Tag Archives: Comedy Show

TV Review: Our Flag Means Death

In 1717, a wealthy landowner Stede Bonnet (Rhys Darby) withdraws from his rich life and family to become a pirate and find adventure. Stede hires an extremely unfit crew and sails his ship, Revenge. But things do not go as planned as the pirates get attacked by the British naval warships and other pirates. During this bizarre voyage, he meets Blackbeard (Taika Waititi) and soon they become more than good friends.

The first thing I want to break here about this HBO Max show is that Our Flag Means Death is neither a legend nor a fictional tale in the pages of literature. Stede Bonnet, Blackbeard, and a few other characters that showed up like Blackbeard’s second in command Izzy Hands (Con O’Neill) and Calico Jack (Will Arnett) were real people. The period this show is based on is called the Golden Age of Piracy. Whether Stede and Blackbeard developed a relationship or not, I have no knowledge of that.

But more than that, I must acknowledge that someone in 2022 attempted to develop a new idea about comedy. I don’t remember if there was any comedy program based on the centuries-old pirates in ages. Due to an innovative approach, the comical methods looked fresh. I felt as if I was watching something new in the name of comedy.

The continuity after the first couple of episodes goes a little flat and then the audience will surely assume in the middle of the show that due to the limited content that is the survival of the pirates, the show has stretched the story a bit too much. In my opinion, this show could have easily ended its run in six episodes.

Despite Rhys Darby fully centering around the continuity to run its parallels in a good-looking comedy, it is Taika Waititi’s Blackbeard that captivates the audience and holds us to enjoy the presentation. The show’s excellence lies in the technical aspects like make-up and hairstyling, costume, and production designs. A diverse crew of pirates looked pretty unnatural.

I find the conclusion of the first season pretty interesting. In one theory, I can say that there is no need for the second season as the final scenes can be put to a conclusion considering it as a technical and mature end. In another theory, that is also the show’s defense, the script progression has the growth and if the script for the second season is executed well, the audience may find the next chapter intriguing.

I am not sure if Our Flag Means Death has developed a cult or attracted a large audience. For me, it was quite a fresh idea for the comedy and I enjoyed it a lot, especially Taika Waititi as Blackbeard. If the viewers are seeking a comedy show based on a very different situation, try this.

TV Review: Bel-Air

When the news about the reboot of The Fresh Prince of Bel-Air broke out, I was not okay with it. Then the first trailer was released; and I felt that the show looks like reimagining the whole plot of the sitcom in a new direction, giving a dramatic approach with a better address. Switching a massive hit sitcom into a comedy-drama needs a lot of courage, commitment with the scriptwriting, and a solemn promise that the show will not disappoint the viewers. After watching the 10-episode first season, I can convincingly inform the readers that Bel-Air, the reboot, absolutely did not disappoint at all.

The reboot became possible after Morgan Cooper released a short fan film on Youtube and Will Smith happened to watch it. It was so compelling that Will personally met Morgan to discuss expanding the film’s vision into a reboot. Both of them became executive producers along with the original line of producers including Benny Medina (the real Will Smith), Quincy Jones (the man who gave birth to Will Smith’s acting career in this sitcom), and Borowitz couple (Andy and Susan, the show creators). Peacock won the bid in competition with Netflix and HBO Max and gave a two-season order.

The new show focuses on the serious elements of all the sub-plots, the characterization of the main characters, and the continuity of the original sitcom. The writers left no space to give a better understanding. One of the best aspects of the show is that the show brilliantly gives a broader detail about all the characters, a decent capacity of screen time to give the characters and story some breathing. The heavy issues get pressing and more push.

Bel-Air visually dramatized most of the lyrics of the sitcom’s popular theme song ‘Yo Home to Bel-Air‘ in the first episode. Uncle Phil (Adrian Holmes) has a stronger personality and is visibly an important figure as a husband, a father, and a lawyer. Will (Jabari Banks)’s daddy issue has been well-taken care of throughout the season. Carlton (Olly Sholotan)’s character without a doubt has the best characterizing, and the behavioral attitudes and personal traits an annoying Carlton should have is all smartly portrayed here. More than half of the season has Will on Carlton’s nerve with an excellent screenplay raising valid questions about the family being more concerned for Will than Carlton all of a sudden. British butler Geoffrey (Jimmy Akingbola) is a definite upgrade from the sitcom who not only manages the domestic affairs of the Bankses but also consults Philips for his DA campaign and holds strong connections with powerful people.

I am thoroughly impressed how Bel-Air does not falter in its continuity. There are so many scenes that address and make the audience spare a thought. There is a scene where Will is shocked and furious watching Carlton enjoying himself with his White friends despite saying the N-word. Then there are a few of Will’s sittings with any of the Banks that are touching. In the middle of the show, there is an entire episode about Will’s best friend Tray (SteVont√© Hart) coming to meet with him in the mansion and overexcited with the belief that Will will return and resume his old life. Then sisters Ashley (Akira Akbar) and Hillary (Coco Jones) exchanging a conversation about the former’s love interest was supportive. Although Ashley at 12 having feelings for the same gender looked very forced and even if Bel-Air wanted to address their position about same-sex interests amongst the teenagers, the writers failed to develop the growth of Ashley’s character.

Then there is a surprise for all the sitcom fans when Vivian (Cassandra Freeman) goes for the interview in the Art Council where the interviewers are none other than Daphne Maxwell Reid and Vernee Watson-Johnson, the ladies who played the character of Vivian Banks in the original television show. This scene not only brought three Vivians together but also gives the audience a better vision of understanding the character. Vivian opened her heart while discussing with other Vivians about her life, her importance, and her career choices that looked visually more clever as Vivians of previous existence were all ears listening to the existing Vivian.

Bel-Air holds a strong commitment to the audience especially The Fresh Prince of Bel-Air’s loyalists as the first season progresses with extraordinary writing that develops a lot of faith that the continuity will have a lot of potential to run in the next season. The viewers who are expecting Bel-Air to be as funny as the predecessor will be upset because the vision of Bel-Air is different. The approach is smart and the execution is bold. I liked the sitcom and I appreciate how the makers of this show came up with the idea to reimagine the story with the very same characters with more realism. Try yourself.