After his wife’s unexpected death, theater veteran Yūsuke Kafuku seeks to escape from the sadness of her loss and works on a new theater project. During the project, he meets new people and a young chauffeur with whom he quests for the answers that have been missing for a while.
Why a Japanese film like Drive My Car is essential for the audience? I ask the same for those who listen to podcasts. The critical reason is that many are disturbed in their lives and try to find a source of their ultimate escapism through various mediums. Some find peace in reading books, and some find their missing puzzle in listening to podcasts. In the same way, this three-hour drama captivates that particular audience who searches for answers after losing something really precious. The years pass by, but the mind and the soul doesn’t obstinate to pull new strings and ease the pain unattached.
This masterpiece runs in your veins and grows with time. Almost every point the director Ryusuke Hamaguchi chose to make was punching, accurate, and so well crafted. On so many occasions, this film hit me and I asked myself how excellent were the shots taken. Like Kafuku returning home after the flight gets canceled, or Kafuku’s supporting actors trying to continue the performance or Takatsuki’s 12-minute conversation with Kafuku in the car, or the heartbreaking moment of Watari showing Kafuku her childhood home, or the mute girl cheering the old character in the final act.
I think it is the method that keeps all this storytelling, shooting a scene and making it look beautiful, compelling performances roll into one and give a product that stops your breath for a second or makes you thoughtful. Films like this move you because Drive My Car is one of the best visual translations of human emotions.
Even if I corner the tragic parts of the film aside, there is still a tremendous depth and buildup in writing. From audition to the final product, the film constructs an accurate understanding of the theater project.
There is a reason why this film made it to the Oscars and became the first-ever Japanese to reach Best Picture. Drive My Car recently created history to become the first non-American film to win Best Picture from all three major prestigious American critics groups which are NYFCC, NSFC, and LAFCA. And I strongly feel that Drive My Car will win Best International Feature Film at the Oscars.
Everyone performed well but Hidetoshi Nishijima as Kafuku was the soul of the film. Drive My Car is a cinematic marvel. The audience must watch this masterpiece.