Posts Tagged ‘Indian Cinema’

Mom is about a stepmother (Sridevi) who strives to win her stepdaughter, Arya (Sajal Ali). One night, Arya is gang-raped, a family is broken and loses the case in the court against the culprits. Mom musters her courage and wills to get her daughter justice.
 
In my opinion, it is a story which has been repeated a thousand times in the Indian cinema. The subject of revenge and fight for justice were pretty common subjects back in the 80s and 90s of action-era. The above plot will much remind the filmgoers a Rajiv Rai cult classic, Mohra which was based on precisely these lines.
 
The impression lies in the film editing and direction with the help of impressive performances by all the main cast constructed on a typical script.
 
The film definitely helps to raise the reputation of STEPmother in a South Asian society but also makes the viewer observe the mental and physical capacity of the rape victim because, in most of the Indian films, the woman dies after the rape. Sajal Ali steals the show when she does the screaming and Adnan Siddiqui (father) tries to ease the pain.
 
Another gem of a jaw-dropping scene was of Sridevi when she is informed by the doctor of Arya’s rape. The degree of the display of shock and agony by Sridevi was colossal. Both these scenes were one of the best scenes in 2017.
 
Some aspects of the film are pretty odd. The performance of the culprits before the rape is so 90s i.e., unrealistic. A.R.Rahman‘s background score in many scenes is forced and unnecessary. Sridevi looks like a champion killer in her revenge attempts, even her Need-For-Speed mode of driving to catch the culprit on his bike and breaking/entering the house doesn’t buy you. Nawazuddin Siddiqui as a spy in an unusual getup is a waste. The second half of the film is very stretched. And the biggest issue above all these points is that Sridevi is the face of the film, not the subject. At any given circumstance, husband and wife could have equally played their part in the revenge but the film shows that the director wanted to focus only on Sridevi.
 
Mom is a solo show by Sridevi who features for the last time in her acting career in a leading role after a sudden demise. Mom is one of the most vibrant and unforgettable performances by Sridevi. The film will annoy the viewers with the fact that if the angel of death had not followed her for a while, Sridevi in her 50s would have done wonders and gracefully stretched her already 50-year acting career.
 
RATINGS: 7/10

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Aamir Khan‘s Dangal has collected over ₹1,500 crore and is becoming the highest-grossing Indian film but when I watched the film after a six-months wait, I found the film wasn’t worth even ₹1.50 crore. 
Dangal is about a man, once a national wrestling champion, who gives up his career due to the shortage of money but sees his dream of winning Gold medal coming true in his daughters, Geeta (played by Fatima Sana Shaikh) and Babita (played by Sanya Malhotra). Being based on Indian wrestling family of Phogat, Dangal is a huge insult in the name of the real-life facts accuracy. In short, it is heavily fictionalized with more than 80% of the story dramatized. I have collected a few points which I found from various media sources.
 
1) According to the authorized biography of Mahavir Singh Phogat, Akhada, it was his wife Daya, who was disappointed that the first child wasn’t a boy.
 
2) The coach is depicted as villainous who is dummy enough to give wrong techniques every time he trains Geeta; whereas the real coach has claimed that only mechanism was changed, not the techniques.
 
3) Geeta losing first-round tournaments globally is completely wrong. The film shows her winning her first Gold medal in international competition in the Commonwealth game whereas she did win a gold medal a year before in Jalandhar.
 
4) Geeta didn’t cut her hair before the Commonwealth games. The video of the final game shows Geeta with long hair.
 
5) Aamir getting locked before the final fight is very incorrect. As per the biography mentioned above, Mahavir did watch the final.
 
6) The final game wasn’t that competitive; in fact, it was a one-sided two-round victory by Geeta with the score 3-0, 8-0.
 
Even besides the factual accuracies, the director Nitesh Tiwari, who is heavily praised and accoladed for his direction, has made the silliest of mistakes as few examples below:
 
1) The referee changes between the scenes in young Mahavir’s early fight. Can you believe it?
 
2) When Mahavir moves Patiala for six months, he is financially low but minutes later he owns a scooter and even books a whole theater to watch the DVD of his daughter’s fight? *claps*
 
3) Mahavir gets locked and not a single security guy bothers to watch the series of unfortunate events happening in such an international competition?
 
Performances? Yes, performances were the first rate but let me talk about Aamir Khan. He finally won a Filmfare Award in 16 years but the question is, what was so challenging about this role? Body transformation does count when the acting is judged but you will watch Aamir’s fatty character in the whole film as the young muscular phase of his role hardly is on the screen for 15 minutes.
 
If I judge his performance as a standout from two different criteria, which is 1) best performances of the year 2016, and 2) Amir’s best performances in the last 15 years, this role is still nowhere. So Filmfare yet again made a blunder in awarding it to a wrong individual.
 
Film’s technical aspects are not convincing at all. A running time of 160 minutes does not justify at all due to lengthy fight sequences and unnecessary songs.
 
Dangal is a one-timer and can be watched on a repeat mode for the sake of entertainment.
Ratings: 4/10
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