In a very advanced future, Cameron Turner (Mahershala Ali) is in the last phase of his life because he is dying from an incurable disease and leaving behind his wife Poppy (Naomie Harris) and a kid who have no knowledge of his illness. Dr. Scott (Glenn Close) strongly recommends replacing himself with his clone that will keep his family away from the grief. A proposal that sends Cameron further in a state of perturbation.
My problem with the film is that such a limited plotline is stretched to 112 minutes of the screen time which makes this slow-burn more on nerves. There is no doubt about the film being better than average with a quality casting and Mahershala giving a splendid performance. But the plot is so small that the film basically does no favor in screenwriting. A story like Swan Song deserves its place in a sci-fi episode of some television drama; speaking of which reminds me of Black Mirror. This Swan Song is an authentic Black Mirror episode.
Swan Song is thoughtful and questions you about your existence that is predicted not to be that long and you have to leave your family behind. If a human clone is an answer to eradicate or lower the level of grief in the human race, where will it end? How will you bear to be replaced and decide not to inform your family about the development? Your nature of death cannot delay but the distress upon your family can be reduced. Science further finds solutions and discovers the answers somewhere in the universe but the dying human cannot wait in queue for the last train to heaven as the emotions get restored in the clone to please his/her family. Thou shalt not covet!
Mahershala Ali will break your heart, burn your vehemence and make you extremely impatient. Swan Song is your typical sci-fi diet that should be watched alone in a dark room so that you theorize and digest the deep understanding about dramatizing the clone situation.