Tag Archives: Emmy Awards

TV Review: Mare of Easttown

Detective sergeant Mare Sheehan (Kate Winslet) is a well-known heroic figure in her neighborhood of Easttown, a small town in Chester County of Pennsylvania. But she has faced a trembling year in quest of a missing girl that has raised many eyebrows over her detective skills. Also, she suffers the worst possible personal crisis due to a divorce, a custody battle, and a son lost in suicide. And during all this, the cops find a body in the forest park one morning. She is Erin (Cailee Spaeny), a teenage mother, who was fighting a custody battle for her kid with her ex-boyfriend.

Looking at this magnificent miniseries and the continuity of the plot, I am surprised that Mare Of Easttown is neither adapted from a novel nor is based on a true incident. In fact, I am impressed by the quality of production that they came up with such a presentation that makes the audience believe that this may all be true. But to some extent, Mare of Easttown is somehow the story of everyday people which is why it makes you believe in the bullet detailing of the screenplay. It gives you a real feeling the way the whole show is dramatized like a cop who is sensitive to blood, an old man confessing an affair at his wife’s funeral, a priest alleged for raping a minor, a mentally disabled girl bullied in the school, the old couple who tries to figure how to set up a security camera, and many more.

ERIN McMENAMIN

The character of Erin in the first episode is the most fitting epitome of bad social treatment. I have watched so many television characters develop well but have taken time to grow with more than one episode. But Erin whose character lived for just one episode has to be the fastest growth-developing character in recent years. It was phenomenal writing about a character that screamed louder the more she gets unsettled. Facing the hardship of becoming a mother as a teenager, she suffered rigidity from her father and her ex-boyfriend who should have emotionally backed her instead of being unsupportive. How heartbreaking it was to see Erin get beaten in the park and the ex-boyfriend doing nothing but watching and enjoying it.

All the major characters in Easttown are affected by Erin’s murder. They are socially distressed and contribute to the plot which is another impressive point of the drama.

MARE SHEEHAN

There have been many detective stories with the central character in the uniform always portrayed to suffer due to his/her line of work and in person. So there is nothing new about Mare but the reason why Mare’s typical character is picked and praised highly over others in recent times is because of touching the deepest aspects of her life very rightly, addressing her miseries peculiarly, giving enough screen length to suffocate between her roles as a mother of a dead son, ex-wife in a troubled marriage, irresolute to her line of work, and doubtful heroism that has faded since no trace of a missing child in an unsolved crime case. Mare is hanging loosely on the walls of many parallels with no success and optimism.

And the most impressive factor of all – Kate Winslet. How much do you have to influence a character to your body that the audience traces no sign of the actor’s stunning performance but feels the pain of Mare Sheehan? I am lost at how Meryl Streep a performance can be. This has to be Kate’s best performance since ‘The Reader‘. There was everything about the role, her body language, the Delco accent of the Phillys, the facial translation of emotional distress, rage, frustration, and God knows what else. The only scene in the entire series she laughed was so natural and visibly showed to the audience that her guffaw came out after all the bad things happening to that lady and was so necessary.

Unnecessary Developments

Yes, there are elements that looked pretty forced and time-consuming. Mare’s daughter Siobhan (Angourie Rice) had unnecessary sequences for her relationship with the radio jockey that had nothing to do with either plot or sub-plot. It clearly looked like this segment was dramatized to keep the LGBTQ+ community happy. The second is Mare’s love interest Richard Ryan, a writer and professor played by Guy Pearce. This character had absolutely no importance to the story and wasted quite heavy minutes in the development. In the beginning, I assumed that Richard’s character will be later linked to Erin’s murder somehow but he had no connection at all and was generally there for Mare. Giving so many minutes to his presence made no sense. The only theory that makes Richard in the story applicable is that his existence gave Mare’s unhappy life an opportunity to find positivity. She badly needed counseling so he was there. The same error in Detective Colin’s character, played by Evan Peters, who was brought to assist Mare in the crime case. First, he was awkward and I have never understood why the assistant or vice to a detective or a cop has to be a little dumb or less confident. And then, out of nowhere, Colin falls in love with Mare. Why would you do that?

But yes, the makers of the show deserve special praise for funny sequences that occurred in such a dark drama out of nowhere. Not a single time did the comedy look forced and fitted so well. Mare’s mother Helen was a source of bringing excitement many times.

CLOSING REMARKS

Mare Of Easttown is another masterpiece that propels me to advise the television audience to prefer HBO over any network if they are willing to try a miniseries. HBO looks like a dominant force for limited writing and has impressed with many quality contents in recent years like Watchmen, Chernobyl, The Night Of, and a few more. The winner of 4 Emmies, the show deserves every credit for being one of the best suspense and detective thrillers in recent years.

TV Review: The Morning Show

(Before I commence passing my review, I would like to inform the readers of the future that the show is judged after watching the first two seasons. To date, the third season has been announced.)

After fifteen years of television dominance and winning eight Emmies, Mitch Kessler (Steve Carell) is fired by the UBA Network when the news breaks of his being responsible for multiple incidents in sexual misconduct. His on-air partner for fifteen years, Alex Levy (Jennifer Aniston) faces difficult challenges to maintain her professional stature as the show struggles to retain its domination on the American viewers. And during all this, the network hires a shocking replacement of Mitch in Bradley Jackson (Reese Witherspoon), an outspoken field reporter whose creative ideas do not match with Alex. Thus, starts a very interesting phase of the news network.

Apple TV+‘s The Morning Show is the epitome of excellent writing about corporate corruption, abuse of power, sexual misconduct, and the struggle of women empowerment. This phenomenal piece of writing reminds me of Aaron Sorkin‘s, the audience is fully sold to watch the sensationalism of the making of news programs. The functioning of the news network is detailed with meticulous care.

One of the highlights where the show surpasses the quality of presentation is giving a proper dramatization of female employees working under the same roof after one major controversy bombs the reputation. TMS is picturized in the time period of America’s socially most critical period that is the rise of the MeToo wave in the first season followed by the global pandemic in the second season. Therefore, the show heavily focuses on the impact of the MeToo movement on this news network and the mental challenge the employees have to face after Mitch is fired.

In the same given period, TMS successfully decorates the professional rivalries in both upper and lower levels and daily political games between the network biggies. The parties, the glamour, the pride, the ego, the insecurities, etc. are all crafted with command. Employee love affairs, professional secrecies, work ethics, and heated arguments are credibly natural.

I think the recently concluded second season, despite superb writing and direction, is drier than the first season to some percentage due to lack of potential continuity. Mitch/Stella and Bradley/Laura takes a lot of minutes and are not even the core concerns of the main subject. The only plus about the writing of the second season is the build-up of the global horror that knocked the American life – the coronavirus. All the related content writing about the upcoming pandemic really breaks the buzz.

If the audience observes at dramatizing of employee relationships and scuffles, this will remind you of USA Network‘s Suits. Another excellence is handling the tragic events of the California Wildfire and the Global Pandemic magnificently. The productional dynamics and dramatic changes in the continuity are so compelling that the viewers can easily go into the heart of the show and grow in it.

The Green sisters of Friends, Rachel and Jill, reunited in The Morning Show.

And why not? The show is blessed with a potentially favorable cast of Steve Carell, Jennifer Aniston, and Reese Witherspoon in the lead, with the splendid support of Billy Crudup, Mark Duplass, and Karen Pittman, giving powerful performances. The Green sisters of Friends, Jennifer and Reese, were not only reunited but also became the first actors to be paid $2 million per episode.

There are numerous intense and brilliant argument and speech scenes. And this is what the audience wants, make a show blended with a favorable cast, fabulous writing, hot topics, hard-hitting dialogues, all orchestrated under a supervision of a thoughtful team of directors.

TMS has an interesting plotline, an exciting setup of aesthetics, a wise application of dark comedy, a very sound direction to build our enthusiasm for the show. And holds a lot of promises for the next season; and like me, I am certain that all the TMS fans are wishing that the new season happens this year instead of another two-year gap.

TV Review: All In The Family

Promotional still shows the cast from the American television show ‘All in the Family,’ Los Angeles, California, early 1970s. They stand in the doorway of their television address, 704 Hauser Street, Astoria, Queens, New York, and are, from left, American actors Jean Stapleton, Rob Reiner, Carroll O’Connor (1924 – 2001), and Sally Struthers. (Photo by CBS Photo Archive/Getty Images)

All In The Family is about Bunker’s family situated in Queens, NYC where the patriarch Archie Bunker (Carroll O’Connor) is the only source for bread and butter. With that source comes Archie’s heinous bigotry which let down many verbal backlashes and neverending arguments at home. Wife Edith Bunker (Jean Stapleton) is a sweet woman, a hardworking housewife, and a typical example of a faithful wife. Daughter Gloria (Sally Struthers) is recently married to her jobless husband Michael Stivic (Rob Reiner). And they all live together.

Archie being a proud ‘white’ American, pro-Nixon, intolerant towards the blacks, Porto Ricans, and Jews, and his unacceptance to multiculturalism leads to many racial backfiring and hate consisting many dozens and dozens of episodes showing a reality about the society hesitant to change in the politically troubling decade of the late 60s.

But the best part is that this family of four is an example of tackling many sensitive issues in the most humorous writings ever. A tv show from 1971 speaking about racism, homosexuality, Vietnam War, women empowerment and liberty, atheism, rape, and so many sensitive subjects, it was way ahead of its time. Not only the writing of the show but the direction and performances of all the four leading casts made this sitcom and overall an American tv show of any genre one of the greatest shows of all time.

Not only was All In The Family culturally and politically significant in the US but was also successful in building its own universe where the supporting characters of the show got their own sitcoms as spin-offs and became popular sitcoms ‘Maude‘ and ‘The Jeffersons‘. Maude was Edith’s cousin and The Jeffersons were Bunker’s neighbors.

LOS ANGELES – JANUARY 1: ALL IN THE FAMILY featuring (clockwise from top left) Rob Reiner, Sally Struthers, Carroll O’Connor, (baby as Joey Stivic) and Jean Stapleton. Image dated January 1976. (Photo by CBS via Getty Images)

All In The Family won 22 Emmys from 55 nominations and is the first of the only four sitcoms in which all the leading cast won the Primetime Emmy Awards for their respective categories (Best Leading Actor and Actress, Best Supporting Actor, and Actress).

All In The Family was also the beginning of the legendary writer and producer, Norman Lear on television who convinced CBS to run this show after two failed pilots.

America’s groundbreaking sitcom of television history is easily the greatest sitcom of the 70s and one of the greatest American shows of all time. Both TV Guide and Writers Guild of America has ranked the show 4th in their ‘greatest’ category.

There is a lot to write about this show as my fondness stretched to infinity episode by episode. I just loved Archie’s bigotry, Edith’s innocence, Gloria’s emotional fluctuations, and Mike’s scuffle with Archie. On a personal note, All In The Family is now convincingly one of my favorite sitcoms (either American or British).