorful circus show like the shows which are produced by Marvel studios. This is like a gunfire on an old pedestrian walking in a narrow street.

Some sources say that many scenes of upcoming Suicide Squad are re-shot for adding humor. Zack Snyder also has cleared that upcoming JL film will have a lighter tone than BatSup film. My expectations can raise the bar only if the upcoming films offer me potential stories and strong connectivity with storyline of other films keeping a balance between humor and dark. A serious story like BatSup cannot offer you humor but may entertain you once you understand the characters and their worlds.

For me, my major concern in future DC films is seducing me with dynamic presentation of stories where the directors properly focus on hero’s character development and nurture him/her with the flow. No matter the film is dark or funny, the director should use the influences and creativity of great comic writers and apply in their story, the winner must be the true portrayal of superhero and the audience should provide a positive response.

Roping and involving Geoff Johns and Ben Affleck for upcoming JL and Batman standalone films is a brilliant decision from WB. A creative team of comic-book consultants should be established under Johns who would have authority to raise their voice over the scripts and screenplays.

CONCLUSION

 

BatSup case is a mature affair with super-excellent work on screenplay and action sequences. The characters, Alfred and Lex Luthor, offer you to listen the best and powerful dialogues whereas performance-wise Ben Affleck as Batman is the true winner and his portrayal will remind you numerous Bruce Waynes from comic books. Laurence Fishburne as Perry White and Amy Adams as Lois Lane play tremendous supporting roles.

Henry Cavill as Superman is a dignified figure but not signified. He has been impressive but after finishing two superhero movies, I am still waiting for some signature mark on the character. He is yet to remind me Superman from the comic books as Christopher Reeve defined him in his time.

No wonder how many great actors have played the role of Alfred Pennyworth but none of them remind me the character I read in the comics. Not only the films, neither Alfred of Gotham TV show nor the one in the game Arkham Knight reminded me. Hans Zimmer (in his final superhero film) and Junkie XL produced very impressive scores. Zack’s favorite cinematographer Larry Fong has done terrific cinematography like previous Zack films.

I would like to humbly request all of you who have read such a lengthy review or to which I call an Ultimate Case, to kindly avoid/ignore the released version and consider it as a bad dream but give a favor to yourself and watch the Ultimate Edition. May the future DC films does Justice, Amen.

FILM RATINGS: 8.3/10

FOLLOW ME ON TWITTER @saminaik_asn

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Dawn Of Justice – The Ultimate Case (Part-1)

Posted: July 9, 2016 in Film Reviews, MovieTalks
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My excitement towards the film began three years ago after release of Man Of Steel (MOS) when to a very huge surprise for comics readers, it was announced in San Diego Comic Con 2013 that two of the most iconic superheroes, Batman and Superman, will feature in same frame for the first time in cinematic format. The hint and hope of bringing Batman in Superman’s world was humming when Christopher Nolan and David S. Goyer forwarded the idea to the Warner Bros. (WB) studio to bring back a Superman film. Both gentlemen were involved in The Dark Knight Trilogy as franchise’s director and writer respectively.

I will turn my head towards the proposed and finalized slate for DC Universe later. First thing first. The film was easily one of the most awaiting films of this year. Keeping in mind the decades-long rivalry among comics readers of two of the most recognized publishing companies, DC comics and Marvel comics, it was a huge test for WB to surpass all the expectations and make the new fictional comics universe look promising. Sadly the film couldn’t live up to the expectations and after a record collection on box office worldwide in first week, it suffered more than 80% drop in 2nd week resulting into failing to reach the rank of distinguished films of the elite three commas club.

Luckily I planned not to watch until the high-definition quality show up. Before the release, most of the critics unexpectedly passed extremely negative reviews. Then viewers heavily criticized the film for being too dark, humorless, lengthy, boring and many more. My honest believe was either the trailers of BatSup I watched were the most beautiful deception or the film’s message didn’t convey properly. When the news break out that the director’s cut will be releasing soon with additional footage of half an hour, then I made my mind to watch the ultimate edition straightly instead of the released version.

After watching directly an ultimate edition which was a three-hour film, I was at ease to say that it was much a defined film with many loose plot holes cleared. BatSup was pretty a mature affair on a well established script connecting with future DC films. The viewers must understand that as per the future plans of DC films shared universe, three aspects were taken into consideration while the film was shot;

1) Continuity from events of MOS

2) Batman taking on Superman after Metropolis attack

3) Foundation of Justice League (JL) by connecting the story with future DC Films

In all three cases, the running time of film was supposed to stretch at length so that it may offer you insiders for the coming busy years of the shared universe. At the same time, I feel sorry for viewers that they had to watch a released version of what looked like an incomplete film. My brothers pointed me the scenes which were cut from the released version which made me realize what a terrible mistake the producers made.

WHAT WENT WRONG???

 

1) UNIMPRESSIVE START

The film began with quite a traditional curtain openers presenting the name of film with cast and the rest which now often do not happen in big films. Plus beginning the film with Bruce Wayne’s origins was a bogus idea. Director Zack Snyder should have saved this moment exactly after that gladiator match when Superman speaks the name “Martha”. The film should have begun as depicted in the second scene that Bruce arrives Metropolis and struggles to rescue.

Also I have sympathies for Bruce whose parents come to the screen to get killed whenever they show up. His parents have more than that to offer in few Batman story-lines in comic books. Any of his parents’ moments with Bruce can be utilized in film and replace the scene with their murders because it has been repeated so many times that viewers are bored now.

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2) CASTING SHAH RUKH KHAN AS LEX LUTHOR

Among all the performances, the character which majorly disappointed me was Lex Luthor Jr., the role performed by Bollywood actor Shah Rukh Khan. Could have been better if Jesse Eisenberg really have played the role as was planned. There was just too much overacting and Joker-esque phenomena which visually do not come up to villainthrophy. I tried my level best to take the character serious as his given dialogues were so powerful and because he IS the main villain and the creator of Doomsday. But I guess Zack misunderstood the character and made it look crazy and annoying.

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3) BATMAN – THE PUNISHER

Ben Affleck’ version of Batman, the suit, the batmobile, the batplane, the weapons.. every single thing was very very well up to the mark besides one thing which I found not of his combating nature anymore, KILLING!!! That is some bitter truth that Batman used to kill his enemies in the earliest comics and you won’t believe but in brutal ways. I remember he once flew batplane with a monster whose neck was hanging by the rope and threw it in flight when it died. Well later on Batman decided to follow no-killing rule on which he is persistent for long long time. There have been moments in comics when Batman could have lost his patience and killed someone. In Batman: Under The Hood story arc, when Jason Todd demanded to Batman to kill the Joker after the tragic event in Batman: A Death in the Family, this was the most emotional moment he could have changed his mind but he chose not to kill the Joker.

If intensity has raised such a bar to test Batman’s patience and made him stick with no-killing rule, I see no reason of killing 32 bad people in the film whatever the situation is. Killing is simply not his cup of tea.

4) “MARTHA” & INSTANT BESTIES

 I don’t have any idea whether Zack left the director’s chair and asked some amateur guy to conclude that epic fight or did he eeny meeny any of his alternative ideas of concluding the fight because this was the most ridiculous and embarrassing conclusion. This was not written on the clouds nor should Zack fool every viewer to make a fight turning into some B-grade parody.

Sup calling his adopted mother’s name to avoid killing from Bat Wayne was total nonsense. In few seconds, Bruce converted his enmity to friendship and even promised him that he won’t let his mother die, and later when Bat saved his mother, he gave a one-liner “I am a friend of your son’s” ffs!!!! This doesn’t make any logic!! This vacuous nonsense killed the viewer’s tempo and seriousness turned into laughing-stock. Director would have concluded this fight by more than hundred ways but not this.

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5) UNNECESSARY EXPOSURE IN MARKETING

Reaching to the hype the producers created by the announcement of the film, many theories and rumors developed on the internet about the possible plotlines. Some theories later turned true as it happens with many films. But quite an excitement hit a low with over exposures. As Lex’s creation was much in discussions, they dropped the bomb in their second trailer by exposing the Doomsday as his very creation. I had no issue in his revelation but the trailer had exposed too much the origin of its character.

The second blow was in the beginning of this year when Empire Magazine gave a huge spoiler of Omega symbol. That opened further doors for completing the puzzle, with same picture introduced in final trailer. Showing Parademons in trailers was also very unnecessary. The plotline became too predictable after that.

6) KILLING JIMMY OLSEN

For God sake why? Why in the world did you kill such a prominent character who is Superman’s best friend in comics? Character of Jimmy Olsen should have been utilized for a lot of supporting role between Daily Planet and Superman. His portrayal of a CIA operative was taken from Mark Millar‘s Superman: Red Son, the other comic book story-line than The Dark Knight Returns the story of the film is inspired from. Killing of Olsen in this universe is a huge loss.

MAJOR PLUSSES

 

1) COMICS REFERENCES & IMPORTANT CLUES

The most impressive aspect of the film was its tribute to few comic books. Many of the scenes, many many scenes were referred from comic book issues and this is exactly what should be done in all comics-based films.

The Dark Knight Returns:

> Murder of Bruce Wayne’s parents was exact from Frank Miller’s The Dark Knight Returns. Even the killer’s gun caught under Martha’s string of pearls was accurate. Another peak of accuracy was the timeline of tragedy in the film set in 1981 which naturally made two important things look realistic. One was that Young Bruce in the flashback was seven (Alfred confirmed us at the White Portuguese ship scene) making him born between 1974-75 which makes him in forties today, exactly as Bruce Wayne is presented. Second is the marquee of Excalibur in the flashback, keeping in mind the famous British film with the same title was released in the same year. Well done Zack!

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> Two cops checking some abandoned building near Gotham Seaport encountered the Caped Crusader and exchanged similar conversation as in the book.

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> Superman affected by the nuclear blast and recharging was also taken from the same book.

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> Batman bursting the wall to grab a bad guy and exchange of words were almost similar from the same book. The main difference was in comics he was saved a girl and in film, he saved hmm can I call her name Bruce?

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> The scene with lightning in the background after Batman saves his ass from Doomsday was homage to one of the most important comic covers.

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> In the last scene after Lois dropped handful of dirt on Superman’s coffin, it later floated or shall I say levitated will remind you the conclusion of the book with a different superhero.

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Others:

> The Flash sending message and warning Batman in Bruce’s dream was homage to Crisis on Infinite Earths where The Flash visits to several superheroes and warm them.

 

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> Don’t know if I am accurate here but I believe Lex’s insane repeat of “Ding, Ding, Ding” was the sound of Mother Box‘s “Ping, Ping, Ping” depicted in various comic issues.

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> Ralph Lister played the role of Dr. Emmett Vale who brought the hunk of Kryptonite found in the Indian Ocean to the lab of LexCorp. Dr. Emmett Vale is the creator of Metallo, the Kryptonite-hearted cyborg and also one of Superman’s dangerous villains.

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> Robin’s damaged suit in Batcave was a well-known tragic event of brutal killing of second Robin i.e., Jason Todd. Joker killed him in A Death In The Family.

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> When Doomsday fell back to Metropolis after nuke, he was dropped to uninhabited site called Stryker’s Island. This is a prison in Metropolis holding Superman’s most dangerous foes in comics. This place holds same importance to MOS as Arkham Asylum to the Caped Crusader.

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> Perry White spoke the line to Clark in Daily Planet office “It is not 1938”. 1938 was the birth-year in history of comics when Jerry Siegel and Joe Shuster introduced/launched Superman in first issue of Action Comics. This was a historic event which began the Golden Age of Comic Books.

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> This film will be remembered for ages for two most important reasons. The biggest obvious reason was bringing two iconic heroes together for the first time in a cinematic venture. The second was offering us viewers a cinematic look at DC Comics’ most unthinkable and unforgettable comic-books event, Doomsday and Superman killing each other. The event took place in story-line The Death of Superman when both titans ultimately punched each other, collapsed and died. Almost similar event occurred in the film when both the titans killed each other and collapsed at the same moment.

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> In Superman’s funeral, his coffin is black with silver ‘S’ reminding the return of Superman when he wore black suit with silver ‘S’ on it.

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> Superb Easter egg or shall I say a very unexpected bombshell!!! While the funeral of Superman was carried out, 5 military planes flew in the air to honor the deceased God. But one of the planes after few seconds flew straight up. That may be Dan Amboyer who in IMDb is listed as uncredited ‘Drone Pilot’. This scene gave a major hint that it could be none other than Amboyer with the role of pilot i.e., Hal Jordan a.k.a. Green Lantern, who paid the tribute and left the site.

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2) LOIS LANE’s CHARACTER PROMINENCE

That one supporting character which impressed me a lot was Amy Adam‘s Lois Lane. Zack gave her a shot more critical than her role in MOS. She was the one who washed the bad image or say ‘False God’ image of Superman, she was the one who found LexCorp corrupted. She got a lot of space to settle a case of corruption behind the curtains between Batman and Superman.

3) 9/11 AND US POLITICS

This was the original script presenting a plot somehow bringing the iconic heroes together but more than that there was a more human part involving politics and conspiracy theories. The collapse of Wayne Financial gave me a feeling of 9-11 event when twin towers collapsed. Theology and science compromised on Metropolis attack as the defense and security measures became a question mark.

Also when the film headed towards Africa where Lois Lane deal with the commander of Tuareg fighters, it offered to watch more involvement of US govt. African scenes brought a glimpse of insider of American invasion of Mali few years ago if I am not wrong!

The Godly figure i.e., Superman became a confused figure to whether classify him a good God or a bad God. Senate hearings and further attacks pushed towards more of viewers assumptions. I like the angle where the Metropolis attacks became a much concern of somehow bringing the saviors at one platform in future. 

4) FUTURE DC FILMS’ CONNECTIONS

Keeping in mind the BatSup film is foundation for future DC films, I would like to appreciate the director in connecting the story somehow with interesting shots. Zack had confirmed before the release that future films on other superheroes won’t be origin films, so he presented some glimpse of interesting events happening in other parts of universe mostly from JL film.

Batman has dreamed bad in comics and he dreamed twice in film. In first dream, he visited graves of his parents and noticed blood seeping out from Martha’s. The grave broke and out came a colony of bats. Then appeared a human looking bat. That could possibly be Dr. Kirk Langstorm a.k.a. Man-Bat which gave us a hint that the villain may possibly feature in future (could be in Batman standalone film). Those who have played Arkham Knight would know the villain.

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In another dream, Barry Allen appeared from a questionable timeline to warn Bruce about a possible threat from Superman and confirmed how correct he was. He specifically spoke about Lois and said “She is the key”. This scene is very possibly creating a bridge with the JL film to be released in Nov.2017.

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Another important scene connecting JL film was Batman visiting post-apokoliptic world. Batman witnessed Omega symbol on the ground which confirmed the existence of Darkseid and obvious involvement in future DC films. The flying creatures in that action sequence were Parademons which in comics are troops of planet Apokolips ruled by Darkseid. So fingers crossed on the precise location of this scene. We will come to know about this location in future whether Batman stepped in Apokolips or some land occupied by Darkseid and his troops. Now that Steppenwolf is confirmed the main villain of JL film, so there is possibility to see Darkseid very soon because he is Darkseid’s uncle.

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Stone father & son had an interesting cameo. Father Silas Stone used Mother Box to repair critical injuries and replaced lost body parts with mechanical limbs to his son Victor Stone a.k.a. Cyborg. Mother Box in comics is a portable supercomputer which posses powers and abilities. Now that the sources confirm that the major story dropping in JL film is Steppenwolf searching three Mother Boxes, which are located in Atlantis (Aquaman), Themyscira (Wonder Woman) and Earth. So the earth part is Cyborg’s for our understanding.

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WHAT SHOULD HAVE BEEN ADDED???

 

1) THE JOKER KILLING JASON TODD

Where ultimate edition cleared a lot of misunderstandings and plot holes from the released version, they missed a very important scene to add which was the fate of Batman’s counterpart Jason Todd a.k.a. Robin. In Batman: A Death In The Family, The Joker killed Jason Todd which is one of the DC Comics’ most important events. The Joker played by Jared Leto will feature in Suicide Squad but would have been more than a favor to add the tragic event exactly when Bruce looked at the damaged suit. A couple of minutes on the tragic flashback was easily replaceable to uninspired story-telling daddy Kent scene which was easily the most useless scene of the film. Now the tragic event is expected to hit the screen in Suicide Squad beginning a new cinematic phase of Batman-Joker historic rivalry.

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2) GOTHAM CHARACTERS

As much as the viewers and journalists have called the film ‘overstuffed’ as well as the actor who played Alfred, Jeremy Irons, I would still pass a mark of appreciation towards the director in keeping some balance among the characters and story-lines connected with future DC films sharing the same universe.

In the meantime, I still believe that Gotham city didn’t get that exposure which was required in such a lengthy screen time. Alfred was the only recognized Gotham character supporting Bruce in the whole film as his parents were as usual killed again in couple of minutes. Lucius Fox is a potential character which the scriptwriters badly missed. With such remarkable work on Bat machines, Fox deserved to appear for couple of scenes. Also any member of the Gordon family should have been introduced.

(((Here I conclude the first part of my ultimate case towards the Dawn of Justice. The next and final part will be published very soon.)))

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