Posts Tagged ‘Best Director’

My Bollywood’s Best of 2016

Posted: June 30, 2017 in MovieTalks
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The thing is that I am indulged in presenting the very best of Hindi-language cinema every year and I enjoy investing my precious time for the sensible readers and filmgoers who would like to know what honestly have been the best films under different categories. It is a common understanding that the film awards in India have lost its credibility by handing the awards mostly to the wrong hands from a very list of nominations. It exasperates me when the deserving individual or a film is not recognized on the stage in any given function.

For the past two years, I am making such a specific blog to recognize the contributions from the Indian films released in India in that specific calendar year. You may read my previous selections here in 2014 and 2015.

This blog will focus on the year 2016. Like before, I will segregate the categories in three different sections i.e., musical (5), technical (10), and major section (6). In most of the categories, I will brief a small explanation where I find necessary. In most of the categories, I will also make some honorable mentions which are the individuals or the films deserve to be counted among the best.

This is to inform you that the list of 21 categories from the 3 sections is created and presented from my selection and observing the following films released in India in 2016: Chauranga, Wazir, Chalk N Duster, Airlift, Saala Khadoos, Neerja, The Blueberry Hunt, Fan, Nil Battey Sannata, Traffic, Buddha in a Traffic Jam, Sarbjit, Veerappan, Waiting, Dhanak, Te3n, Raman Raghav 2.0, Madaari, M Cream, Pink, Parched, Dear Zindagi, Dangal, Ae Dil Hai Mushkil, Baar Baar Dekho, Udta Punjab, Kapoor & Sons, Fitoor, Mirzya, and Aligarh.

The above-mentioned films which miss all the recognitions below are to be believed that those films didn’t live up to my expectations. Also for your reading, let me clear that the films are not ranked in ‘Other Notable Works’.


MUSICAL SECTION

BEST BACKGROUND SCORE

TAPAS RELIA (DHANAK)

Other Notable Works:

  1. Mikey McCleary (Waiting)
  2. Studio Fuzz (M Cream)

BEST PLAYBACK SINGERS

There wasn’t a decent vocal competition in the year 2016. I have listened to a lot of tracks from the 4-5 successful music albums of the films and I found only a couple of male tracks from the same film and a few good female singing in the other films but still not good enough.

AMIT MISHRA (BULLEYA – AE DIL HAI MUSHKIL)

Other Notable Work: Arijit Singh (Channa Mereya – Ae Dil Hai Mushkil)

NEETI MOHAN (SAU AASMAAN – BAAR BAAR DEKHO)

Other Notable Works:

  1. Qurat-Ul-Balouch (Kaari Kaari – Pink)
  2. Kanika Kapoor (Da Da Dasse – Udta Punjab)

BEST SONG & LYRICS

CHANNA MEREYA (ARIJIT SINGH/AMITABH BHATTACHARYA/PRITAM – AE DIL HAI MUSHKIL)

Other Notable Works:

  1. Tere Bin (Sonu Nigam-Shreya Ghoshal/Vidhu Vinod Chopra/Shantanu Moitra – Wazir)
  2. Pashmina (Amit Trivedi/Swanand Kirkire – Fitoor)
  3. Gehra Ishq (Shekhar Ravjiani/Prasoon Joshi/Vishal Khurana – Neerja)

BEST MUSIC

AMIT TRIVEDI (UDTA PUNJAB)

Other Notable Works:

  1. Tapas Relia (Dhanak)
  2. Shankar-Ehsaan-Loy (Mirzya)

TECHNICAL SECTION

BEST COSTUME DESIGN

ASHIMA BELAPURKAR (PARCHED)

Other Notable Work: Theia Tekchandaney & Shruti Wadetiwar (Neerja)

BEST PRODUCTION DESIGN

ANNA IPE & APARNA SUD (NEERJA)

Other Notable Work: Amardeep Behl (Parched)

BEST SOUND DESIGN

SUBHASH SAHU (NEERJA)

Other Notable Works:

  1. Boby John (Dhanak)
  2. Vinit D’Souza (Raman Raghav 2.0)

BEST SCENE

MADAARI

There have been few scenes in my mind which were quite outstanding. Like Aliya’s expressions of misery to Shahid in Udta Punjab, or Nawazuddin killing a family in Raman Raghav 2.0, or the hijacking scene in Neerja, or the final court scenes in Pink. But I decided to choose the winner between two of the best scenes of the year 2016. Shakun Batra’s marvelous direction bemused me about the selection of the best scene of the film. The plumber scene, Annu aunty in party scene, and the truths-revelation scene before the family photo all carried equal weight of remarkable sketch of a highly intense family drama. So undecided that I prefer to conclude the winning scene with Irrfan’s showstopper and a heart-melting scene from Madaari when he asks for whereabouts of his son in the hospital. Perhaps no one would bring the efforts what Irrfan did here and hence proved again why is he the most inspiring actor holding more demand in the global cinema than any other Indian. This scene really beats the others.

BEST EDITING

GAIRIK SARKAR (TE3N)

Other Notable Works:

  1. Aarti Bajaj (Raman Raghav 2.0)
  2. Monisha R Baldawa (Neerja)

BEST CINEMATOGRAPHY

MINGJUE HU (M CREAM)

Other Notable Work:

  1. Chirantan Das (Dhanak)
  2. Priya Seth (Airlift)
  3. Jay Oza (Raman Raghav 2.0)
  4. Satyajit Pande (Dangal)

BEST ACTION

Parvez Singh (Raman Raghav 2.0)

The action is not about larger-than-life supernatural fights. My science of understanding here says to me that the action is when the reality is bound to bring intensity in the screenplay. Violence is the key, torture is a form and dismantling the brain and eyes towards the seriousness of the buildup is where the finest of action qualifies. Neerja and Raman Raghav 2.0 were the only films in my mind. Neerja’s technical aspects helped to build the intensity from hijacking till the last attempt of escaping. Whereas Raman Raghav 2.0 was a silent screamer and a gritty writing making the viewers hopeless and disconsolate of any likelihood of survival, the bloodbath is a sine qua non.  

BEST SCREENPLAY

RITESH SHAH (PINK)

Other Notable Works:

  1. Ashwiny Iyer Tiwari, Neeraj Singh, Pranjal Choudary, and Nitesh Tiwari (Nil Battey Sannata)
  2. Gauri Shinde (Dear Zindagi)

BEST DIALOGUES

SHAKUN BATRA & AYESHA DEVITRE DHILLON (KAPOOR & SONS)

Other Notable Works:

  1. Ashwiny Iyer Tiwari, Neeraj Singh, Pranjal Choudary, and Nitesh Tiwari (Nil Battey Sannata)
  2. Atika Chohan (Waiting)
  3. Agneya Singh (M Cream)
  4. Ritesh Shah (Pink)

BEST STORY

NITESH TIWARI (NIL BATTEY SANNATA)

Other Notable Works:

  1. Bikas Ranjan Mishra (Chauranga)
  2. Anu Menon, James Ruzicka, and Atika Chohan (Waiting)
  3. Agneya Singh (M Cream)
  4. Gauri Shinde (Dear Zindagi)

MAJOR SECTION

BEST SUPPORTING ACTRESS

RATNA PATHAK (KAPOOR & SONS)

 

Parched acting trio of Tannishtha, Radhika and Surveen was highly expected to surpass the expectations but the trio of Pink was a massive surprise to me. Alia Bhatt gave her remarkable presence in Kapoor & Sons.

Well, a pause in the clause is that the Indian theater actresses will eat your skull if they outplayed the emotional character. Shabana Azmi for Neerja and Ratna Pathak for Kapoor & Sons were the most standout performances from this category. It wasn’t easy to pick and ignore the other nor do I want any joint winners. But as per the capacity of acting and appeal on the screentime, Ratna had more space to suffer Mr. Kapoor and Sons than the mother of Neerja waiting for the updates after the hijacking incidence. Ratna had more time to fight and argue with more than an individual at a time than Shabana’s emotional resistance. 

Other Notable Works:

  1. Shabana Azmi (Neerja)
  2. Kirti Kulhari (Pink)
  3. Tannishtha Chatterjee (Parched)
  4. Alia Bhatt (Kapoor & Sons)

BEST SUPPORTING ACTOR

RISHI KAPOOR (KAPOOR & SONS)

The mad terrorist in Neerja was phenomenal as well as a highly potential debut of the singer Diljit Dosanjh in Udta Punjab. Rajkummar was decent in assisting Manoj Bajpayee in Aligarh and Vicky Kaushal is rapidly making his name with Masaan and 2.0. But the real focus was on the dadaji of the dysfunctional family in Kapoor & Sons.

Yes, the makeup has a prominent role in the building of the character which doubles the charm in the performance like how Amitabh brought the momentum in his Auro character in Paa after an extraordinary change in his stature and looks. But Rishi as a nonagenarian fittingly classified as the best dadaji whose role grew on the viewers with the growing heat in the disturbed family. Chintuji and Amitji are the only boys of the 70s badge who are regularly performing in the selective roles being recognized with the positive responses in today’s cinema. And this role again defines Rishi’s versatility in acting. The film would be incomplete if Rishi would not have been picked for this role. 

Other Notable Works:

  1. Jim Sarbh (Neerja)
  2. Vicky Kaushal (Raman Raghav 2.0)
  3. Diljit Dosanjh (Udta Punjab)
  4. Rajkummar Rao (Aligarh)

BEST ACTRESS

ALIA BHATT (UDTA PUNJAB)

If there is any category which was the most impressive, that was the performances of the leading actresses in the films released in the year 2016. There is Swara Bhaskar who is rapidly becoming of the noticeable actresses who brought a spectacular performance to her credit in Nil Battey Sannata. The body language and the emotional details of her character-play were striking. Kalki’s strong CV continues to fill more golden pages with Waiting. Ash in Sarbjit was a surprise package. Throughout her acting career, this is easily her first and best acting performance. That is the other thing that Ash doesn’t resemble or remind us Dalbir Kaur but the director has really worked with Ash on her character. People were informing me that Taapsee has done a wonderful job in Pink and I was not coming out of my visual understanding after watching her in Chashme Baddoor. Taapsee Pannu displayed a powerful role and I hope she is not a one-role wonder lady.

As far as Alia is in the wacky race, she is my girl for this category. She is at the peak of her career and easily one of the fastest growing actresses in the Indian cinema. Alia does have a lot of help at home from her mother Soni Razdan who has pulled the strings of acting and playing mentally complicated characters in many of her husband’s films in the 80s and 90s, and papa Mahesh Bhatt who has been critical in making top-notch films in the parallel cinema. But then, it is the baby who has to face the camera and has every potential to make her name with acting greats like Shabana Azmi, Smita Patil, Tabu, or Nandita Das in very near future.

She began performing from Highway and sought attention from the sensible viewers including me. But 2016 is her best year ever with high-class performances in not one but three films (Kapoor & Sons, Dear Zindagi, and this). As far as the mental or physical challenge is the condition, it definitely is her role of Mary Jane in Udta Punjab which beats the other competitors in the wacky race. She has shown the misery of a girl stuck in the series of unfortunate events. You feel sorry for the character but when you feel apologetic, there is Alia’s success to justify the role she plays. Highway’s Veera Tripathi and Udta Punjab’s Mary Jane have suffered but their character-destruction from Alia’s visual presentation is different. Well done Alia. 

Other Notable Works:

  1. Swara Bhaskar (Nil Battey Sannata)
  2. Taapsee Pannu (Pink)
  3. Kalki Koechlin (Waiting)
  4. Sonam Kapoor (Neerja)
  5. Aishwarya Rai (Sarbjit)

BEST ACTOR

MANOJ BAJPAYEE (ALIGARH)

If you are mature enough to understand the credibility of the actor and his substance of a performance in a given screentime, you will realize that the award functions in India are commercialized which depends on revenue and care less for the individuals who deserve the award at the right time in their lives. In 2015, Filmfare omitted Sanjay Mishra for Ankhon Dekhi, who was a clear winner in the category of Best Actor. Last year, Filmfare omitted Nawazuddin for Manjhi who actually was the most deserving individual to win the category of Best Actor.  And now a hattrick of blunder is completed with Manoj Bajpayee’s turn who lost his place to get into the nominations. And most of the viewers will raise the eyebrows over the quality of decision making by the juries who repeatedly add box-office mahatmas, Salman Khan and Shahrukh Khan, in the category almost every year from nowhere.

This is easily Bajpayee’s best performance ever and is the toughest character of a homosexual teacher he can play. The best part of the role is his complexity towards the sexual orientation for which he is suspended and bringing his ass to the court. He has a portion of love for the lettering and listening to Lata’s songs but overall a disturbed soul. He is a departed loner but expects people to understand him. Bajpayee has given the word ‘Tragedy’ a fresh cinematic meaning. A wonderful and very underrated performance I subject to recognize here.

Besides, Shahid enjoys another successful year with another role of a maniac, this time in Udta Punjab. Shahid is like Saif Ali Khan who is reintroduced to the viewers as a promising actor not to ignore. After a series of repeated failures, Shahid is finally off the mark from Haider. Irrfan’s Madaari is another brutal omission from the same category in Filmfare and you will be surprised to know that besides Paan Singh Tomar, he has never been nominated in this category in Filmfare.

Naseer sir in Waiting is magnificent as always in almost every film which he is part of. Amitabh had three different roles in Wazir, Pink, and Te3n, and I must say that Amitji at this age has become more choosy in his roles than ever. Since 2015, he has played some very good roles in Shamitabh, Piku, and the above-mentioned films. If I have to pick between the three, it would be Te3n.

By watching his superior performances in first Badlapur and now Raman Raghav 2.0, I am fully convinced that if in any timeline the Batman franchise happens to drop in Indian cinema, the only actor who can play the role of the Joker is Nawazuddin Siddiqui. His latest role of a psychotic killer will disturb you, by watching this performance you will never wish to meet him. What Randeep did in Sarbjit was the most dedicating among all the best performances of 2016. He lost 18 kgs in 28 days to justify his role in the prison life. Randeep presents you the pain of being an unfortunate and displays an impressive emotional drop and terrific body language. He makes the viewers feel when he groans and express his pain to Aishwarya in the prison.

Other Notable Works:

  1. Shahid Kapoor (Udta Punjab)
  2. Irrfan Khan (Madaari)
  3. Naseeruddin Shah (Waiting)
  4. Randeep Hooda (Sarbjit)
  5. Nawazuddin Siddiqui (Raman Raghav 2.0)
  6. Amitabh Bachchan (Te3n)

BEST DIRECTOR

GAURI SHINDE (DEAR ZINDAGI)

Besides the names mentioned below, the competition for this category, in my opinion, was between Shakun Batra and Gauri Shinde. Both were the masterclass in utilizing the scripts. But I picked Gauri the winner from this category. Shakun’s impressive direction has a blend of major other aspects involved like very realistic dialogues, a lot of impressive performances within a scene etc but Gauri’s direction heavily depends on Alia’s character growth in the film especially a very important first half before Shahrukh is introduced.

Other Notable Works:

  1. Shakun Batra (Kapoor & Sons)
  2. Ram Madhvani (Neerja)
  3. Anurag Kashyap (Raman Raghav 2.0)
  4. Abhishek Chaubey (Udta Punjab)
  5. Aniruddha Roy Chowdhury (Pink)

BEST FILM

KAPOOR & SONS

I mean what else? what really else can be a better film than Kapoor & Sons? A decent family drama which portrays/sketches a dysfunctional family with mix elements of humor and suspense. The film has no nonsense of silly masala, item numbers or unnecessary cameo appearances despite the fact that the film was produced under the banner of Dharma Productions. Then the film is very honest to its script and describes a shattered bond in a very distinctive way.

There are numerous amazing scenes which catch our attention swiftly because we are accustomed to our domestic life especially the plumber scene. Then the revelation of secrets and a tragic accident. The film touches your heart. The remaining plusses are left with superb performances from all the major cast. Everyone has his share and their roles carry the same depth. And that is the beauty of the film that there is no leading character. Every major character is supporting to the other.

Other Notable Works:

  1. Dhanak
  2. Nil Battey Sannata
  3. Waiting
  4. Neerja
  5. Dear Zindagi
  6. Udta Punjab
  7. M Cream
  8. Pink

(Please share your views about my selections. Write your opinions in the comments below. Let me know if you don’t agree and explain your reasons.)

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My Bollywood’s Best of 2015

Posted: July 20, 2016 in MovieTalks
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Half a year is done and I forget to write a blog on my picks from different categories of Bollywood films. I did this last year for 2014 edition. I hope I am not that late as time pass swiftly nowadays. 

Like every passing year, Bollywood’s growth increases worldwide but the quality and standard of the film decreases. Recognition nowadays among the actors is star-power and among the leading actresses is the one with useful skin-shows. Above all you insured to be more successful in this industry if you have a strong background and belong to rich people who are industrialists, politicians, businessmen, military or in same cinematic profession. The unlucky ones have to join parallel cinema with more brain and wisdom among the cast and filmmakers.

In recent years, there has been change in atmosphere as the artists of parallel and entertaining cinema are involved in same projects and work together. Some sensible writers and talented directors work with involvement of more production companies. Some of the films from last year have been highly impressive and these were those which were not eye-catching in box-office collections.

What disgust me was pathetic inclusions in nominations for different categories in their recognized FILMFARE awards. Tragedy is that the functions are not worth and are more focused on high-level tcp ratings. If you notice, many many big names of the industry are absent and are disappearing in years. People have lost interest in FILMFARE because the functions are bias and predictable. Awards nowadays are won not by right and deserving candidates. Forget about winning, when the nominations are announced the viewers go insane because of plenty of blunders.

From below the categories, I will try to speak some lines where I see FILMFARE at huge fault. Like last year’s blog, I will divide the categories in three sections i.e., Music, Technical and Major. My selections are purely my honest selections to what I believe was deserving. Some of the categories do not need details because it is unnecessary. With the name of winners from each category, I will mention other names who deserve to be the other bests. So here I go;

MUSICAL SECTION

BEST BACKGROUND SCORE

SANDESH SHANDILYA (MANJHI: THE MOUNTAIN MAN)

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Other notable works: Amit Trivedi (Bombay Velvet) & Hitesh Sonik (Hunterrr)

 BEST PLAYBACK SINGERS

PAPON – MOH MOH KE DHAAGE (DUM LAGA KE HAISHA)

NEETI MOHAN – DHADAAM DHADAAM (BOMBAY VELVET)

BEST SONG & LYRICS

AGAR TUM SAATH HO (ALKA YAGNIK/ARIJIT SINGH/IRSHAD KAMIL/A.R.RAHMANTAMASHA)

BEST MUSIC

ANUPAM ROY (PIKU)

Other notable works: Amit Trivedi (Bombay Velvet) & Indian Ocean (Masaan)

TECHNICAL SECTION

BEST COSTUME DESIGN

ANJU MODI & MAXIMA BASU (BAJIRAO MASTANI)

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Other notable works: Niharika Khan (Bombay Velvet) & Wafisha Rahman (Manjhi)

BEST PRODUCTION DESIGN

ERROL KELLY, SONAL SAWANT & SHAIRA KAPOOR (BOMBAY VELVET)

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Other notable works: Sriram Iyengar, Saloni Dhatrak & Sujeet Sawant (Bajirao Mastani)

BEST SOUND DESIGN

BISHWADEEP CHATTERJEE (PIKU)

bishwa-main

BEST SCENE

MASAAN

Imagine a boy from extremely poor background, whose ancestors have history of working in profession of burning corpse and a girl from upper caste begin loving each other. And one day, after exchange of a lovely relationship for weeks, he happen to see her dead body in his working site brought to burn the corpse! We don’t see such tragic moments in young love stories like this. It was an intimate scene and full of intensity. There come this scene and the obvious case is more grieving. Vicky Kaushal‘s presentation of agony is unexplainable here. I could not find a HQ video of the scene. I have no doubt this is the best scene shot in any film of the year.

BEST EDITING

A.SREEKAR PRASAD (TALVAR)

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BEST CINEMATOGRAPHY

NIKOS ANDRITSAKIS (DETECTIVE BYOMKESH BAKSHY)

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Other notable works: Avinash Arun (Masaan) & Rajiv Jain (Manjhi)

BEST ACTION

BADLAPUR

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Other notable works: Titli & Detective Byomkesh Bakshy

BEST SCREENPLAY

JUHI CHATURVEDI (PIKU)

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BEST DIALOGUES

JUHI CHATURVEDI (PIKU)

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BEST STORY

KANU BEHL (TITLI)

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Other notable works: Jeethu Joseph (Drishyam) & Harshavardhan Kulkarni (Hunterrr)

MAJOR SECTION

BEST SUPPORTING ACTRESS

KONKONA SEN SHARMA (TALVAR)

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Konkona don’t need any introduction. Open her filmography and you will find dozens of impressive roles she has played in her acting career. Talvar is another addition in her CV. She along with Neeraj Kabi displayed one of the best supporting performances in recent years and guess what, she wasn’t even nominated in Filmfare for this category.

Other Notable Performances: Shefali Shah (Dil Dhadakne Do), Tabu (Drishyam), Shivani Raghuvanshi (Titli) & Huma Qureshi (Badlapur)

BEST SUPPORTING ACTOR

NAWAZUDDIN SIDDIQUI (BADLAPUR)

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The year 2015 was remarkably a year for best male performances in supporting roles. Title was a trinity of performances between three brothers. Anil Kapoor developed his skills playing role of angry father in Dil Dhadakne Do. Neeraj Kabi brought all his theater experience in Detective Byomkesh Bakshy and Talvar. Vicky Kaushal turned out to be one of the most promising newcomers in Masaan. Karan Johar was the surprise package in Bombay Velvet and Ashraful Haque did superb job as Manjhi’s father in his final film.

But above all it is the actor in his heydays who is building a very strong career making his name in almost every film. Nawazuddin Siddiqui in Badlapur is someone you would like to hit and slap as much as hard you want. He gives a lot of energy to his villainous role and don’t even feel bad for the guy who lost his family. His character has shades and changes color like chameleon. He and Varun, the two leading actors of the film are two sides of the coin begging for mercy.

Other Notable Performances: Karan Johar (Bombay Velvet), Amit Sial/Ranvir Shorey (Titli), Vicky Kaushal (Masaan), Anil Kapoor (Dil Dhadakne Do), Ashraful Haque (Manjhi), Neeraj Kabi (Talvar)

BEST ACTRESS

RICHA CHADDA (MASAAN)

masaan-still-4

It wasn’t a year of extraordinary performance by the leading actresses. Then Richa Chadda happened. She is Devi Pathak in Masaan who was caught with him by the police in the hotel for obvious reason. Then her struggles begin to make a life of herself by switching jobs but cannot afford a payment of hefty bribe the policemen ask her and her father for the video they made in hotel. It was tough to decide the winner but then I decided that Deepika for Piku was the closest and second-best to her.

How rude and disgusting that such performance wasn’t appreciated enough to be nominated in Filmfare for the same category. More to a mockery, Kajol and Sonam Kapoor were gifted places in the category for Dilwale and Dolly Ki Doli whose performances were no where in comparison to this.

Other Notable Performances: Besides Deepika Padukone for Piku, Anushka Sharma did a terrific job in Bombay Velvet as Rosie the Jazz singer. She performed impressive facial expressions in numbers like Fifi and Dhadaam Dhadaam. Then there is Bhumi Pednekar (Dum Laga Ke Haisha) who gained 30kg for the role of an overweight wife and made a stunning debut, was also ignored by Filmfare in the category. And why should I not count lil’ Harshaali Malhotra! 8-year-old child actress made promising debut as Munni in Bajrangi Bhaijaan and was the only shining moment in the whole ridiculously garbage film. At this tiny age, she showed a character and discipline of emotions on a dolly face.

BEST ACTOR

NAWAZUDDIN SIDDIQUI (MANJHI)

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It will be a sin to overlook such astonishing performance. It will be a mockery to consider it only one of the best performances. His star is shining brightly in recent years but this performance need an author to release a book full of praise. I hardly have seen actors reaching closest to the perfection like J.K.Simmons in Whiplash or DiCaprio in The Revenant worldwide but in India, it is hard to bring that so much in the artistry to present a character what Nawaz did in portraying Dashrath Manjhi.

Nawazuddin’s title role of Manjhi is full of life. You want a father or a husband, you want a man of his principles or determination, you want an example of sacrifice and hardship and last but not the least you want to see a man who broke the mountain to honor his wife he loved the most in entire life – there you have all superbly defined.  

When it comes to emotions, this actor has no boundaries to express. A facial performance is very vital in acting and keen learners of theater always win the performances. He easily is the best actor for last year.

In three words – Shandaar! Zabardast! Zindabad!

Some readers may get confused of not picking Manoj Bajpayee for Aligarh. Let me clear, the reason I omitted is because the film is released in India this year in February. The closest to this competitor was hugely/heavily ignored Shashank Arora for Titli.

Omission of Nawaz for Manjhi from the last Filmfare Awards easily is one of the most shocking blunders in their history. How disgusting and utter disappointing is to see the genuine winner not included in the nominations but Salman Khan and Shah Rukh Khan for Bajrangi Bhaijaan and Dilwale respectively! This shows the standard of Filmfare nowadays and ridiculous selections by the judges of these panels.

Other Notable Performances: Shashank Arora (Titli), Sanjay Mishra (Masaan), Amitabh Bachchan (Piku) & Varun Dhawan (Badlapur)

BEST DIRECTOR

SRIRAM RAGHAVAN (BADLAPUR)

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Yes he is and I am not surprised. A silent and dark tale of two characters hanging on different corners eagerly waiting to leave a mark on each other. It is about making an extraordinary film from an ordinary script. We have watched films when the leading actor loses the one he loves and plans to take revenge. Same goes here but with same story, it easily distinguishes from other films of the past thanks to Sriram’s directional artistry. 

What propels you is the building of intensity on Raghu (Varun Dhawan) when he loses his wife and child in very first scene. The rage factor of Raghu is where he work out, the way he beat or hit few characters by hammer is violent and loud to your ears. With time much to offer, Sriram builds the leading character very well. He is excellent on bringing the best of the leading performer as he did with Urmila in ‘Ek Haseena Thi‘ and Neil Nitin Mukesh in ‘Johnny Gaddaar‘. 

Other Notable Performances: The closest competitor to Sriram is Shoojit Sircar for Piku. Meghna Gulzar for Talvar was surprise package. I found Anurag Kashyup‘s direction for Bombay Velvet very very impressive as the film was hugely rejected by the viewers. Neeraj Ghaywan was also fantastic keeping a balance between two different stories in Masaan.

BEST FILM

PIKU

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Piku (Deepika) plans a trip to Kolkata with her dad (Amitabh) but none of Rana’s (Irrfan) cab drivers are available. So Rana decides to serve them and the real fun begins. This is a freshly-baked comedy-drama film with mehfil-loot performances by main actors. Father-daughter chemistry is terrific and the characters development is right on spot. 

Piku is a beautiful slice of life or your favorite cup of coffee, a mind freshener giving your energy an extra-boost because the flow of the film builds on you. A combination of brilliant story, screenplay and dialogues make this very-original film exciting for the viewers and can be repeatedly watched. 

Other Notable Films: Masaan, Talvar, Titli, Manjhi, Bombay Velvet, Hunterrr, Drishyam and Badlapur.

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Ok first gold diggings in Grasberg!

Did grizzly bear folked Mr. Hugh DiCaprio???

 A big NO. The real event propels you that Hugh Glass, the leading character of the movie played by Leonardo DiCaprio, was attacked by a female bear.

Now why did I begin my review this way??? Because many of us were actually concerned that we will watch sex-scene between Baloo and Mowgli but the rumor was awful.

Now what makes the movie special? I would rather replace the word ‘special’ with superior. The answer is EVERYTHING!!! Consider DiCaprio/Hardy performances, AGI’s direction, fighting sequences, cinematography, costume designing, bear attack, Frontiers vs Native Americans and many more. The movie is superlative.

The only concern pushing towards minus is its accuracy, the accuracy of Hugh Glass’ legacy, the accuracy of bear attack, the accuracy of Glass’ survival, the accuracy of attack by Native Americans on the expeditions team. There has been a lot of confusion over the legacy of the story. There are not a lot of authentic sources to prove what part of story is true or false. Most specifically the tragic bear attack which was witnessed by no buddy but the victim himself.

Let me reflect and justify my very first line of this review. A huge focus in the movie has been on antagonist John Fitzgerald played by Tom Hardy killing Hugh Glass’ son Hawk, which leads him to revenge upon survival attempt. The whole movie grows on his miracle survival from a likely death so that he finishes him. Sadly the core of the story is pure fiction. Forget Fitz killing his son, there is no proof that Hugh Glass had any child. Hawk being of mixed-race is an invalid question or typing error. Glass’ marriage with Native-American woman also has doubts because historic details are still unsure if Hugh Glass really was once captured by Pawnees where he found her, loved and married.

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So if there is no evidence of Hawk being Hugh Glass’ son then with simple understanding there is no revenge on Fitz for killing his son. In fact the legacy is that when Glass received mortal wounds after bear attacks, expedition leader Captain Andrew Henry, played by Domhnall Gleeson in movie, pays two men to stay behind the soon-to-be-dead body of Hugh Glass until his death to give him a Christian burial. To add the spice, movie further shows Hawk volunteering the payee leading to his murder by agitated Fitz.

Some scenes agreeable with the facts are;

  • Hugh Glass was a fur trapper and the bear attack occurred near the banks of the Grand River of South Dakota. He did come across two bear cubs until big momma had her say. The female grizzly bear did break his leg and punctured his throat.
  • Hugh Glass was indeed dropped behind to die by the two men, Fitz and young Jim Bridger, played by Will Poulter due to the harsh fact that he wasn’t breathing his last for several days. Further confirmation is that both guys placed him in a grave, collected his weapons and off they go.

Further diggings confirm that the Native Americans depicted in the movie are the tribe of North Dakota, Arikara who suffered a high rate of fatalities from smallpox epidemics resulting in drastic fall in their population back in 18th century. Years later they moved between South and North of Dakota.

Enough of history!!! Now let me strive to focus on the movie….

What makes Hollywood cinematic industry so special than the others??? No not that Hollywood belongs to the United States. Actually, Hollywood introduces you to people from different diversities and backgrounds that cook and bring their ingredients in their kitchens to display a delicious food and bring a change in taste for the consumers. Now ‘The Revenant’ shows United States of the early 19th century and the story is based on a frontier legend who met his sorry fate after attack launched by Native Americans. And this movie is directed by a guy who has lived all his life in Mexico. Some great minds present great movies in great ways.

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Alejandro González Iñárritu was the first Mexican-born director to have won Best Director in Cannes Films Festival for Babel. Years later he became only third director after John Ford (The Grapes of Wrath 1940, How Green Was My Valley 1941) and Joseph L. Mankiewicz (A Letter to Three Wives 1949, All About Eve 1950) to win back to back Academy Awards (Birdman 2014, The Revenant 2015), and the first since 1950.

AGI had a splendid vision to present The Revenant and is obvious in his powerful direction. Many scenes are eye-opener like I am repeatedly mentioning attack on the expeditions team by Native Americans and Hugh Glass many phases of survival. But the best among all is the bear attack which will easily shut you up. This scene is built on your nerves. The human abuse is shot in a way that you would feel if the beast is skinning you.

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I must say the VFX team has done magnificent choreography of this attack. It is not only that the viewer has a look at this brutal beating; the whole animal behavior is carefully read. Watch step by step, the way cubs are made feel unprotected, the way momma bear responds and attacks the gunman, the way the beatings begin i.e., stepping over and throwing all mighty weight on Glass, grabbing by mouth and swinging, then throwing on ground and gashing him. This shows the bear-behavior was carefully studied by all the involved makers.

The ‘sympathy’ factor for both human and animal is challenged because the attack scene has two consecutive parts connected in one-shot frame. First the mother bear attacks with understanding that gunman will kill the cubs and leaves later. But then the gunman tries to survive by shooting at mother bear and turning the other face of coin with sympathy where mother bear and gunman becomes villainous in their ways concluding with animal killing while trying to save her cubs. One of the best dramatic scenes I have watched in recent years!!!

One of the most remarkable aspects of the movie is that the whole movie is shot in natural light without the use of CGI which made the life of working crew worse than hell as some parts of shooting in Canada met unexpected fall in temperature to -25C. During the times when Canada met shortage of snow, the whole shooting was in fact shifted to Argentina. This showed life-and-death commitment to present ‘REALISM’ in the picture for which they crossed most of the limits.

The director himself stated in one interview to prefer natural light over CGI this way, “Everybody was frozen, the equipment was breaking; to get the camera from one place to another was a nightmare. If we ended up in green screen with coffee and everybody having a good time, everybody will be happy, but most likely the film would be a piece of shit.”

There is no dispute after hard sacrifice in the beauty of making this movie. When the viewers watch this in one frame, the presentation is natural and folking brilliant. Like Birdman, we will again watch some spectacular lengthy one-shot scenes confirming AGI directional class.

Besides deserving award-winning direction, the whole movie is also build on two powerful performances. Tom Hardy’s character of Fitzgerald is foxy and full of rage who opposes Glass’ advice to abandon the vessel and march on foot after Native Americans’ attack. He digs reasons to oppose him and watch for a better moment to kill him. I would say Glass/Fitz are the bestest combination of plus and minus whose characters are made to oppose each other. Despite many inaccuracies in the movie, Hardy’s character gives reasons of bringing balance between the two. Being in limelight of his career, Tom Hardy has another well-reputed performance in his CV. Due to much change in locations and shooting dates, Tom Hardy left a well-fitted Suicide Squad role of Rick Flag character to complete The Revenant without delay.

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Leonardo DiCaprio ended his long-curse in Oscar functions by finally winning an Academy Award for Best Actor for his leading role in the movie. He has many marvelous performances to his acting credits and easily is one of the greatest actors of his generation to have worked with many great directors like Scorsese, Spielberg, Tarantino, Nolan, Eastwood, Mendes, Scott, Allen, Boyle and Cameron which is quite rare in any filmography.

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Keeping his whole acting career under scrutiny, it is easy to pick this role as the toughest of all the roles he has done in the past. The portrayal is highly physical than his dialogues. All judgment is based on his survival mode where he drops himself into icy water, eating raw bison liver (LDC is vegetarian btw) and sleeping in horse carcass. He even wore that bear skin in most of the scenes which was real and brought from a park department in Canada. More to a misery, the skin weighted over 100 pounds. And while attempting all such dares, he maintained his acting stance. Full marks to his performance.

The Revenant is the answer to the finest filmmaking. Decades later, critics will easily pick this movie among the best things happened in cinematic industry. I would like to congrats the whole crew for the perfect and deserving outcome. Also I would like to pay my special thanks to the readers who reached here reading a whole lengthy review till the conclusion. Perhaps some special movies deserve a lot of writing.

Ratings: 9.2/10

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Since I became a blogger writing sporadic pieces, I have given my opinion for most of the movies I have watched. There was a time when I used to watch Hindi movies with utter passion but now I hang my glasses. With calendar year passing by, my rate of watching Hindi-language movies have fallen drastically low now. Reasons are many but majorly what is lacking in nowadays Hindi-movies is a material which make you invest your time quality.

Bollywood still in its second decade of the century majorly lacks stories on which a perfect screenplay can be implemented and put to work. Quality of acting is not sublime and no matter how good the music sounds, the worse are the lyrics. Every beginning of the year, Bollywood and its pundits, moviegoers and viewers are focused on the most prestigious movies award, FILMFARE. Unfortunately, Filmfare also do not justify most of the awards and have richly fallen under the good-pockets and well-known showbiz families.

In last five years, I have noticed a slight change in movie production companies introducing new faces or encouraging some deserving talents and publicizing their image and promoting their movies on high-scale. In 2014, contrary to my expectations, I have watched some good movies. I chose almost 25 movies from the list of Hindi-language movies of last year from Wikipedia, which helped me increase my options of deciding to pick a promising movie. Some were disappointing but some were exciting.

Today in this blog, I present you my Bollywood’s best of 2014 from most of the categories I have scrutinized. This is the first time I am blogging for Bollywood and will also publish for Hollywood in near future. I will discuss most of the categories if not all and mention some noteworthy names related to that category. The categories are under three different sections.  So here I go;

MUSICAL SECTION

BEST BACKGROUND SCORE

A.R.RAHMAN (HIGHWAY)

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Other Notable Works: Vishal Bharadwaj (Dedh Ishqiya), Amit Trivedi (Queen) & Mathias Duplessy (Finding Fanny)

 

BEST PLAYBACK SINGERS

MIR MUKHTIYAR ALI (FANNY RE – FINDING FANNY)

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REKHA BHARDWAJ (JAGAAVE SAARI RAINA – DEDH ISHQIYA)

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BEST SONG & LYRICS

PATAKHA GUDDI (NOORAN SISTERS/IRSHAD KAMIL/A.R.RAHMAN – HIGHWAY)

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Other Notable Works: Bismil (Sukhwinder Singh/Gulzar/Vishal Bhardwaj – Haider)

 

BEST MUSIC

MATHIAS DUPLESSY (FINDING FANNY)

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Other Notable Works: Amit Trivedi (Queen) & Shankar-Ehsaan-Loy (2 States)


 

TECHNICAL SECTION

BEST CHOREOGRAPHY

SUDESH ADANA (BISMIL – HAIDER)

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BEST COSTUME DESIGN

PAYAL SALUJA (DEDH ISHQIYA)

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There are two prominent features in Dedh Ishqiya which gives you detailed texture – dialogues and costumes. Most of the shooting was done in Mahmudabad Palace near Barabanki. As per the script, ancient Urdu era was revitalized with royalty. So this adds major concern with two aforementioned features. Payal Saluja (Raanjhanaa, Ishqiya, Maqbool) has done fantastic work with costume designing and her first marks will raise your eyebrows when the attendees will gather in royal party in Begum Para’s Haveli. Excellent dress-work on Naseeruddin Shah and Huma Qureshi and most impressively on Madhuri Dixit.

Other Notable Works: Dolly Ahluwalia (Haider) & Tabasheer Zutshi (Miss Lovely)

BEST PRODUCTION DESIGN

TABASHEER ZUTSHI (MISS LOVELY)

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Ashim Ahluwalia offers a close look on the C-grade pulp Hindi-cinema of the eighties which used to make cheap horror-porn movies. It is a bold movie with independent theme where the director exposes backstage dealings behind the curtains and problems in shooting such movies in the past. With such script on the floor, all what matters to make the movie so special is costume and production designing. If this movie proved its worth on global cinematic village, then full marks to aforementioned designing works, both projected by Tabasheer Zutshi.

Other Notable Works: Subrata/Amit (Haider & Dedh Ishqiya)

BEST SOUND DESIGN

RESUL POOKUTTY (HIGHWAY)

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One of few impressive factors from Imtiaz Ali‘s road-movie is Alia Bhatt, ARR’s background score, attractive locations and sound designing. Rahman-Resul musical duo has proved winner most of the times and also have unforgettable achievement of bagging Academy Awards for Danny Boyle’s Slumdog Millionaire. Although A.R.Rahman was off-color with average tracks but the sound designer was in full form.

Other Notable Works: Sanjay/Allwin (Queen) & Anilkumar/Prabal (Mardaani)

BEST SCENE

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BEST EDITING

AARTI BAJAJ (UGLY)

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Aarti Bajaj was the first spouse of Anurag Keshyup and is regular movie editor for Anurag Kashyup and Imtiaz Ali movies. She is very responsible their successful movies. The beauty of moviemaking lies in editing and my pick is Ugly. Ugly has a lot of turns, script will fold you and different characters will puzzle you. Body smashing in traffic accident in same frame was pretty unnatural but the next scene of interrogation in police station is very realistic. For me that was one of the best scenes of 2014, the reason is it was almost a 7-minute interrogation scene. Normally such scenes bore you but the editing is so marvelous that the scene grows and boils in your nerves. The way the Indian police takes the case so light is fantastically shot and well acted. Besides, scenes of driving, phone calls, searching and beatings and many more brings a true color of translating a fiction into reality. Wonderful editing!

Other Notable Works: Aarti Bajaj (Highway) & Sanjib Datta (Mardaani)

BEST CINEMATOGRAPHY

PANKAJ KUMAR (HAIDER)

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Photography! Brilliant work by Pankaj on Haider. I cannot go with details about this but among many movies, I found cinematography of Haider the best one.

Other Notable Works: Anil Mehta (Finding Fanny & Highway)

BEST ACTION

SHAM KAUSHAL (UGLY)

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Sorry if anyone feel this pick offensive. I don’t have that level of enthusiasm for supernatural, unrealistic and larger-than-life action movies of Indian movie industry.  A lot of rage and fury, tortures and scorcher, gunshots and beatings. Ugly gives you a powerful display of action.

Other Notable Works: Manohar Verma (Mardaani)

BEST SCREENPLAY

RAJKUMAR HIRANI & ABHIJAT JOSHI (PK)

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It was tough for me to pick the movie with the most outstanding screenplay. Yes PK deserves this credit. This pair Hirani/Joshi is enjoying the booming period of scripting one of the best movies viewers have witnessed since the last decade. Under Vinod Chopra Films, they have scripted Munnabhai series, then 3 Idiots and now PK. Every aforementioned movie has a message, a rising voice towards the system transforming to roar over changing the system. Being comical in nature, their scripts marvelously have touched almost every viewer’s heart to fully accept the nature of movie. Every time their movies successfully inspires us with their trend-setting catchy dialogues. PK is no less than a revolution.

Both writers introduce an alien in the country of religions, hundreds of languages and cultures. He misses a gadget and in quest loses his edge and adapts the local language. Meanwhile he suffers a colossal hindrance towards different religious ways of breathing life. With the flow of script pulling the strings, the screenplay brilliantly develop characters to assist the alien to meet an end. Just another golden egg in their basket! Take a bow guys!

Other Notable Works: Rajat Kapoor (Ankhon Dekhi) & Homi/Kersi (Finding Fanny)

BEST DIALOGUES

ANURAG KASHYUP (UGLY)

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Natural!!!! very very lively and natural. No matter if that is a sick Shalini, tortured Chaitanya, opportunist Siddhant or furious Shoumik; dialogues are not on paper but well expressed on lips. Viewer/listener will never feel an inch of unoriginality of conversation. As more there is intense, the more the dialogues burn you. Best examples are the 7-minute interrogation scene as mentioned before and where Shoumik send Rahul to the prison where Chaitaniya is imprisoned and eating food. Wonderful job Keshyup sir!

Other Notable Works: Vishal Bharadwaj (Dedh Ishqiya) & Rajat Kapoor (Ankhon Dekhi)

 

BEST STORY

JANAKI VISHWANATHAN (YEH HAI BAKRAPUR)

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Ok the readers perhaps or surely will raise their eyebrows over this selection hehe but I am free to pick what I find more deserving. Many of you haven’t seen this movie and I promise you that the movie itself is below-average. But what attracts me the most is its story which is quite thought-provoking

Yeh Hai Bakrapur is a low-budget social satire based on rural part of India who blindly follow their faith. One small kid loves his goat and he doesn’t want it to get sold but his poor family has no solution to repay the debt. One young man who loves the kid’s sister, comes with a brilliant plan with the goat by painting the name ‘Allah’ on goat’s skin which makes the entire gaoonwalay fell in ultimate impression and belief that the goat is an angel and will be a sin to sell or sacrifice it. This rural blind faith following sketch is the bitter truth and a daring dilemma which speaks a lot of depth about the deception and extreme trust over something. Unfortunately the direction was painful which bombed a very scintillating subject.

 Other Notable Works: Amole Gupte (Hawaa Hawaai) & Hirani/Joshi (PK)


MAJOR SECTION

BEST SUPPORTING ACTRESS

DIMPLE KAPADIA (FINDING FANNY)

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She is my automatic pick. One of the finest actresses in Hindi-cinema always adapt the skin of the character. She has played many different roles and in Finding Fanny, she maintains her rythm. Dimple is Mrs. Rosalina “Rosie” Eucharistica, the self-appointed ‘Lady’ of Pocolim and mother-in-law of Deepika’s character Angie. She is over-proudy for nothing and her nose touches the clouds. Some terrific screenplays eases acting gurus to add another highlight in their CV. Brilliant display of acting.

Other Notable Works: Amrita Singh (2 States) & Lillete Dubey (One by Two)

 

BEST SUPPORTING ACTOR

VIJAY RAAZ (DEDH ISHQIYA)

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Tough one but this one is the best. It is no surprising for me that this man is one of the most underrated actors in Hindi cinema. His quality is that he makes the viewers observe him. He made his name from Rajat Kapoor’s Raghu Romeo. If small B’s not well-known movie ‘Run’ was a 50-50, then this ‘Kawwa Biryani’ actor was highly praised for his comedy. Amir Khan’s Delhi Belly was centered on three partners in crime but Vijay was again a specific name in talks. Now in Dedh Ishqiya, he plays another villainous role of Jaan Mohammad who is MLA-gangster of Mahmudabad. He doubles his poetry skills word-to-word copying from another poet to win Begum Paara’s heart, marry her and become the Nawab of Mahmudabad. The fury is hidden in his role as the greediness of the character gashes with the wait of approval from Begum Para. This Vijay Raaz deserves one prestigious award in his lifetime before lifetime achievement award.

Other Notable Works: Tahir Raj Bhasin (Mardaani), Manav Kaul (Citylights), Pankaj Kapur (Finding Fanny), Rajat Kapoor (Ankhon Dekhi) & Vineet Kumar Singh (Ugly)

 

BEST ACTRESS

KANGANA RANAUT (QUEEN)

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Although there have been many ladies in 2014 with majestic performances but none reach the clouds where Kangana was heavily raining. Kangana’s role of Rani Mehra in Queen is unanimous. She plays the role of a middle-class girl who wishes to spend her honeymoon with her soon-to-be husband in Paris. At the last moment, the man unties the knot and with all soreness of life knocking at a wrong time with tickets in hand, she decides to visit Paris by herself and breathe the life. There begins east-meet-west and sweet simple Delhi girl experience an unforgettable journey and befriends with people from different nationalities.

The flow of story looks unnatural at most of the times but let’s focus on Kangana. Since her debut, she looked promising and finally a feast is served as she displays her best performance ever. Her facial expressions are soooo natural and normal behavior towards unexpected Parisian lifestyle is fantastic. She will make you feel when her fiancé will inform her breakup in the beginning. She will make you stare when she will struggle to dance in the bar. You can’t ask for more than that. Queen is very Kangana-show.

Other Notable Works: Monali Thakur (Lakshmi), Seema Pahwa (Ankhon Dekhi), Alia Bhatt (Highway) & Tabu (Haider)

 

BEST ACTOR

SANJAY MISHRA (ANKHON DEKHI)

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Yeah it was a healthy competition between the three. Two were the most popular and the one was ignored at many functions (most probably because he don’t carry the personality which may give him stardom). I pick the latter because I believe Sanjay Mishra ran the character in fact the whole script on his strings with a perfect note.  As compared to the competitors, the movie wasn’t popular to the house of commons like PK and Haider but he was solely responsible to bring the movie to fame.

Sanjay plays Bauji from Dilli’s gharib-khana who has compromised with his ego to accept only those things as reality in life which he has witnessed by himself. Impact? He loses his job, his brother & family separates home, his philosophical thoughts bring many close neighbors his devotees. It is not only about the definition of his character but the aura he brought into it. Sanjay is a thespian and Bauji is melodramatic.

The character of Bauji will make you realize how comfortable how meaningful and how relief is the life you choose in the loud noisy world in your surroundings. People will laugh at you, make fun of you, of your wit and philosophy but you will remain calm. As the movie grows on you, you begin to judge him more, you begin to find him realistic more, you see yourself in him. As a father and a brother, you see the same Bauji in two different dimensions. He is an ass, a clown without makeup and a simple man who has everything to lose. Story of a terrible man with irreparable fate. Truly the best performance of the year!!

Other Notable Works: Shahid Kapoor (Haider) & Aamir Khan (PK)

 

BEST DIRECTOR

HOMI ADAJANIA (FINDING FANNY)

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Is Finding Fanny an Indian movie? I doubt, I really doubt. It will take the whole duration of movie to find out that it is an Indian movie because of its extremely rich portray of realistic sketching of realism and technicality of movie making. When you watch this, you will feel watching a Western European movie. Homi Adajania directed Being Cyrus and Cocktail before this.

From comedy to suspense, it is absolute entertainer. The characters are defined in the beginning, the story is developed and sprinted without any nonsense. Screenplay and editing of the movie has also played a major part to praise the director’s efforts to make such an incredible movie.

Why direction is so effective? Why this movie looks different from the others? Because of Pocolim? To some degree, I agree but Homi’s homework paid off. To make the movie look creative, natural and very realistic, Homi spent a month in village Salvador do Mundo of Goa and researched/learnt its culture and local Goan Catholics. Superb direction!!

Other Notable Works: Hansal Mehta (CityLights), Anurag Kashyup (Ugly) & Rajat Kapoor (Ankhon Dekhi)

 

BEST MOVIE

ANKHON DEKHI

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The last and most important category of my picking. Mithiya Talkies produced thought-provoking Ankhon Dekhi directed by Rajat Kapoor. Some movies are clobber dimensional and some are socially inspirational. Ankhon Dekhi is Rajat Kapoor’s miss call to those who have lost the battle of survival in life, who have gone hopeless to see the change and who have borrowed some time to ease and overcome their agony.

In old Dilli gharana lives the patriarch, Bauji. He lives in a small house with his family combined with his brother’s family. Has a job on which he just survives. Has a daughter who has an affair with a vagabond. Has a wife who is no less than a heater. After a lot of problems circulating on his head, he decides to accept only those things as reality which he has witnessed himself. This philosophy gives Bauji some disciples, but in off state he loses his job applying this philosophy, his brother shifts to new home with his family sick of him. Bauji has everything to lose.

Ankhon Dekhi has everything to impress you. Impressive story, brilliant screenplay, social satire, natural dialogues, simple costumes, one of best performances by any ensemble cast of 2014. It had tough competition in this category but I found Ankhon Dekhi reclusive. A wonderful movie!!

Other Notable Works: Ugly, Kya Dilli Kya Lahore, Citylights, PK & Finding Fanny

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While I was hanging on Facebook and trying to put my effort on jumping towards the conclusions of the year 2013 and pickings from different aspects of film making, up comes the idea from my subconscious mind that why don’t I blog my choices? Sounds a great idea!!!

It is good to see that readers from many parts of the world get connect with the WordPress and by chance read my blogs. Academy Awards function will take place on March 2, 2014, at the Dolby Theatre in Hollywood, Los Angeles. I was terribly waiting for most of English-language movies of 2013 to watch in good print. Downloaded the movies I needed to watch (mostly Academy Awards nominated) at minimum 720p. I have watched them in last couple of months and I sincerely am thankful to my readers and friends on Facebook recommending me the movies of last year. 

So here is my pick from 2013 English-language movies whether nominated in Academy or not:

Best Production Design: 

The Great Gatsby

We know what Baz Luhrmann is capable of. He is well-know for making stylish and very fashionable movies like Romeo + Juliet (1996) and Moulin Rouge! (2001). Here he does the same as F. Scott Fitzgerald’s The Great Gatsby always demanded a ravishing look into the lifestyles of the Buchanan’s and parties of the Gatsby. Baz left me no option to look elsewhere.

Best Production Design - The Great Gatsby

Best Production Design – The Great Gatsby

 

Best Costume Design: The Great Gatsby

So I forgot to propel you that F. Scott Fitzgerald’s The Great Gatsby not only demanded a ravishing look into the lifestyles of the Buchanan’s and parties of the Gatsby, but the novel also raises the significance of the dresses, the uniforms, the wardrobes to be used as per fashion and hugely fitting into a high-society urbanized life to convince and portray how the novel grows the writings on you. Catherine Martin was the lady hugely responsible for Moulin Rouge’s success as she went on to win 2 Academy Awards for Art Direction and Costume Designing for that movie. And once again she is just beyond the class in costume designing for The Great Gatsby. Bravo!

Best Costume Design - The Great Gatsby

Best Costume Design – The Great Gatsby

 

Best Sound Mixing: Gravity

Although I didn’t like this space movie but few elements were inviting. One of them was the sound blowing in your ears. The volume at space the movie spoke produce hysteria. By listening Sandra Bullock in her misery and trying to connect with the team, you are rubbing your ears as if you are trying to connect with them. Plays a vital role and that is where Gravity convince me.

Best Sound Mixing - Gravity

Best Sound Mixing – Gravity

 

Best Sound Editing: Rush

Vrrrrrroooooooooooooommmm, gear shifting, breaks, pressing accelerator hard. An epic F1 race between two great racers need that sound. Viewers need to feel the beat. Sound engineering has been a lusty ear therapy and it grows more in your eardrums with the intensity of battle on track between the two.

Best Sound Editing - Rush

Best Sound Editing – Rush

 

Best Music, Original Score: About Time

When it comes to writing music score for the movie, then it is supposed to be musical enough to make the screenplay and scenes of the movie catchy. That is the quality the musicians like Vangelis, Gabriel Yared, Hans Zimmer and Gustavo Santaolalla have, their scores flow and grow in the movie. Chariots of Fire, The English Patient, Dark Knight trilogy and Babel are such great examples.

About Time is a British movie directed by Richard Curtis, and with a disciplined film-making as the screenplay appealed, music score needed a heavy influence. Nick Laird-Clowes satisfies my ears from act 1 scene 1, when narration and intro begins. I must mention that Gravity and Rush are the other two which impressed me in this department but About Time is my pick.

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Best Music, Original Score – About Time

 

Best Writing – Adapted Screenplay: The Wolf of Wall Street

If Ron Howard’s Rush was ever adapted from a memoir, I would have straightly picked it for this category. So Jordan Belfort’s book with the same title is my pick which Martin Scorsese successfully adapts and does justice. Most of the events happening in the movie is true. You can figure out yourself in http://www.slate.com/blogs/browbeat/2013/12/31/wolf_of_wall_street_true_story_jordan_belfort_and_other_real_people_in_dicaprio.html

Best Writing (Adapted Screenplay) - The Wolf of Wall Street "even this scene is true"

Best Writing (Adapted Screenplay) – The Wolf of Wall Street “even this scene is true”

 

Best Writing – Original Screenplay: Nebraska

But when it comes to original screenplay, then I find strong competition between Ron Howard’s “Rush”, Spike Jonze’s “Her” and Alexander Payne’s “Nebraska”. Rush is sports drama film based on true events while Her is sci-fi romantic comedy film not close to reality. But Nebraska is a pure leather from alligator. Making the movie in black-and-white presents a poetic theme + an amazing father-son chemistry produces a gem. Screenwriter Bob Nelson did a timeless and terrific story writing and this was his debut in movie as screenplay writer.

NEBRASKA

Best Writing (Original Screenplay) – Nebraska

 

Best Supporting Actress: Jennifer Lawrence – American Hustle

She didn’t impress me in ‘Silver Linings Playbook’ also directed by David O. Russell. But this movie is the real platform. JL is Rosalyn, wife of Irving played by Christian Bale. She is a mad lady who suddenly loses her temper. Mad in love with hubby will never file a divorce. Her role is shorter than the rest of all major characters in the movie but it is about influence and demand of her character developing in the script in the next half. Body language, facial variations, voice tone flexibility are just close to perfection. She richly deserves ‘Best Supporting Actress’ award on 2nd of March.

Best Supporting Actress - Jennifer Lawrence

Best Supporting Actress – Jennifer Lawrence

 

Best Supporting Actor: Jared Leto – Dallas Buyers Club

Although I am not a lot in Jared Leto movies but by chance I watched him in Jean-Marc Vallée’s Dallas Buyers Club. This was one of the best roles played in 2013. Jared Leto plays Rayon, a transgender woman, who suffers with HIV,  joins fellow HIV fellow Ron Woodroof played by Matthew McConaughey as his business partner who will bring more HIV patients to Ron to join the Dallas Buyers Club. The role of Rayon was fictional and didn’t exist in reality but there are two most important aspects in this role. First thing is body transformation, he lost 30 pounds (14 kg) for the role. Secondly, the role itself. You won’t find Jared Leto in the role, he/she played an incredible role.

Best Supporting Actor - Jared Leto

Best Supporting Actor – Jared Leto

 

Best Actress: Cate Blanchett – Blue Jasmine

How could I not pick Cate Blanchett for this category? This Woody Allen movie is not at all about his direction, it is first about her and perhaps has played her finest performance of career so far.  Jasmine is an elite Manhattan socialite who is married to 9 years elder wealthy business magnate Hal played by Alec Baldwin. Things go against her and lose a huge fortune. She is mentally broken and financial status is badly wrecked.

It is almost impossible to read or measure her mental capacity when it comes to play a character in tantrum. She beautifully manage her character when she is normal, when she is about to burst out, when she is talking to herself or when she gets angry. So many times, viewers including me won’t understand her timing, we simply are not able to analyze the whole temperament. I will be surprised if she didn’t bag ‪AcademyAward for ‎BestActress on 2nd of March‬.

Best Actress - Cate Blanchett

Best Actress – Cate Blanchett

 

Best Actor: Matthew McConaughey – Dallas Buyers Club

Well to be honest it was a very hard decision. I was stuck between him, Chiwetel Ejiofor for “12 Years A Slave”, Bruce Dern for “Nebraska” and Robert Redford for “All is Lost”. Besides Robert Redford, all are nominated for ‘Best Actor’ this Academy Award, so whoever wins between the three are deserving for me. I made my mind and picked McConaughey above them.

He is Ron Woodroof, who suffers HIV and the doctor has marked his death in maximum 30 days (but actually dies in 6 years). Like Jared Leto, he has transformed his body by losing 47 pounds (21 kg) for the role. Secondly, the aggression, the accent, the body language will take you to some other heights. In short, McConaughey has produced one gem of a performance which perhaps will remain highlight of his career.

Film-Toronto Preview

Best Actor – Matthew McConaughey

 

Best Director: Martin Scorsese – The Wolf of Wall Street

Need no introduction, but he produce a gem in almost every movie he directs. This time it is The Wolf of Wall Street. It is Jordan Belfort’s memoir which he adapted. It is 180-minute movie with 569 eff-words, the length you don’t expect to see in English movies but the quality is it will not bore you. The Belfort story will slowly slowly grow on you, things will be presented in such a way that you will ignite in their environment. Money, drug, sex are Scorsese’s favorite elements and will satisfy and propel you. With a critical subject, Scorsese has directed far better than other directors in my view.

Best Director - Martin Scorsese

Best Director – Martin Scorsese

 

Best Picture: Nebraska

And now my final say. Apparently the most understood movies, which I believe were the finest products of the year 2013 were Nebraska, Dallas Buyers Club, The Wolf of Wall Street, Her and Rush. I am very surprised Ron Howard’s “Rush” is nominated nowhere in Academy Awards categories. Anyhow, out of these 5 pictures, my pick is Nebraska. It is a story entirely different from the other four.

Nebraska is a case study of father-son chemistry on a simple plot. The old man is alone and he foolishly thinks he really won a million-dollar lottery. No one at his home trusts him but he is stubborn. His young son finally makes his mind to take him to Nebraska where he is supposed to collect his prize. It is a tale of a lifetime, a moment for old man to cherish once. The black and white concept of the movie produce a poetic nature.  Every scene is like a hidden message. Truly the best picture of 2013…

Best Picture - Nebraska

Best Picture – Nebraska