Tag Archives: Flashpoint

Film Review: Zack Snyder’s Justice League (2021)

The immaculate success of Snyder Cut is built on two factors. One is Zack Snyder‘s determination to stay true to its roots of understanding that what he planned for his DC Extended Universe (DCEU) beginning from Man Of Steel (MOS) and continuing to Batman v Superman (BvS) was right no matter how severe were the criticisms that he received. The other is the passion of DC fans who believed in Zack Snyder’s vision for Justice League (JL) film, a soul that was besmirched by the-then CEO of Warner Bros. (WB) Entertainment, Kevin Tsujihara, who decided to screw the tone set for DCEU films and make it light and apply forced humor to drag the DCEU in an unconditional sprint race with the already well-established and globally-accepted Marvel Cinematic Universe (MCU) by appointing Joss Wheddon to complete the film and cut the length of 4 hours of the screentime of the film to only 2 hours. Results were pathetic, outrageous, and spine-breaking consequences resulting in Warner Bros authorities deciding to wide-open the slates of DC films and go solo for different projects. Snyder’s DCEU had lost the soul but DC fans protested/demanded to release Snyder’s version for years.

Global fans demanding to release a film they are wanting to watch had never practically happened before. The fans were right that Zack Snyder was right; global fans who demanded to release Snyder’s vision believed in his vision. The original idea about Justice League is now finally released and I wholeheartedly accept that Zack did it, he f**king did it. Whatever rumors or leaks media revealed about Zack’s original works all these years were all true. Whatever we came to know about his works all these years was all true.

After four years of wait, a wait that built more anxiousness after Snyder announced that the project will finally be released, I thoroughly watched this 4-hour mega film with the rollercoaster of emotions and excitement. And by watching this epic, I realized how Snyder Cut distinguishes a comic book film between DC and Marvel. Marvel films cannot be DC, and DC cannot be Marvel, in a positive way. Both are different universes with great superheroes, great supervillains, and extraordinary stories told in the past 75 years. Trying to be like each other loses the identity and soul during the process. This Snyder Cut is the most DC thing to have happened in years.

This Snyder Cut makes a statement and crashes the-then bosses of WB and the decision to appoint Joss Wheddon to dust. This film exposes how ugly was the previous JL film. If the audience was disappointed to watch that two-hour film, this film will make hate it more. Every single mistake that film made, every single plothole that came into existence to confuse the audience has been totally cleared with such a deconstructive construction of screenwriting in a cohesive way.

Does The Screentime Of The Film Justifies?

It took two hours for Batman to gather a team and around three hours for Steppenwolf to get all the mother boxes. And then the screentime of the theatrical cut was 2 hours.

Should the film be four-hours long? I liked and favored MCU’s idea of the foundation by going solo for the first superheroes and unifying them into The Avengers film in the first phase and this is how a successful foundation helped the universe construct a strong nexus to many future projects that were bound to be accepted with commercial success. Zack had his own way of storytelling and I respect that. Because four years ago, in the theatrical cut, building a team without understanding the superheroes was unimaginable but Snyder Cut is very distinguished storytelling. This lengthy film guarantees and justifies that introducing superheroes for a mission with enough detailed minutes was the right decision in its own way. Nothing was rushed; Aquaman, The Flash, Cyborg, they all get enough space to decide whether joining Batman and Wonder Woman to fight the war was the holy submission or a fool’s paradise.

Interesting Developments

Of course, I am not going to write every new thing the film added as the reel itself is two hours longer than the theatrical cut. So I will restrict to a few important events that happened in this film that builds the future.

Steppenwolf finds out the formula his lord, Darkseid, was searching for thousands of years, the anti-life equation. After failing to form the unity from the mother boxes, if Darkseid actually gets the weapon, he will be the supreme overlord of the universe. The original face or the character design of Steppenwolf from BvS has been restored. And generally, Steppenwolf has one of the best character developments in the film.

Then there is the gamechanger when The Flash saves the day by running back in time by using the Speed Force and giving the chance to Cyborg to separate the mother boxes. He says to himself that he has to break the rule. He talks about the rule twice in the film, previously when he helps in resurrecting Superman. That means The Flash already is a veteran speedster who had his moments of heroics in Central City fighting against some major crimes where he was forced to use this speed force. And this is why, The Flash’s solo film holds a lot of importance, especially if the film is based on the Flashpoint story.

In another scene, Martian Manhunter shapeshifts to Martha Kent and meets and motivates Lois Lane to start a fresh life. This comes surprising that the alien, the last survivor from Mars knows who Clark Kent is. He even visits Bruce Wayne and alerts him for the coming war that further confirms that he knows everything and has been following the developments for some time.

This film officially introduces Dr. Ryan Choi who is working in S.T.A.R. Labs. In comics, Ryan Choi is Atom. Yes, the body shrinker and another superhero, that will hopefully join the league. With the appearance of Choi, there may be a possibility that the first Atom, Ray Palmer, exists. Because in comics, Ryan Choi was Ray Palmer’s protégé.

Barry informing Bruce that he is fluent in Gorilla Sign Language is an understood indication that Gorilla Grodd does exist. Maybe, he shows up in The Flash film.

One of the most important moments in the film was Diana coming to know the biggest mystery – Darkseid. When Queen Hippolyta alerts Diana by shooting a firing arrow that drops straight into a Greek temple, she tries to discover the hidden secrets of the place. She finds a secret door, enters and many cave drawings about the ancient wars and the mother boxes are revealed to her. And this is where she finds out about Darkseid. All this scene never showed up in the theatrical cut and the audience thought perhaps Diana knew all this a long time ago while informing about the incoming war to Bruce. But the importance is that this scene gives a lot of weight to the development of Diana’s character.

One major of many improvements was the revival of Cyborg’s importance to this film. The old version gave Cyborg so few minutes that his significance in the team looked almost secondary but Snyder Cut propels the understanding that this fight with Steppenwolf and his army cannot be won without Cyborg at all. I am astonished by the fact that the heroes carried ‘almost’ the same weight as Batman and Wonder Woman. Barry and Arthur had their own heroics to save the day.

A needless element that was respectfully removed in the restoration of our faith in the JL project was discarding most of the forced humor. There was no joke about Bruce asking Arthur if he talks to fish, no Arthur confession to Diana on the lasso, no Batman fall from the height after Superman flies taking Lois with him, no comparisons of Flash rescuing a family in the car to Superman lifting and flying the entire building, no silly nonsense at all. The light humor was set only on Barry which was acceptable due to his fun-nature and being the youngest in the team.

Special praise to Zack Snyder for directing the ancient war that was fought 5000 years ago between Darkseid and his legion against a unified alliance of Atlanteans, Amazons, Olympian Gods, and the defenders of the earth that had so many historic legends like Britishers from the Middle-Age, the Mongols, Muslim warriors from ‘perhaps’ the times of Ghaznavid or Mughal empires. I think Zack got this idea of war from George Perez‘s comic book miniseries, War Of The Gods.

The epilogue part is the one that has new fresh scenes since Zack Snyder broke the news. In a very dystopian setup, Batman forms a team to take on evil-Superman and gives more details about this crazy adventure that surely looks like are the developments for the JL sequel (if announced).

Plus/Minus

The biggest accomplishment of Zack Snyder’s Justice League is that just like the Ultimate Edition of Batman v Superman fixed the plotholes of its theatrical cut, it has also fixed the puzzles and made the audience understand what looked like terrible mysteries, or the questions that went unanswered. The foundation of this universe and the creation of this team is now eventually acceptable. And just like BvS, we all audience once again will wish if this Snyder Cut was released four years ago, would have done wonders on the box-office and this DCEU would have been right on track.

There are ‘minor’ negative points but not blunders at all. For example, Wonder Woman’s new theme is needlessly overused. Then, in the ancient war, only one Green Lantern, Yalan Gur, shows up. Only one? How come the Guardians in Oa sends only one representative to fight this war?

And technically, just an opinion of a film critic no matter how much I loved this film on a personal note, this film achieves less. The motive behind making and releasing this film is to make the audience watch what was supposed to release in the theatres in the first place. The motive is to fix the plotholes and make the story understandable and convincing as it should have been a long time ago.

But from the very same perception of making this film, Zack Snyder’s film successfully develops the characters, most importantly Cyborg. The film directly connects with all the major films pretty well. With more screentime, the audience is mesmerized with more action and more sub-plots. Fabian Wagner’s cinematography and the new score by Tom Holkenborg (Junkie XL) attracts the screenwriting. Visual effects are stunning. Thank God, the red sky in the final battle changed. 

Will Justice League Gets Its Sequel?

Does the film hold the future for further continuity or if this is the end of Snyderverse? This is a big question but not a mystery to me. Warner Bros. has no plans to let Zack Snyder carry the torch but the success of this film can manipulate or shall I say reverse the decision. The film ends with an extremely enormous cliffhanger and the plot concludes raising a lot of questions that have been risen in the epilogue.

WB has to release future DCEU films like sequels of Shazam, Aquaman, and Suicide Squad. The Flash is a very important film to happen as I wrote above. So I think, the time is right for the authorities to reconsider the future of JL films. It is time to learn from the gravest mistakes WB has made in the past and execute better plans. There is no way the continuity from Snyder Cut will go uncertain. If a less-important project of this universe like Suicide Squad can get a sequel, if a needless film like Birds Of Prey can happen then I see no reason how Zack Snyder cannot get the chance to work on the sequel. After all, JL is the most important of all events.

How Will The JL Story Continue?

I think the Knightmare scene and The Flash warning Bruce from the future and then the scenes from Epilogue are all deconstructive parts of JL’s sequel. After Steppenwolf dies, Darkseid tells Desaad to ready the armada and use the old ways because anti-life is found. So what I am believing is that Darkseid will arrive with his legion to the surface where the anti-life equation exists and will kill Lois Lane, Wonder Woman, and Aquaman. By killing Lois, Darkseid will manipulate Superman and appoint him his deputy in Steppenwolf’s place by anti-life. Darkseid will guide Superman to the wrong path and fill his ears with lies that his Lois died because of Bruce Wayne.

Yes, Darkseid will know Batman’s identity because Steppenwolf will have informed his lord about the leak as Steppenwolf must have definitely been informed by none other than Lex Luthor when he met him in Superman’s spaceship. If Lex can inform Deathstroke, then why not Steppenwolf?

Batman will form a team comprised of Cyborg, The Flash, Mera, Joker, and Deathstroke to save the world. How come Deathstroke joins Batman? Maybe we come to know in the sequel but it is not as crazy as observing Joker in Batman’s team. While fighting, the parademons will capture Batman and send him to Superman. With the arrival of Superman in one of the caves where Batman is imprisoned, his mercenaries will bow to him. Within a few steps, Superman will kill his teammates by heat vision who are most likely to be Deathstroke, Mera, Joker, Cyborg but not Barry. Superman will take off Batman’s cowl and tell that Lois was his world and he took her from him and will eventually kill him. The cowl will be in his hand while he is in the air with omega-sign behind him. Barry will again use the speed force and run back in time to alert Bruce in the past and alarm him that Lois is the key and find them. While running back in time, he may enter the multiverse and may meet other Batmen, most importantly Michael Keaton‘s Batman. In this way, The Flash becomes an important film if it really builds the story in continuity on Flashpoint storyline. Yeah, this all sounds pretty crazy but this is just my theory of how I see this all developing. Who knows, only time will tell. For this moment, all I can say is “Thank You, Zack Snyder”.

Ratings: 8.8/10

Note: Most of the sources of the images in this blog are inserted in the images. A few images with no source indicate my screenshots.

Justice League – Film Review & The Ultimate Case

Justice League film is not the ideal assembling of the greatest superheroes team for scores of reasons. Because the continuity of the universe is faltered from here and makes you feel if the other powerful substance stole the power from the God of this DC cinematic universe and in the process, claims to be God. When the universe is in the process of perpetuation, make your mind how to maintain and execute the project. The planning of the infrastructure of the universe should be done even before the beginning of this all Project: DCU.

In short: “If the God is making silly mistakes, do not blame the universe.

ONE LITRE OF WATER IN A GLASS?!?!

Superman is dead. Steppenwolf, Darkseid‘s uncle, has threatened the world to destroy the earth by stealing the three Mother Boxes he once stole and then lost in a prodigious battle to a unified army of the Amazons, Atlanteans, Olympian Gods, and Green Lantern Corps (I also have doubt that Thanagarians were involved too). With all the Mother Boxes with Steppenwolf, Batman creates a team of metahumans to honour Superman and fight against Steppenwolf and his military of Parademons.

This all sounds a pretty impressive plotline on paper but this all doesn’t fit in a universe whose existence is in a premature state. This is like some kind of sports shaping into the invention and is further announced for a global competition and in a few days, a team is created from nowhere to participate and win the jackpot. Yes, that last sentence didn’t make any sense. And that is my explanation about the fate of this DC Universe.

The audience knows nothing about these metahumans, Barry Allen aka The Flash, Arthur Curry aka Aquaman, and Victor Stone aka Cyborg, nor do they touch their origins. They are just contacted by the team leader and asked for help! Their becoming superheroes are just concerned in the dialogues which are not enough. And with the space of hardly two hours of the screen time, the film is a source of confusion and running a 100-metre sprint race without firing a starter pistol, just like Suicide Squad.

JL film creates a colossal issue of hows and whys of the universe. Many questions are to be raised by the audience especially the one who has never known this superhero team but wants to know. Why is Barry’s father in prison? How did Victor die before he became Cyborg? What’s this conversation of Mera and Arthur about? All the answers to these questions are in the dialogues which are not enough. You cannot explain and present the entire hows and whys in mere two hours. And with shortening or cutting the screen time of the film by almost 50 minutes, the filmmakers ask you to stop thinking that much and focus on the what-the-hell continuity.

MAN OF STEEL RETURNS

Now Superman’s return. From the release of Batman v Superman to Justice League, a lot of opinions and theories were established. Many questions were raised. Should Superman return? If so, then how? Why? Exactly when? Of course, the creation of a superhero team without him is impractical. The return was certain but to wait how long? 21 months? He died in one film and returns in the next. It all happened in haste but why so hurried? What train are the executives missing?

Superman’s return as many stated one of the best scenes, didn’t impress me, to be honest. First of all, the idea of his return itself is not so spectacular. Using the Mother Box to resurrect his body is not a wow! to me. This is not an ideal return. Imagine where does this resurrection nonsense stand in front of the comics storyline in the making of his return after his death while fighting Doomsday, nowhere!

Once he returns from the dead. He is confused and not at all alright. Fights his soon-to-be friends and before it is too late, enter Lois Lane to melt his anger and he flew with her to Smallville like what the actual f***! This scene is even worse and illogical than Martha one.

Yes, Superman not included in the marketing campaign was a wise idea as it produced a spectacular wait for the release of the film and watch the grand revelation of his magnificent return but his return was nonsensical. And what about Bruce’s Knightmare sequence in BvS? What was that all about if Clark had to return this way? Barry eventually was right that Lois is the key and she is the one who brought Clark back to his consciousness but I am not convinced that this was the motive behind the Knightmare sequence. Will this confusion be cleared in the Flashpoint film? Because I am not understanding when did Barry go and warn Bruce?

If Superman is returning, so is Clark. Superman’s return may be understood by the world but what about Clark? How is he back? Why are people in the surroundings not surprised? Hopefully, these questions may be responded in the sequel of Man Of Steel.

ISSUES AND TISSUES

Barry, in his own words, is afraid of guns and murder, and obnoxiously tall people. And he has never done battle. Victor, on the other hand, is new to the language on his head which he doesn’t understand and fresh of becoming some robot who is not aware of his powers which he is getting every morning. A shaky beginning of such metahumans who are put into a team to fight against the global threat. They haven’t proved their worth in their cities, Cyborg is hiding after his father’s experiment on his son’s dead body while Barry hasn’t even joined CCPD, but they are recruited to save the world from Steppenwolf.

CGI of Steppenwolf is very different and looks less-threatened to a Steppenwolf the filmmakers showed in a cameo in BvS. I have no idea how and why his face is so changed in a time period of two films but is easily the worst supervillain offered by the DCU so far. Even Doomsday or Zod looked more threatening than him. With the return of Superman, Steppenwolf is so easily defeated that gives a furthermore wrong impression about his threat. This was the same monster who with his army was fighting against a unified team in the beginning. How on earth is the normal mind to accept the fact that this killing beast Steppenwolf who was stopped with the collective efforts of the ancient Gods, Amazonians, Atlanteans, and Lanterns was manhandled by Superman alone? For Superman, he was such a piece of cake that he smashed him, then he went to save the civilians, raced with Barry, returned back and asked his teammates if he was still bothering them and resumed the beatings like if Steppenwolf was ever bullied by Superman back in the college before! This was so so wrong! Who was writing this part? Joss, was that you?

Aquaman’s first appearance in the film is so ordinary. His first appearance could easily have been where he saves a man in the boat. His character in the film is very underdeveloped. It is just a Jason Momoa show, not Aquaman. Although I liked the father-son conversation between the Stones but overall Cyborg was average. The excellence of Wonder Woman continues from where she left in the previous instalment and in fact, she further impresses with her leadership qualities. Her relation with Bruce was one of the positive points of the film. Barry Allen is funny and his character is lighter than the one in the Arrowverse. Superman doesn’t have enough lines but I think his character has been more lighted than the previous two appearances. I am convinced with this decision. A slight change in his personality after the resurrection helps the environment of the DC films proceed in the same mode. 

I don’t know who was editing this film but it was a very unattractive start to the film with a camera recording Superman in one of the worst possible CGIs in an attempt of hiding his moustache. With such an enormous amount of money invested in this project, how possibly could CGI go that wrong? I wonder what made the makers think about keeping Superman clean shaved. In the comics, he did grow the beard. Speaking of the opening, in my opinion, the film could have its super blockbuster opening if they had shown that Steppenwolf’s ancient war against the unified army as the opener. Imagine the film opening with Steppenwolf stealing the Mother Boxes and with his army of Parademons about to invade the earth and suddenly steps a unified army to stop the threat. A perfect 10-minute starter making the audience understand the significance of the Mother Boxes and also explaining why exactly a League of Justice must be established. And by the way, this fight sequence is the only time in the whole film which made me convince to be directed by Zack Snyder. One of the best scenes of the film sadly was hardly a minute of screen time.

JL film is lighter in tone. Yes, a lot of humour is added but few were unnecessary like Aquaman sitting on Lasso of Truth, The Flash’s That’s Rude scene, and Cyborg and The Flash digging Superman’s grave, yes they were digging. I mean there could have been many ways to bring out Superman’s dead body. If this was some comic reference or homage then pardon me.

The fighting sequences are impressive. I liked the teamwork the way the heroes are helping each other like The Flash helping WW pick her Sword of Athena or Superman and The Flash dividing their work in saving the civilians or Aquaman reaching at the nick of time and saving his new friends by lowering the water pressure through his Trident of Neptune in the tunnel of the Gotham Harbor (The Ten Commandments tribute, anyone?).

COMICS EASTER EGGS & REFERENCES

Like all the DCU films, JL also has honoured some notable comic book references and dropped some easter eggs. The one obvious is the race between The Flash and Superman which happened twice in the film. This comic tradition of the race between the two speedsters has been presented many times in different mediums but this all began in the 199th issue of Superman back in 1967. The idea was devised by the writer of this issue, Jim Shooter, and penciler, Curt Swan. At that time, Jim Shooter was only 16 years old.

Parademons are exactly the same from the comics. Crispus Allen appears for a scene with Commissioner Gordon discussing the drawing of the Parademon. Who knows if Crispus becomes the Spectre in the future just like in comics. As I mentioned before that Steppenwolf is Darkseid’s uncle but this fact should not be confused if he is found later in the films that he isn’t his uncle because, in The New 52 version, he is just the general. This DCEU has been more based on The New 52 as you may notice the lineup of JL is exactly the same as New 52 comics. Cyborg replaced Martian Manhunter from the original work.

Bruce plans a headquarter for the JL which has to be the Hall Of Justice for sure. And further on, Diana adds the line “With room for more”, giving an obvious hint to have more superheroes in future to join the league. After winning the fight against Steppenwolf, Cyborg utters the word ‘Booyah’ which is not a comic reference but one of the most popular catchphrases Cyborg introduced in the Teen Titans cartoon. Barry’s Pet Sematary joke comes from Stephen King‘s novel and film with the same title.

A very important comics discovery was the Green Lantern fighting in that ancient war against Steppenwolf. That GL was none other than Yalan Gur. Check the comparisons in the pictures below. I screenshot the film sequence where, by few microseconds, the face is the clearest.

In comics, Yalan Gur abused his power and turned corrupt due to the fact his ring was then passed to Alan Scott who was the first character to bear the name, Green Lantern. Yalan Gur is killed by Steppenwolf in the sequence and so the ring leaves the finger and flies somewhere. Has the ring now passed to Alan Scott? Is Alan Scott the Green Lantern we are waiting for in the future films?

In the first meeting, when Bruce asks Barry about his powers, Barry in response is pretending and answers that he is skilled in learning sign language and gorilla language. That has to be quite obvious that Gorilla Grodd exists in the universe.

Batman standing on a skeletal gargoyle before meeting Commissioner Gordon is the tribute to the cover of the 682nd issue of Detective Comics. Cyborg’s body reconstruction with the help of Mother Box is from Geoff Johns and Jim Lee‘s Justice League: Origin. On this book, the animated film, Justice League: War was produced. Bruce riding a horse in quest of Arthur looks like one of the homages of Frank Miller‘s The Dark Knight Returns which Zack perhaps missed in BvS. Arthur sitting on Lasso of Truth may be another homage to the comics incident when Hal Jordan accidentally touched Lasso of Truth and spoke his soul out.

UNAPPEALING SCORE

DCEU films have been blessed with the impressive musical scores from Man of Steel to Wonder Woman. Even before this universe, Hans Zimmer gifted our ears the unforgettable work on The Dark Knight Trilogy. But this time, even the music department looked compromised. Danny Elfman‘s score was flat and very ordinary. It was supposed to be Junkie XL but was later decided to replace him with Danny. Yes, Danny is the one who produced the iconic Batman theme which was also used in Batman: The Animated Series but that doesn’t guarantee his producing another top-notch. Instead, he reused the famous themes of Batman and Superman, the result? Average response. Listen to his score straight after the credits when the burglars are about to rob the bank and you will realize how ugly his score sounded. Also, many of his scores will remind you of his work on Hulk. Removing Junkie from the project was a bad bad bad decision. No situation in the film gives you the feeling from the background score. The genuine score builds the mood of the audience and sets a proper tone. Take an example of the No Man’s Land Scene when Wonder Woman raises and presents herself to the world as the answer for the victory and confronts all the shots and bullets. This is what I am talking about. The score in that scene melts you and that is what I wanted in JL like all the previous DCEU films, some quality.

JUSTICE LEAGUE NEEDS JUSTICE

JL film is as expected a very early breakthrough which should have happened after the audience gets the awareness of the superheroes, their worlds, their origins and hows/whys of becoming a superhero. After all this, then the God of this universe should have dropped the bomb over their heads by bringing a monster, a threat, a disease, against whom they collectively fight together for a better cause.

If the box office collections are low and the response of the audience is negative, Warner Bros. is to be blamed. They should not involve themselves in the director’s vision and creativity nor should they decide what to cut from the film. After director Zack Snyder’s departure due to the family tragedy (strong rumours are that he was fired), WB hired Joss Whedon which was a massive blunder. Many scenes were reshot and further added $50m to the extraordinary budget of $250m. Then the Warner Bros. CEO, Kevin Tsujihara, cut the screen time to 1hr59m which is extremely short for a superhero film like JL which needed a heavy detailing about the heroes and their worlds.

Many important scenes are rumoured and reported to be cut from the theatrical release. Barry’s love interest Iris West and Arthur’s advisor Nuidis Vulko are not featuring in the film. Two of the Lanterns, Kilowog and Tomar-Re, were to meet Batman in his Batcave in one scene but that was scrapped. Film’s principal photographer has confirmed Superman wearing his iconic black suit which never happened. Some sources are claiming that Darkseid was to appear in the film which never happened. Plus, few scenes which were observed in the trailer never featured in the film which is quite strange. Most significantly the one in which someone showed up to Alfred in the trailer became a mystery to the viewers and began finding the answer who that superhero can be by zooming Alfred’s glasses and observing the colour. To that level of madness among the die-hard fans, the producers chose to scrap this scene, wow! Now that scene has been added as the deleted scene in the digital release. All the above-mentioned scenes would have helped the audience leaving the room with comfort.

WARNER BROS! DO YOUR HOMEWORK!

I have never understood this philosophy or ideology of cutting the screen length in the theatrical release. Warner Bros. decided to cut almost half an hour of BvS in the theatrical release and paid the price of making the film confused and misunderstood full of plotholes to the viewers. From here, I actually thought Warner Bros. will learn from their mistakes because later on, they hit their peak through Wonder Woman. But for JL they cut no less than 50 minutes which is an extraordinary length. The audience can watch a film with a running time more than three hours IF the film makes you understand things what the director wanted to. Just in case if you had not watched the ultimate edition of BvS, you would never know that how come Superman couldn’t detect the bomb in the court or Steppenwolf and Luthor did meet each other. Warner Bros. has to get rid of making the horrible decisions before the viewers begin taking less interest in their films.

Warner Bros. has to slow them down and stop competing against the Walt Disney Studio to match the standards where their Marvel Cinematic Universe today is. This is not how you assemble the team and expect praise from the audience. Stop being in haste and focus on making people understand your universe.

The reason why Wonder Woman worked both on the box office and praised by the critics and the audience was that Wonder Woman was produced to make the audience understand the superhero, realize why she exists, and why the world needs this woman. Same goes for the other metahumans. Instead of implementing a JL project, the God of this universe should have focused on introducing the metahumans in their own solo or origin films so that the audience would be convinced and understood their involvement to their world.

MCU’s approach was the perfect one, they had the right plan in both cinema and TV on assembling their heroes in a convincing way. But I guess Warner Bros. decided to innovate a different structure of explanation and presentation so that they can separate the ideology from the Walt Disney Studio. But how long can they keep them away from the MCU philosophy? Two of the DCU films did follow the trend of surprising the audience with the post or end credits, JL and Suicide Squad.

Status of Zack Snyder in this universe is now confusing. Is he really fired? Because according to IMDb, he is the announced producer of future DCEU projects. But in any case, losing him as a director is a major setback. In addition, Warner Bros. is adding way too many films on so many characters in the universe and most specifically from Gotham city which I find unnecessary. Instead of rushing with so many projects like films on Nightwing, Batgirl, Black Adam, Gotham City Sirens, Lobo, Harley Quinn, JL Dark and God knows what else, better they stabilize the DCEU structure and reconsider what and how exactly they want from this universe and how to continue it with improvements.

For the sake of DCU’s prosperity, increasing a universal fan-following, overwhelming responses from the critics, and boosting the commercial sales through the marketing campaign and merchandising, WB have to take immediate and effective steps before the universe collapses and becomes a laughing stock. Things have still not gone that down financially. Their each DCEU film has worldwide grossed at least $650m despite the negative reviews which is absolutely not bad at all. From DCEU, Warner Bros. has earned $3.7b from only 5 films which shows the worldwide fan-following of DC Comics are excited and not giving up at all! I am hoping for a decent turnaround and may they learn from their mistakes and make the fruitful but not dreadful decisions.

RATINGS: 5.5/10