Charlie is an English teacher and suffers from morbid obesity. He carries 600 pounds and lives an isolated life. Nearing his death, he wishes to reconnect with his wife and daughter.
‘The Whale‘ is a play written in 2012 by playwright Samuel D. Hunter. It was then dramatized in different theatres and Darren Aronofsky happened to watch one of the productions which made him decide to direct the play as the film with the same title with Samuel as the screenwriter.
So why the inception of ‘The Whale‘ took around ten years? Because Darren was not able to find the right actor who can play such a difficult role until Brendan Fraser.
The actor himself had been struggling for years with health issues and personal losses. And he was looking for the right project that would bring him back into the game. ‘The Whale’ is now the biggest talking point in Fraser’s acting career.
‘The Whale’ is a psychological drama set on Charlie’s last five living days at home. The film has extremely limited characters and only revolves around Charlie’s residence. Therefore, the film has the rich ambiance of a theatrical play. Charlie has a nurse Liz whom he considers his only friend. A visitor from the New Life Church often visits to him for spiritual rebirth but neither he takes interest nor Liz. The core of the drama is centralized on the complex relationship between Charlie and his estranged daughter Ellie.
This film is a huge favor for the audience to understand how the pain of a personal loss deteriorates health. And due to psychological problems, he also suffers from binge-eating disorder (BED). He is an introvert and due to his weight issue, he is highly insecure to socialize with people.
One of the story arcs of the film is his behind-the-door effort for formal conversation with a pizza delivery guy which was interesting. Here, Charlie is depicted to have tried to socialize after he never showed up at the door to receive pizzas. During the online classes, he switches his webcam off. So the detailing of his behavioral attitude will grow on the audience.
Something that I never expected from Brendan Fraser was him to be that good. I know, he is a good actor and had been trying to raise the bar of his performance and fame to be remembered. But being so magnificent was out of line. It is not easy to sit your ass six hours a day and wear nearly 300 pounds of prosthetics every day shooting with that emotional accuracy and acting consistency.
One can rub off the claim that it is just the support of prosthetics that makes his performance look legit. That is not the case. Watch how he grunts in pain when he syllabically reads the sentences. Watch him in the last sequence when he confesses while inhaling laboriously and then cries in pain. And the most heartbreaking was when he begs Mary and says “I need to know that I have done one thing right in my life”. Those are not prosthetics, those are gems of human emotions superbly performed.
AND THE OSCAR GOES TO…
Academy Award for Best Actor? Honestly, it is a tie between him and Austin Butler for Elvis. Both are magnificent performances for two entirely different roles. One cannot say that one of them bettered the other at all. For the first time at the Oscars, I would love to observe the joint Best Actor awards. The only way that will do justice.
‘The Whale’ is a tragic tale that will depress and kill you from the inside. The reality behind feeling better after reading the Moby-Dick essay is the new parallel of loving someone. Almost the entire review has been about Brendan Fraser because that is the reality. It is his presence and the story is fully centered around his character. Watch the performance of a lifetime.
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Young Paul Bäumer and his school friends join the Imperial German Army. They get excited when the uniforms are handed over to them and begin to romanticize their gallantry on the battlefield. Not a single clue do they have what they are about to watch as they are moved to the Western Front to fight trench warfare against the French.
In 1928, the German novelist Erich Maria Remarque published “Im Westen nichts Neues” based on his experience when he joined the army to fight the great war. The book achieved widespread critical acclaim and sold 2.5 million copies in the first 18 months.
Two years later, the book was adapted into an American film “All Quiet on the Western Front”. The film won both the Best Picture and Best Director awards at the Oscar, the first to do so. Also, the first to win Best Picture that was based on a novel.
Unsurprisingly, the author was declared ‘unpatriotic’ by the government in the following years, and his books were banned, removed from the libraries, and burned. There had never been a film produced in any part of the world that adapted this novel until none other than a German film production decided to adapt it.
‘All Quiet on the Western Front’ is based on the final events of the first World War dramatizing blood-boiling painstaking action sequences that reflect the mental and physical trauma the German soldiers faced and suffered.
The most successful point about the film is that it is a period film that magnificently establishes and serves its purpose to be an anti-war film. Usually, films based on war try to glamorize the heroics of one and satanize the other. Some war films focus on basing the film on a depressive note highlighting a tragic story that suffered during the war. But the essence of this film lies in the negative nature of the war. This film successfully proves that war brings no hope but despair.
‘All Quiet on the Western Front’ is extremely human with a realistic approach towards the mannerism and wants. For example, a few soldiers witness some French women walking in the fields. It is such a delight for them to watch after such rough times on the field. One of the soldiers couldn’t resist and spent some time with one of them and returned with a woman’s scarf as a souvenir. When the soldier shows the scarf to his friends, each of them smells and feels it. An accurate and very understood affection the human is bound to take pleasure in after fighting on the field.
There are a few such scenes that recognize trying to establish some sense to the most powerful people in the world today. An illiterate soldier asks Paul to read his wife’s letter to him. A soldier collects the lockets of identifications and spots the one who saved him before. The one that was very compelling was when Paul repeatedly stabs a French soldier and distances himself. Seeing him dying remorses him and then he makes an unsuccessful attempt to save him but it is too late. The message was clear in this incredibly shot scene, the war brings no peace but destruction.
The significance of gas masks has been highlighted in this film. Somewhere in the first 20 minutes, the German troop is immediately alarmed by the gas attack and ordered to wear a gas mask. In the midst of the film, 60 of the missing troops are killed by the gas because they mistakenly took off their masks soon.
The use of this psychological weapon of a chemical attack was the counterattack of the French. Because it was the Germans who introduced this poison gas when they used it in the Second Battle of Ypres in Belgium in April 1915. If I am not wrong, this was the first ever poison gas attack in warfare history. How ironic to see the German Army being the victim of what they created!
One of the most critical observations about this film is at the beginning of the film. Rational and thoughtful. When the soldiers get killed in the war and buried in their coffins. Their uniforms are washed, pressed, properly starched, sewed, and made to look new and fresh product that gets reused by the new recruits who wore them excitedly.
This matter can be taken lightly or pressed in a positive or a negative matter. Fully depends if you are okay with that or if you find it rubbish. From a positive angle, it is the transfer of honor from one to the other.
From a negative and a more critical perspective, the uniforms were handed over without respecting the martyred because the uniforms could have been delivered to the families. Perhaps the film wants to show that the-then army didn’t want to invest in the new uniforms. Or maybe this is how it is in some parts of the world. I have no knowledge about it but in all honesty, I feel the uniform of the martyred either should be handed over to their family or bury the martyred in that uniform.
The film remarkably settled the balance of the noisy battles and the table-talk silence. The latter part is the people in power trying to outdo each other. I found out on the internet that the scene of the armistice is not in the novel. But I am okay with it because including the events of the armistice was extremely important as the film intended to show how the first World War actually concluded.
It is highly accurate that the armistice was signed between Germany and the Allied Governments at 5am and would take effect at the 11th hour on the 11th day of the 11th month. And the battle was intentionally fought until 11 am.
But I am not sure about the real reason behind the six-hour delay. Why the war has to end at 11am? Why not at 5am when the armistice is signed? There were nearly 11,000 casualties on the final day of the war. 3000 of those lost their lives in those six hours. A very costly delay but the film took the responsibility to dramatize the fight of those six hours that you may rather call brave and courageous or foolish and madness.
I didn’t base my film review to develop a discussion about history but to inform the readers that ‘All Quiet on the Western Front’ is one of the most human films based on a great war and reflected on its consequences. An anti-war film that does not allow to glamorize heroism but rather dramatizes it as the need of the hour.
The ugly sense of blindness about the harsh realities of war are well dramatized. The displaying of horrifying war action sequences in compelling cinematography is breathtaking. This film would have looked more realistic if directed in monochrome.
One of the biggest achievements of the film is that despite the fact that it is a German film based on the Imperial German Army, the audience will not distinguish it but consider it as a loss to humanity showing no concern about what side you are on.
The film is a dead man’s poetry that flew away and sunk into the mud. It is one of the most honest representations of the tragic human phase of the fighting soldiers who died in the most brutal fashion with a picture of his wife and kids in their pockets.
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After sleeping for five thousand years, Teth Adam returns as the savior of his nation Kahndaq from the crime syndicate called ‘Intergang‘.
When his wrath on the cruelty results in casualties, Amanda Waller alarms Hawkman to look after the matter before the consequences turn worse. Hawkman assembles the Justice Society (JSA) and therefore begins a clash of antiheroism between the rights and wrongs occurring in Kahndaq.
Black Adam is finally released after years of speculation and theorizing the certainties of how to connect the dots with this film to the entire DC Extended Universe (DCEU). Being one of the most awaited films from Warner Bros. and DC Comics, Dwayne Johnson left no space to hype his most promising project to date.
Not off-topic but the Black Adam film tries to stay in touch with comic roots but not accurately. But it is necessary to speak about a few points that I observed in the film.
Isn’t Black Adam a JSA member?
Yes, it is true that Black Adam was not a part of JSA. He became a JSA member pretty late. If I am not wrong, he wasn’t a part of JSA in the golden, silver, and bronze ages. He became JSA in 2001, even after heroes like Black Canary, Stargirl, and Hawkgirl.
It is amusing to see that Atom Smasher was the nephew of the original Atom Smasher played by our beloved Fonzie, Henry Winkler in a cameo. Henry’s character Al Pratt is The Atom and as mentioned before, one of JSA’s founding members. Worth observing is that Doctor Fate and The Atom are old and hence represent the golden generation of JSA.
While Cyclone requests an entry permit at the gate, a few of you may happen to notice the screen outside the gate showing up her data. Yes, she indeed is the relative, the granddaughter of Abigail Hunkel a.k.a, Red Tornado. This also means that Red Tornado was also part of the golden team of JSA.
The screen also indicates that Cyclone is a very intelligent student. In comics, she is a student of Harvard University and has a slightly different but still mindblowing score of 4.0 GPA and 1300 SAT.
The freedom fighter in the film Adrianna Tomaz is a disappointing character alteration. In comics, she actually is Black Adam’s wife Isis and she has a major role in Black Adam’s life as she dies and Black Adam in fury begins to kill the entire human race in the World War III storyline.
Kahndaq in the present day is oppressed and occupied by the international mercenaries called ‘Intergang‘. Now, what is Intergang?
Intergang in comics is a crime syndicate that was run by the Mannheims (Boss and his son Ugly) and the Edges (Vincent and his son Morgan). The organization was armed with advanced technology supplied by the New Gods of the planet Apokolips. Yes, Darkseid was the benefactor who was using the organization to disinter the anti-life equation.
Here, I am really hoping that Darkseid is not the benefactor of the Intergang just like in comics. Because if DCEU shows his planet supplying arms and technologies to them then how come Darkseid is unable to trace down where the planet earth is? That will be the biggest plothole ever.
The CGI and action sequences are impressive. I loved the fighting between Black Adam and Hawkman/Doctor Fate. Aldis Hodge as Hawkman and Pierce Brosnan as Fate were the best performers in the film. They were heavily suited to the roles and did justice.
The costumes in the film were close to perfection. Even if comic books had a little different idea, it was equally exciting observing the heroes in these costumes.
The mid-credit scene of Superman’s arrival to face Black Adam definitely is exhilarating and the audience expects more from here. Honestly, if I was in Amanda’s position, I would rather send Shazam to Black Adam, not Superman.
Black Adam held a lot of importance for an ever-collapsing DCEU to boost financial expectations, and critical acclaim, and make the film acceptable to the audience. But once again, neither critics accepted nor the audience in majority held the film in supreme compliment like they usually do for Marvel releases.
At a budget of over $200 million, the film has done a global business of only $389.2 million until 13th December which is a sheer disappointment, I assume not even break-in. Wakanda Forever, which was released three weeks after Black Adam has grossed $769 million at a budget of $250 million.
So what went wrong with Black Adam? Was the film overhyped? Is Black Adam that bad? YES.
Only 125 Minutes?
Black Adam lacks a standard screen time under which Black Adam and the Justice Society deserved a lot of minutes to develop the screenplay and the characters.
Black Adam was more of a typical science-fiction action-thriller than a superhero film. In the screen capacity of only two hours, the film had a lot to do to settle the audience with the politics of Kahndaq, the origins of Teth Adam, JSA’s own introduction, and the antagonist of the film. Thus, the writing of the film repeatedly faltered and strongly reminded me of Josstice League.
I think Warner Bros. still haven’t learned from their mistakes or maybe Black Adam is the final film of Walter Hamada‘s troubling era as president and we shall witness improvement under the new presidency of David Zaslav since Warner Bros. and Discovery have merged.
With the given plot, Black Adam was no less than a three-hour film. Due to the extremely short length of the film, the makers failed to dramatize a lot about Teth Adam’s backstory and ran most of that part in the narration.
The worst underdevelopment of the story is the Justice Society. Hawkman introduced and narrated their backstories and assembled them within three minutes. Within three minutes! The screenplay has a plane to catch and also to catch the train to compete with the Marvel Cinematic Universe (MCU) like that. The same formula Warner Bros. stick with in the past when Justice League and Suicide Squad were introduced and assembled within a few minutes.
And then the worst of the kind of the writing element in such a dark and tragic chapter of Teth Adam and the entire plot, needless and unnecessary humor stretched to more than a limit.
The application of jokes on such a serious plot clearly looked intentional by the makers. The jokes were fitting nowhere and not making any sense at all. Let me share with you some ‘fUnNy’ moments for your ha-has. When Adrianna successfully establishes communication between Black Adam and the Justice Society, Atom Smasher is eating a bucket of chicken.
Black Adam breaking the walls to enter the other room instead of using the door looks senseless. Were there no doors five thousand years back? If that happened in the comics is the other thing, just like Batman disappearing in a blink. The character of Karim was annoying and close to being unreal.
Speaking of unrealistic, the writing of this film is very incoherent and full of dumb plotholes. Teth Adam exposes himself to the city and besides a few scores of witnesses in shock, people are generally busy in their usual routine.
A bigger dumb plothole is that Intergang guys are still checking cars at the checkpoint. No one in the intergang is alarmed about Black Adam’s return, it is the boy Amon who indicates them to witness him. No social media or news media breaks the news about something supernatural that has shown up in the city. Why didn’t Fate take the crown of Sabbac from Amon’s bag?
JSA not knowing Teth Adam in the first place and believe it to be a myth looks displaced. Many JSA members have been on different planets for thousands and maybe millions of years. How come they do not understand how to put up a fight against Teth Adam?
Why didn’t Hawkman assemble a team of veterans who were more experienced than the rookies, Cyclone and Atom Smasher? Cyclone and Atom Smasher were like some rookie dance extras who were promoted by their managers due to a lack of manpower. This was the best chance to introduce Gardner Fox’s most iconic JSA team to fight against Black Adam. Only Hawkman and Doctor Fate appeared.
Black Adam heavily suffers from a below-par direction. There is not a single shot that builds in the audience with some excellent cinematic impact.
There is one shot where Black Adam’s son dies. Instead of investing one solid screen minute in Dwayne as the father of the dead son, the director flew him away with rage.
Amon’s uninspiring speech in such a low voice pitch to unite Kahndaq people to fight, skating to mom and leading the band of Kahndaq people furiously marching the street was so cheesy, so cringy, and so mainstream Bollywood. Another irritation is the unstoppable background score and which is too unimpressive. It kept playing on our ears and torturing us.
Dwayne Johnson as Black Adam reminds me of Dwayne Johnson but not Black Adam. His acting is very restricted and doesn’t bother to test his limits. There is so much tragedy in his story but Dwayne’s performance is nowhere flexible.
The story had potential but badly lacked direction. Black Adam is like a Bollywood film with a gigantic budget. It is a visual spectacle and popcorn-grabbing entertainer. But for the superhero genre, Black Adam is just another disappointment in the DC Extended Universe.
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Dr. Nate Daniels is a father of two daughters and is recently widowed. The eldest daughter reasons him for her death as she developed cancer immediately after her parent’s separation.
In order to emotionally reconnect with his daughters, Dr. Nate Daniels takes them on vacation to Africa where their mother grew up. Their family friend and wildlife biologist, Martin Battles, assists them in this wildlife journey.
But one shocking day, an injured lion that survived being the victim of the poachers, attacks them and thus begins their attempt at survival of a lifetime.
Beast is an action-thriller that was shot in South Africa and completed in ten weeks. The film’s biggest attraction is British superstar Idris Elba who plays Dr. Nate Daniels.
For the audience who are interested in watching a film based on wildlife survival, fiction or non-fiction, they basically are cognizant of the expectations from the screenwriting. If any of us watch such a film where the main characters are stuck in a compromised situation, we know that they will survive and overcome the unthinkable.
So where does the film stands in captivating the interest of the audience? I will give my fair share of developing zeal to invest my 90 minutes in a film that had Idris Elba fighting a lion.
The writing of this film in the first half convincingly develops the plot. And when the horror lodges to their heavy shock, the writing becomes exuberant.
The audience will build adrenaline when the family starts believing that something is terribly wrong. The element of intensity in this film is outstanding.
A flash of technical brilliance is a must to give a thrill to the audience. Beast offers to its audience excellent sound, an impactful music score by Steven Price, and an incredible design of dead bodies and injuries, followed by superb physical and especially facial performances by all four main characters, particularly the daughters. All these pluses are blended in some fabulous one-shot scenes, a quality of presentation that I wasn’t really expecting.
I feel the whole aesthetics of Beast from such an astounding first half loses that brink of establishing an equally promising continuity.
The pace of the film drops, the screenwriting of survival yet again enters into that Jurassic Park territory, things become obvious, and no further surprises are left to endure.
And some portions of the writing raise question marks throughout the film. How come the lion does not attack Martin Battles before running toward the family? Where were the alligators at night when Dr. Nate Daniels walks in the pond? Seriously, that is the time when the gators are active or perhaps hyperactive. Dr. Nate Daniels catching a snake looked pretty off, and so was the lion surviving the car explosion.
Where the pluses level on minuses, here I am observing a bigger concern throughout the film – the case of an injured lion. The pride is obviously hurt but more than that, the lion escaped being hunted by the poachers.
From that arc, from that angle, the lion was actually trying to survive by killing not even humans but animals too. Because the lion lost faith in everything when it was attacked. The lion senses every single nature installed on earth as its enemy and the only way to survive is by killing the others so that the lion lives without any chance of threat.
It is a tragic case for an animal. Despite being the villain of the story, the lion wasn’t really a villain. The humans started this. Had the film not dramatized that opening sequence, the lion would have always been understood as evil.
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Captain Pete ‘Maverick’ Mitchell is recalled to Top Gun for a mission where instead of being a fighter pilot, he has to train the Top Gun graduates. While returning to Top Gun, Maverick’s emotional phase meets new parallels, he reunites with his former girlfriend and faces his best buddy Nick ‘Goose’ Bradshaw‘s son Bradley ‘Rooster’ Bradshaw who is infuriated for genuine reasons. More than that, Maverick is still heartbroken by Rooster’s demise.
It is a crazy theory that one of the most iconic, memorable, and beloved films of all-time, Top Gun, can be thought to fetch a sequel after crossing three decades with the same poster boy and results in the legacy of the work meeting new heights. Top Gun: Maverick is unarguably the most ideal sequel one can dream of for their favorite film. This film exceeds all the expectations. It is a groundbreaking success and in my opinion, a cinematic masterpiece dramatizing aviation. You watch such incredible flying sequences and your eyeballs dare not to locomote for a microsecond.
Tom Cruise at 60 shows no signs of slowing down. He along with Top Gun graduates who are young pilots learned to fly fighter jets. They all were put through extensive three-month training to avoid air sickness. While shooting the scenes, the cast was sitting in the fighter jets behind the military pilots. And obviously, they didn’t get to sit straight in F/A-18. They had to go through Cessna 172, then Extra EA-300, then L-39, and eventually F/A-18 when the cast had built a strong ‘G tolerance‘. The young cast can exert that physical pressure but someone at 60 has to be a metahuman. Tom Cruise cruises his life towards extraordinary bounds. This is exactly why Tom Cruise is globally respected and recognized as a true superstar.
One of the most distinguished aspects of the old Top Gun film was the rivalry between Maverick and Tom ‘Iceman’ Kazansky. With the new film moving in a different direction, it was a blessing to see Val Kilmer somehow reprising his role and face Maverick for that one memorable scene. Writing off the Iceman character from the franchise once and for all was the right idea.
Miles Teller as Goose’s son Rooster was the perfect choice who facially reminds us of Anthony Edwards as Goose in the old film. This character was added with the burden of the emotional tragedy that became a complaint towards Maverick especially when the latter wasted a few years of the former’s career. Rooster’s significance to Maverick is so much Donnie Creed to Rocky Balboa.
The writing of this film never disappointed. I liked the pressing about Maverick’s character that despite old age, he wanted to fly and fight. Because this is what he meant to do. He is not a teacher but a naval aviator, a fighter pilot. His repeated insubordination didn’t let him grow further. Or maybe he chose to refuse to obey orders so that he could remain at his post for the love of flying.
The most impressive part of the writing that was followed from the old film is the introduction of the old flame, Penny played by Jennifer Connelly. This character was mentioned twice in the old film but was never shown who she was. Thirty-six years later, we all actually happen to watch this girl coming back into Maverick’s life, and is so exciting. Not sure why Kelly McGillis was not brought back. Could have been equally exciting to see her again meeting Maverick at some point in the film.
With the passing of thirty-six years between the two films, I also liked the recognition of moving ahead from manned aircraft to remote-controlled drones as noticed in the first scene. In order to avoid the shutting of Mav’s scramjet program, he flies the prototype to Mach 10 after which Rear Admiral Hammer Cain warns Maverick that the era of crewed fighter aircraft will soon end.
There was one thing I felt missing in the flying sequences in the old film – a birdstrike. This happened here and I am glad the makers showed the consequences of such tragic incidents. There were many breathtaking flying sequences but the one that screamed my soul was when the team struggles to escape from the SAMs after destroying the Uranium enrichment plant.
I was not convinced by a few factors in the screenplay. For example, the new rivalry between Rooster and Hangman was not detailed as Ice and Mav and therefore looked forced to remind us of the old rivalry. The character of Rooster is not much significance to the film as it should be for a strong supporting role. Mav takes command of the story in its entirety that Rooster looks like filling the minutes. The writing of Rooster lacked the strength to build its own importance in front of Maverick. The way Mav and Rooster stole F-14 from the destroyed air base looked like the writer was running out of ideas. It looked flat to me.
Top Gun: Maverick, in addition to the points I praised above, is the winner in the sound department as well as cinematography and direction. The writing of the film showed that the writers were faithful to the Top Gun legacy and therefore, gifted a respectable and very dedicated sequel to the audience.
A God killer is on the run killing Gods all over the universe which alerts Thor. And during the course of fighting against all odds, Thor reunites with doctor Jane Foster who, to his surprise, has the powers to wield Mjolnir and has become the Mighty Thor.
The plot had the potential to enrich the Thor franchise but unfortunately, once again, a Thor film is obsessed with forced humor destroying any chance to address the haunting excalibur that is spreading great suffering. All four Thor films were alarmed with incredible threats but made the joke out of everything that resulted in the supremely outrageous outcome.
It was annoying to observe how Thor and his team were being funny despite the children of Asgardians being kidnapped. The entire Zeus sequence was terrible. What was Russell Crowe doing? He could have such a command on a dynamic role but Zeus turned into some funny fat old fart. Absolute mockery. The appearance of the Guardians of the Galaxy was unnecessary.
At a budget of $250 million, the film definitely deserves praise for its striking visual effects and sound. But one factor that struggles to keep this film above the knees is Christian Bale‘s Gorr who was undoubtedly the best thing that happened to Thor: Love and Thunder. Every shot that had Bale was worth watching. It was as if Bale had strictly demanded the director Taika Waititi to be sober when he shoot his scenes. And then the whole understanding of Gorr’s fury was well executed. There was particular angst that troubled Gorr for not overcoming the tragic passing of his daughter and blaming the Gods for it.
The best and the most captivating scene of the entire film was the opening scene with Gorr losing his daughter. And to some extent, Gorr’s reunion with his daughter was also dramatized well. And this is where I am lost in Taika Waititi, he has two different dimensions of shooting a scene. He can make the entire sequence pledged with mockery by adding needless jokes. Or, on the contrary, will give an impact on the sensitivity and motion of the subject.
Why Thor got the fourth film is beyond my understanding. And Disney Studios are now going for the fifth. It is a one-timer silly film that is needed to be watched for the sake of being in touch with the Marvel Cinematic Universe and to watch Bale’s stupendous performance.
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Nothing extraordinary to explain what Elvis is about. It is a bio-drama about the life of the king of rock’n’roll, Elvis Presley.
Elvis is the fictional narration of Elvis’ manager Colonel Parker. Austin Butler plays Elvis and Tom Hanks plays Colonel Parker. Baz Luhrmann returned to the director chair after nine years to direct easily one of the most difficult projects to execute for a film project when it comes to a biopic.
Why do I call the project difficult? Because I opine that such iconic figures from any walk of life who had a lot of events in their lives need broad detailing and that is possible only in a limited series or a television drama divided into seasons. Due to very limited screen time, no film can come up with a story that has too much to tell in one go. And this is the exact reason why Elvis for me fails to impress me as some quality bio-drama.
Let me highlight a few points that disturb the edge.
1. A Road Runner Screenplay
From the start, this film is about competing in a 100m sprint race. Result? No development of any particular chronicle due to lack of breathing. The screenplay suffocates between Elvis’ childhood and fame.
2. Performances, Performances, and Performances
One after the other, Elvis performs and performs. Baz Luhrmann gives less concern to some sensitive contents that needed more intense dramatizing. Elvis’ relationship with his mother alone takes more than half a film as her character was that important. But due to limited time, Baz restricted most of the important things and focused on Elvis-Colonel chemistry. His army life, passion for karate, and two other relations with Linda Thompson and Ginger Alden are fully ignored.
3. Perplexed Aesthetics
Elvis is a confused script where the derivation and enthusiasm of the audience override. First, the film begins with the Colonel being the narrator and clearing the air to the fourth wall of why is he not to be blamed for Elvis’ demise. But in the second half, Colonel is visibly at fault with no audible commentary to reason any further. Second, Elvis is dramatized in a way that he was innocent of Colonel’s deception. So the motive of narration and the principle method of addressing the whole film in a particular way fails again.
4. Historical Inaccuracies
Too much liberty has been taken from the historical account. Neither Colonel met Elvis in the carnival nor convinced him at some mirror maze. The colonel was not even in the show where the female spectators couldn’t hold themselves watching him perform for the first time. The meeting at the Hollywood sign never happened. His famous number ‘That’s All Right’ is not depicted accurately. Elvis deceives the audience by trying to frame the screenplay as the true story of the legend.
Elvis doesn’t entirely suffer from lies and the points I have raised above. There are plusses that deserve to be mentioned and praised.
At the start, the young Elvis goes to the gospel church and reinvents himself. The entire sequence establishes his case where his passion for different music genres and dance moves came from.
Then the first live performance was directed really well. Even if the sequence was not inspired by any true incident, that shot was necessary liberty to describe the first shockwaves of listening and watching to Elvis. Colonel’s description of Elvis from that scene as ‘A Taste of Forbidden Fruit’ is the most perfect one-liner I can listen to about a music legend used in the film.
Tom Hanks as Colonel Parker will eat the sympathetic Elvis loyalists as the cruelty he imposed on his troubling life is painful to cause heartbreak, especially when Elvis collapses and Colonel orders to make him ready for the show. Tom Hanks displays a performance that successfully sparks hatred and annoyance. It was necessary and the legendary actor nails that.
And the biggest delight and the most positive angle of the film is Austin Butler’s performance as Elvis. Thank God Harry Styles was not finalized. I cannot imagine any actor giving his utmost effort to physically present Elvis out from the role on par or better than Austin Butler. This is an Oscar-worthy performance. This guy actually sang those tracks in the film, no singer playbacked him. The dance moves and some of Elvis’ memorable performances are so magnificently and accurately portrayed. The emotional fluctuations and breakdowns are so well-acted throughout the film. Had Baz committed a mistake in choosing his Elvis, the film would have met disaster. A huge burden of the film and Elvis’ legacy are well carried.
Elvis rejects being an authentic biographer and chooses to captivate and entertain the young audience about how Elvis and his music defined the era. Elvis focused on what took the king to become easily the greatest music entertainer until the arrival of Michael Jackson. The film is depicted from the colonel’s angle and it would have been so meaningful if the film was depicted from Elvis’ angle.
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Naru is a young Comanche woman who, along with other tribal people, lives in the Northern Great Plains in the early eighteenth century. Seeking recognition amongst men by becoming a hunter, she witnesses a spaceship in the clouds. Later on, some brutal animal killings make her realize that this hunter is enormous in size and not a human but no one believes her until the predator steps into their territory and starts killing her people and animals.
Prey is a prequel to the Predator franchise, a celebrated science fiction horror series that established cult status in the 1980s. After producing four Predator films and multiple crossovers with Alien, an idea was coined to work on the origins of the predator. I find it an interesting idea to develop a predator’s origins to be traced three hundred years back, an idea that is applicable due to its being extraterrestrial specie. Plus the idea of such a specie in the historic setup is pretty fresh.
What makes Prey more remarkable is the technical brilliance maneuvered in a Comanche subtlety. How fascinating it is to watch authentic portrayals of indigenous North Americans! It never looked like Prey fell into stereotypical portrayals degrading the particular communities into something one-dimensional. This was certain because film producer Jhane Myers is a Comanche and belongs to a Blackfoot Confederacy.
How captivating are the camera work and the directional value enhances the slow proceedings without haste with Naru as the central figure struggling to build a repo. Until the predator shows up, the screenplay is well settled and the audience has been made fully excited to make guesses about how on earth is Naru going to fight herself against such a creature.
It is a win-win impetus when the feminine portrayal of struggle and gallantry is well dramatized. Naru is Wonder Woman in the Predator’s world. Her heroism never fades and at no point does the story takes the liberty to drop a foolish act of exaggerating the screenplay for the sake of entertainment.
Prey is dark, plunged into appealing action sequences with the strong support of Dan Trachtenberg‘s direction and the lively appearance of Amber Midthunder who never makes you dull and dizzy in limited plotting. The life of tribespeople is well dramatized and emphasized in their usual routine by the break of the morning. Observe, the first scene and another that occurred in around twenty-eight minutes with Naru waking up and looking at other people leaving for work.
There are pretty few minuses but the one that reflects my dislikeness is not making the whole film in the Comanche language. The realism would have met its utter respect and authenticity if the Comanche people were merely speaking their own language instead of English.
Besides, I feel Prey has done its part and there is no sign of getting disappointed at all. This film has upgraded the cult interest of the global audience for the Predator franchise and holds a lot of promises for Predator’s future prequel films continuity.
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When the CIA’s assassin ‘Sierra Six’ finds out that the man he was assigned to kill was a former CIA assassin like him and has evidence of the corruption of the CIA’s lead agent on the assassination mission, Denny Carmichael, Six decides to go rebel and escape. Carmichael hires Lloyd Hansen to track him down and collect the evidence.
The Gray Man can be considered an unofficial tribute to old-school action films and I must admit that it takes courage for the Russo brothers to take such a risk of making an action-thriller with such an ensemble cast.
I noticed in the fighting sequences that there was something about the use of colors during the fights. When Six fights the target in Bangkok, colorful firecrackers enchant the whole scene. Then pink flares are enthralled when Six fights in the plane. It is interesting that there were some particular elements involved to make the fights look interesting.
But there are numerous plotholes and the continuity of the story does not impress. I mean there is nothing much to appeal to the audience. The story is an expired cake, the whole screenplay renders a predictable conclusion. It is not some phenomenal direction even. When you have actors like Ryan Gosling and Chris Evans in the lead with such an impressive supporting lineup of Ana de Armas, Billy Bob Thornton, Alfre Woodard, Jessica Hanwick, and Wagner Moura, the expectations are higher.
Dhanush got some decent minutes in the film and was really impressed with his action sequences. I thought he may get a couple of scenes like any Indian film star in an American film. Perhaps the Russo brothers are considering actors from the Indian film industry to join their films for supporting roles. Randeep Hooda had mesmerizing fighting sequences with Chris Hemsworth in ‘Extraction‘ that the Russo brothers produced.
The one actor that impressed me a lot was little butterfly Julia Butters who displayed a really delicate performance that surely gave all the viewers a feeling of amazement.
The Gray Man is certainly neither bad nor boring. The one action sequence that gave me a thrill was when Six is arrested in Vienna and the mercenaries try to down him. This scene was stretched to around ten minutes. Keeping the whole common sense aside, it was an exciting scene to be entertained. So this is a typical action thriller that can be enjoyed when your friends crash into your room along with popcorn, chips, and soft drinks.
In a space between two different universes, America Chavez and Doctor Strange are chased and attacked by a demon that kills the latter. Chavez creates a portal and transports herself and Strange’s corpse to Earth-616, the universe on which most of the Marvel films are based. Chavez meets Strange and Wong and informs the threat the world faces because of her ability to travel the multiverse. When Strange consults Wanda about this urgent matter, he realizes that it was her who attacked Chavez to get her powers so that she can reunite with her family that she created in the tv show WandaVision.
I am not sure if the plot is inspired by any comic book storyline but if I assume this to be an original screenplay then I will say this is a superb story to continue the Marvel Cinematic Universe. During all this process, making us watch WandaVision last year totally worked because that limited series completely developed Wanda’s character that build a lot of rage that came from her own madness. The connectivity in the MCU has always been impressive and as usual, this film also played the card exceptionally well.
A kind of story presented to the audience, I opine to have watched more superheroes involved due to the fact that Wanda’s threat to the human race should have alerted most of them if not all. Strange didn’t bother to seek assistance from anyone because this was actually a threat on a massive scale nor did anyone sense and showed up himself/herself. Being situated mostly in the same city, one must be thinking about where most of the saviors go in a particular superhero film when the city is under threat.
Introduction of America Chavez to the MCU is quite raw and director Sam Raimi should have touched on her origins in a proper way. Standing on memory lane is certainly not enough. And due to the fact that Chavez’s character remains unbaked, it was more awkward to watch such an important storyline, a game-changer in the MCU, was constructed between Strange and Wanda for Chavez.
One aspect that I felt betrayed and annoyed about in the film was killing all the members of the Illuminati. You just introduced them to the audience and gave us chills to watch the return of Patrick Stewart as Professor Charles Xavier. If that wasn’t enough, the makers fulfilled the everlasting wish to see John Krasinsky as Reed Richards of the Fantastic Four and Hayley Atwell as Captain Carter. To my surprise, they even brought back Anson Mount as Black Bolt that he played in Inhumans, a show that met with extreme disappointment. And Sam Raimi killed them within twenty minutes. Despite the fact that those were alternate characters from different timelines, it was still cruel to kill the characters like that. I expected an exciting start by Illuminati in the MCU but all in vain.
I personally felt that the film was running hurriedly. Also, Sam Raimi’s direction gave the audience a little edge to hang on because the rollercoaster ride in the MCU films is almost alike. This film was a bit birdy but sloppy with less number of sequences shot with some care. In this film, Elizabeth Olsen as Scarlet Witch is the winner as she impresses by executing her tragic character so well. Wanda has to be the best-developed character in the MCU that was written and continued with meticulous care.
Overall, Doctor Strange in the Multiverse of Madness is a sublime effort in carrying the torch of the MCU. It was a difficult script for a very significant moment in the universe. I won’t say that the film surpassed all the expectations, a hype that was built through the trailers but it was not even bad at all. This sequel was way better than the first Doctor Strange film.