Tag Archives: Jazz

Film Review: Lady Sings The Blues (1972)

PREFACE

Lady Sings The Blues is the bio-drama of the legendary Jazz singer Billie Holiday. It is based on her autobiography with the same title. This film marked two notable debuts. One was Diana Ross‘ as an actor who played the central character and the other was Motown‘s big daddy Berry Gordy Jr. as a film producer. The film didn’t meet a mega success but got recognition with five nominations for the Academy Awards.

This film tempted me to watch it for a few important reasons. One is that I am a fan of Billie Holiday and have listened to most of her songs, including Decca Recordings. After watching The United States Vs. Billie Holiday last year, I felt that I must check this old classic to observe their take on her life. Another reason is that I never watched Diana Ross as an actress, have only listened to her music. And then Berry Gordy trying his hand at the film production made my mind further because I have huge respect for this man for giving birth to Motown Records through which many legendary singers and bands blessed us with rich music, especially in R&B and Soul.

ISSUES

The impressions I held for the film met a fatal blow for some critical reasons. Let me try to highlight a few.

The most critical error is Diana Ross herself. Despite a breathtaking performance, her selection for the role of Billie is a huge question mark. She neither reminds Billie facially nor her vocals while in character, Diana’s vocals are not even close to her. Billie had a distinguished voice that defined the Jazz music that was played in the 1930s and 40s. Those ears who have listened to the recordings of Billie will clearly complain that Diana didn’t try to give a feel of Billie in her voice at all. With such a problem in the selection, the film makes you believe more in Diana’s story instead of Billie’s.

The second issue with the film is that despite being adapted from her biography, a lot of liberty is taken from the material. Even if I keep the book aside or say that the film is not based on any book but is based directly on the legendary singer without the use of any source, the screenplay is questionable. The handsome Billy Dee Williams plays Billie’s husband, Louis McKay, and fits in the story when Billie was a rookie in the nightclub. Whereas, Louis came into Billie’s life later. Billie married three times in her life but the film mentions Louis as if he was in her life right from the start. And then the characterization of Louise is doubtful. Louise was abusive to Billie but here, he is totally opposite. So if the actual reputation of Louise really is bad then this bio-drama disrespects Billie’s sentiments by showing her cruel man with the Godly image.

Another problem is that the film ignores the dark consequences in Billie’s life like the troubles she faced with legal issues. The film missed the chance to depict how her most famous song “Strange Fruit” impacted the audience. In the film, Billie witnesses some terrifying cruelty on the African-Americans and then sings this track. And then there is no mention of it. If you make a film on Billie, you have to tell the world the political and social impact of the song.

IMPRESSIONS

My criticism about the film is based on fact that it did no justice to Billie’s legacy. I felt like the makers preferred to give Diana a platform to establish herself as an actress rather than present us with the life of a legend in those troubling times in America.

But true story aside, there is no doubt about the film’s excellence if I take a general view. Sidney J. Furie is quite a name who has been directing films for around six decades. And he did a splendid job in directing this film. There were a few intense scenes that can make the audience uncomfortable like Billie’s first performance in the nightclub when the audience breaks her confidence for not picking their money from her body despite singing so well. It was a social mockery of the public concern that portrays the horrors of singing at the nightclub.

Billie witnessing dead bodies on the trees and people around lamenting is another shot carefully directed that led to Billie’s health deterioration. Not sure if such an incident occurred but there is a scene when Billie is enjoying herself with all her white friends in the touring band when the bus is suddenly stopped to pave way for KKK demonstrators. Billie gets angry and passes angry verbal remarks leading to a bus attack and minor injuries. It was a very significant shot to spare a thought for. Even if such an event never happened with Billie, it still qualified as the need of the hour to give a glimpse of political unrest to the audience.

It is hard to believe that this was the first time Diana Ross performed in the film. The moment Diana enters the prison to be thrown into her cell at the beginning, she doesn’t remind any of us if this is a performance. Her facial expressions and body language were perfect.

CLOSING REMARK

I like the film in general. If I keep this out of my head that this is based on the true life of a legend, it is an excellent film with a fabulous performance by Diana, some good support from an impressive casting, excellent costume design, and direction. But the main purpose of the film was to watch Billie’s life in the reel and that did no justice. After all, this is why this film came into production but took a lot of liberty. So enjoy the film about her life but believe almost nothing about what most of the film showed you.

RATINGS: 5/10

Film Review: The Batman (2022)

INTRODUCTION

If there is one superhero most of the directors wish to direct, the global audience gets mesmerized, and comic geeks would always love to talk about for hours, it is Batman. The new line of work about Batman and his city was planned back in 2014 when Ben Affleck was writing, directing, and starring as Batman in this very film. Entered Matt Reeves and Ben’s ideas and creativity about the entire project went off. Matt Reeves was a very fitting selection after his artistry behind the Ape trilogy. His vision behind presenting Gotham city and the inspirational elements he was willing to apply in this project plus the casting for the major characters was topping the expectations. I happened to watch The Batman a couple of days ago. So let me try to analyze.

Bruce Wayne is fighting against crime in the city for the past two years. Officer Gordon summons him to scrutinize a crime scene committed by Riddler in which the mystery to catch him is directed only to the Batman. With his involvement comes anger amongst Gotham police as no one trusts him besides Gordon. While trying to discover the next targets on Riddler’s agenda, he meets Selina Kyle a.k.a. Catwoman through crimelords Oswald Cobblepot a.k.a. Penguin, and Carmine Falcone. During all this, Bruce also digs to find answers about his deceased father Thomas Wayne. While the film enters into its final hour, it is a little late for Batman to realize that the entire Gotham city is under major threat.

Matt Reeves opened up to Esquire that his influences for making this film were some 1970s classics like The French Connection, Chinatown, Taxi Driver,  a critically acclaimed comic-book story ‘Batman: year One‘, and rock band Nirvana. This pretty much shows how clear is Matt’s vision. Besides Year One, the film will a lot remind of ‘The Long Halloween storyline. 

CHARACTERS

Let me first talk about the characterization of Batman in length. Robert Pattinson as Batman had mixed responses when his selection was announced. He is not the same vampire and has improved a lot in his performances as well as picking films. This character has always been judged as Batman but not Bruce because the audience is unlucky to not have watched much of Bruce Wayne as a Gothamite who is loyal to his city and a philanthropist who is generous for welfare. Only a few minutes are given to this side as the film centers around the dark knight who fights crime usually at night. So once again, Bruce’s heroism was limited just like in the previous films about Batman. There was certainly a reflection of the good side of Bruce in the memorial scene; but if you notice Robert Pattinson’s Bruce Wayne, this rich guy doesn’t really look so dedicated to the city as he has always been in the comics or previous films. He takes crimefighting very personally as an act of revenge after the murder of his parents. This is confirmed in the beginning phase when Bruce doesn’t show any interest in his company’s financial affairs when Alfred tries to convince and he responds what he is doing (at night) is his family’s legacy.

Plus Bruce as a person in this film looks more natural in characterizing this antihero than in any of the enactions before. Robert Pattinson’s Bruce is more lost and sadist than any portrayals. He has a lot of rage with killer instincts and is about to beat some crook to almost death. This man is weird, he doesn’t portray an ideal rich playboy but is more of a thinker whose emotions have shattered away while trying to bring justice into this crazy city.

So when I say that this Batman is fighting crime for only two years in the city, that still counts as a rookie. And his two years of buildup as the phenomenal combatant still are not through to the physical challenges. He gets punches pretty quickly. Gets visibly exhausted like one in a bar when he wants to see Penguin. A major surprise to the audience is that this Batman is afraid of heights. Yes, he also fails in his heroics like when he tries to land after flying from the top of the Gotham Central Police Department (GCPD) tower. All this makes this Batman very realistic to the period Matt Reeves has set for Gotham.

Zoë Kravitz as Catwoman didn’t appeal to me as much as Selina Kyle. I felt if Catwoman was some forced character that was tried to fit into the mystery. Not that much was focused on Selina Kyle but was connected with Carmine Falcone that also looked pretty nonsensical. John Turturro as Falcone was a superb choice but the problem with the character is that the minutes on him are the least to focus on because he is always a sub-supporting character. Imagine Penguin being his chief lieutenant had more screen minutes than Falcone.

I am not sure why Colin Farrell was selected for Penguin with so many prosthetics and makeup done on the actor to look like Penguin. No doubt he did a fine job and he is holding a lot of promises for future films. Jeffrey Wright as officer Gordon has to be the worst character in the film. No, this is not about race swapping, Jeffrey is a quality actor and I am okay with his being Gordon. The problem is the characterization. In the entire film, he looked so dumb and desperate for solutions. I felt Gordon was clueless without Batman and had no guts to solve some of the mysteries himself. I was expecting a very strict and hardcore Gordon who has some hold even if he is just an officer because this is how James Gordon is.

Andy Serkis as Alfred did a fair job although it was a short role. The character doesn’t remind me of any comics storyline but fair enough as the film is very much based on Matt Reeves’ vision. The comics version of Alfred has never been portrayed in the films.

Paul Dano has been a very underrated actor throughout his career and he deserved a role that will make him remembered by the mainstream audience. He needed this push. When his name was announced for the film’s main antagonist Riddler, I had this feeling that this is a very serious and intelligent choice. Because Riddler has always been taken for fun. This time the director made sure that Riddler will now have the fun. This is a remarkable psychotic portrayal of Riddler and marvelous execution. I was fully sold on what I watched. The threat he imposed on Gotham and tested Batman’s heroism was genuine.

In such a lengthy film, I felt there was a lot of space to fit at least three characters in the film. One was Gordon’s daughter Barbara who will become Batgirl. With so much screentime of showing up together, Gordon could have introduced Batman to his young girl. The other is Ted Grant a.k.a. Wildcat who taught Catwoman boxing and streetfighting in one of the storylines in Catwoman’s comics. Wildcat also holds the distinction to be one of the few comic characters who trained Batman. And the third is Leslie Thompkins, the doctor who helped raise Bruce Wayne when he lost his parents. Leslie has been a motherly figure to Bruce in comics and was also a close friend to his father Thomas. When Batman was digging for answers in the middle of the film about his father, he could have asked for Leslie’s assistance or just met her for a few minutes.

SCENES

Bruce Wayne’s commentary in the beginning and ending drives me towards the comics. Both scenes of his commentary shots on some catchy scenes were like many first pages of the storylines where a major character or the writer addresses the intro to give a particular start to a comic book. The lines narrated by Bruce are so comics-oriented.

I am thankful to Matt Reeves for breaking the tradition of dramatizing the murder of the Waynes. This scene is so popular that those viewers who do not follow superhero films know about Batman’s tragic childhood story. Instead, this incident was used in the news bulletin that looked more appropriate to proceed with the story in the current timeline.

In the beginning, a group of thugs attacks a man and they have all painted their faces like Joker. Whereas Joker’s cameo happens when the film is finishing. So the portrayal of street gangs indicates that Joker terrorized the city and influenced the gangs to adopt his cult. Batman put him in the cage and perhaps dropped down some criminal activities. One of the guys in the gang is Jay Lycurgo who incidentally also stars in other Gothamverse, Titans as Tim Drake. Interestingly, he is the odd one in that gang with half makeup. So is he inspired by Two-Face? Does Two-Face already exist?

One of my favorite scenes in the film is the public memorial of Mayor Mitchell. The direction is master class, and Robert gives a thoughtful performance. If anyone observes this memorial scene, Bruce was silent all that time besides the two words he uttered in question to the lady running for mayor, “I’m Sorry?”. He observed the memorial from top to bottom, left to right, every possible important person or a thing he could have checked in for clues. And then a noise breaks out indicating a possible terror attack from far a distance panicking everyone in the memorial. The next half a minute you watch after the breaking of the exterior noise is what Matt deserves applause for. How magnificently a terror attack was picturized! Notice everyone who reacted to the noise. Every single attendee reacted naturally, no one showed a sign that this was some scene to act. This is the director’s determination I am much impressed with. He wanted every single extra to behave naturally to the threat. This was the most perfect terror scene I have watched in years, if not decades.

One of the things I really liked about the film was that Batman and Riddler, the main antagonist, had only one encounter in the entire 176 minutes. And the hype lived up to it. It was intense and mad. But one of the heavy surprises was Riddler saying his name in a stretch. So does he know that Bruce is Batman? Yes, he knows. Riddler is a smart guy making his crime mysteries the hardest to solve. So it will be a piece of cake for Riddler to figure out who is behind the mask. Plus, Riddler was looking straight at Bruce in the memorial. No? Why would he do that? Of course, he knows who Batman is.

In the comics storyline ‘Batman: Hush‘, Riddler correctly guessed about this. The audience may feel as if that’s a plothole. Why would Riddler not expose the real identity to the world? Because if he exposes him, who will he play the riddling game with? Where lies the beauty of guessing if Riddler exposes him? The plothole is, how come no one listened to the conversation between them in GCPD and found out that Batman is Bruce Wayne?

In one of the last scenes of the film, Batman saves some lives and it is quite cogent when he rescues one of the Gothamites on the stretcher and she in all trauma holds his arm while Bruce narrates in the background that vengeance will not change the past, he has to become more and people need hope. Perhaps Bruce realized at the moment when one of Riddler’s followers called himself a vengeance, that his being vengeance is not helping and giving a wrong influence. He has to make alterations to his gloomy despair to bring optimism to living in this city.

Although the film didn’t allow the viewers to get thrilled with the most anticipating face-off. But the deleted scene after the film’s release gave the viewers a glimpse of the clown prince of crime and Batman’s biggest archenemy Joker played by Barry Keoghan. With Keoghan’s selection comes a heavy responsibility on the shoulders of both Matt and this 29-year-old talented Irish actor to play one of the most challenging roles in Hollywood. He surely is the first actor to become Joker in a film who is not a well-established actor. By that, I mean he, as an actor, is not there where Joker actors like Jack Nicholson, Heath Ledger, Jared Leto, and Joaquin Phoenix have reached and decorated their names and careers. Incidentally, each of them has won an Oscar in their lifetime.

Of what I have watched in that brief clip, I believe Barry’s version has to be the most horrifying (and for weak-hearted viewers the most terrifying) Joker ever presented in the film. Since Heath Ledger’s Joker, every time a new Joker has shown up in either film or television format, the character has looked more deranged and psychotic which is actually challenging and thoughtful to test up to what extent can Joke be dramatized to madness. And how much insanity can an actor prevail?

With plentiful scars, a very few hairy portions on the burnt head, bloody hands with broken fingernails, this Joker looks like a subject of severe self-torture after all hell broke on his personal tragic life. And the voice is very similar to Heath’s Joker. He also looks to gain some emotional control with skeptical remote insanity. Observe his polite response to Batman when he reads the file. It was a smart move to shoot this scene as blurry towards Joker and reveal the facial disgust later. I predict this is going to be the most intelligent Joker ever to surface in films. And if he really makes a partnership with Riddler as depicted, Gotham shall not be ready for this merciless showdown. So, really excited to watch him in the sequel.

MUSIC

Great ideas do not muddle. The use of Nirvana’s track ‘Something In The Way‘ in ‘The Batman’ was apt. It was played twice, in the beginning, and in one of the last scenes. We don’t often listen to the same track more than once in a film. So why did Matt Reeves give this much importance to the track in the film? This has something to do with the elements of rock, rage, dominance, sadism, and revenge. These elements, besides rock, are common in both Batman and Nirvana. More than rock, Batman has been more about the symphony and his city Jazz and Blues. Batman’s commentary and the song’s lyrics also match the dark fate of the city. There is the line in the song “And the animals I’ve trapped have all become my pets”. This pretty much suits Batman’s personal trophies from his crimefighting where animals like crocodile, penguin, cat, bat, and a few more are his pets.

After Hans Zimmer blessed our ears with one of the most beloved music scores for Christopher Nolan‘s The Dark Knight trilogy, it is a multitude of challenges for any composer to come close to Hans and give a score for the Batman films as memorable as that work. Matt’s frequent collaborator Michael Giacchino tried his best and made a decent attempt. Let me halt comparing and talk about Batman’s new theme. Many Star War fans around the world are in for a treat to get mesmerized by this theme because that is an obvious reminder of one of the most iconic Star Wars themes, Imperial March. Imperial March associates with Darth Vader and with that wrath comes a piece of music that represents the rage of hellfire. If Giacchino actually took the inspiration from a theme about one of the most iconic supervillains to apply to one of the most iconic superheroes, he certainly deserves praise. This Batman theme sounds more broken and vexated, some buildup of a nightmare on the criminals appalled by the Dark Knight.

ISSUES

As explained above, from my point of view, most of the characters didn’t do justice besides Batman and Riddler. Besides, the role of GCPD was below par portrayal like any action film that doesn’t will to give some prominence to their crime-fighting. GCPD looked extremely compromised and clueless, and so was Gordon. Maybe the theory is that GCPD would have gone so dysfunctional all this time that the city got destroyed by so much corruption. But still, GCPD and Gordon were not good enough in the film.

Gordon summons Batman to solve the crime scene. This was the first time Batman was directly involved in GCPD’s case. I am more unreluctant to understand how Batman and GCPD fought crime before this for two years. If Gordon believed in Batman, how were they fighting crime in that period? Was there no bigger threat or major villain who showed up two years before Riddler?

The film in the middle was dead meat. The screenplay consumed a lot of time in searching for the clues and trying to identify if Thomas Wayne was a bad politician or if he was framed for death.

‘The Batman’, as a whole, has a more television show feel than a film. The editing of the film makes you think if four or five episodes have been attached together and shaped into a film. Due to this reason, the cinematic feel of watching The Batman is dingy. The making of this film does support the classic filmmaking element of neo-noir and there is no doubt about Matt Reeves’ direction for the film has been exceptional and innovative.

I am not convinced with the final phase of the film after Batman understands the threat Gotham is imposed. The writing of this phase looked flat. It was just another action-packed phase like any superhero film with not much extraordinary effort in writing. Bombing the city, lookalike henchmen terrorizing, predictable action scenes, etc. I felt a quality of writing was fading before and after the bombing.

QUESTIONS

Barry Keoghan in a cameo appearance shows up as the clown prince of crime and Batman’s biggest archenemy, Joker. After the release of the film, Matt Reeves releases a deleted scene of around five minutes of Batman’s interrogation with Joker. I am not sure why was this decided by the makers to remove this scene from the final cut. This scene held a lot of importance and would have worked in the middle of the film while Batman tries to catch Riddler. It is an open secret that Joker will show up in any of the future Batman films. It is impossible to complete Batverse without him. So it is illogical to delete this scene. And if the director wished to keep the audience thrilled by Joker’s existence in the last phase, why release the deleted scene then?

Will Riddler return? I think he will. But I feel technically his time is up and should stay imprisoned in the Arkham Asylum and let Matt Reeves let him pass the torch to Joker and other future villains. Riddler’s mission failed and hence, makes no reason to bring him back but rather focus on other bad guys. There are so many who deserves their time in this Batverse. If the plan is for a trilogy which is highly likely, then the villains will be limited to the most popular ones.

Catwoman leaves Gotham in the final scene. That is another technical conclusion of the character, just like Riddler. And there are many ladies to become Bruce/Batman’s love interest. This Batverse can work on introducing the photographer/reporter Vicki Vale and develop a love affair with Bruce like in the comics. She was the closest of all the Gotham characters to theorize that Bruce could be Batman. If Matt Reeves consider Talia, that will lead to all new dimensions and start a story towards Ra’s al Ghul. Jezebel Jet can also play the part of a woman who plotted to destroy him while secretly working for the Black Glove in ‘Batman R.I.P.‘ storyline. or maybe it is time to introduce Kathy Kane a.k.a. Batwoman in this universe and we watch both Bat man and woman fight the crime in their costumes. Is bringing a heroine in Batman films really important? Depends on the writer/director that how he pushes his script in the continuity. But Bruce has been a playboy so there is a certainty. It will also be wise if no more woman enters his life as Robert Pattinson’s Bruce maintains a dark emotional journey.

Mayor Mitchell was killed at the start and his kid showed up a couple of times. Why? The Batman looks at him and surely remembers his time. So who is he? Is this boy Robin? It is quite exhilarating that in the first instance, the boy looked at Batman at the crime scene and the next time, he looked at Bruce Wayne in the memorial. Such a dramatic touch!

It is quite a touch of framing a kid into theorizing a solid future of crimefighting. The origin story of Robin aside, it will be quite an interesting idea to buy for the sequel where the boy gets picked by Bruce and pays for his well-being. And in the third Batman film, Bruce begins to train him which leads to joining him as a crime partner. I would love to see that happen.

But in this theory, the problem is the boy’s age. He is too young to become the boy wonder. That is the other case if the timeline jumps in the sequel.

CONCLUSION

‘The Batman’ holds technical brilliance in dialogues, cinematography, writing, and direction. The film holds a lot of promises for continuity. The characters that didn’t live up to the expectations can get developed in the sequels. The Batman broke a lot of traditions like not bringing back Batman’s hoarse voice, not dramatizing the murder of Bruce’s parents, dismantling Bruce’s close-to-perfect rich personality, and applying a lot of realism.

The film’s cinematic accomplishment is that most of the audience is not willing to take down Matt Reeves’ imagining of Gotham and understanding of Batman and argue that The Dark Knight Trilogy did better. That trilogy has earned the respect of all the noble courts of comics. This film scales itself from that respect and distinguishes itself from the acceptable aesthetics of Batman’s world. It is a promising trilogy to the hype with new and fresh expectations. Perhaps, another memorable trilogy about Batman is surfacing in the coming years to earn new respect. Time will tell.

Another major plus that separates ‘The Batman’ from all the past films centered around Batman is that this is a detective film. Batman has been a crime fighter all his life but first, he is a detective. Comics have always emphasized his role as a detective more than a crime fighter. The directors in the past usually dramatized the films based on Batman as a crime-fighting superhero. Matt Reeves understood the character precisely and presented his true characterization. And that’s a win for me.

The Batman has room for improvement, there are issues that I addressed above. But I also admit that this is a spectacular start. I want the epic plunge into the cosmos of wholesome brilliance in Batmanship. Hope the bite doesn’t get rotten.

RATINGS: 8.4/10

My Selfish Diary: Placate the Spectre

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Breathing a polluted age of ignorance is a confounding experience. I observe more and learn nothing. Treasures of the endorsed festivities are devaluing and the ranks of discipline among the hoppy generations collapsing. People who lack money and power are atoning. The word ‘regret’ has its own dictionary and level. The patience is pleading, the patient is bleeding. Blood on the street is more than in the hospital. The population is increasing and rate of employment is decreasing. This is like a man alive in his grave struggling to come out of the box because he knows he can live more and die later. But what if he comes out of the box? Will his fellow creatures accept and agree his survival?

Now I hair more on me face than I used to on the skull. I dig pictures on Facebook of recent past like a couple of years ago and see my physical transformational downfall. My thinking clouds produce more heavy rainfall than the aggregate raindrops of Sri Lanka in an entire year but my head hardly gets wet. I do not get the courage to step up and make my mind what exactly I want because I am disturbed by everything surrounding me.

Most of the people nowadays are not noble, don’t have a good heart and are also not respectful. Lying is exhilarating and dying is an extended version of grieving ceremony. Exchange of regards have unusual dance moves and fast-food is delicious enough to fart my sweet acidity. When I try something in life, judges on the streets have a double-look and smiles are wide. I wear a beanie cap out of context without following season because I don’t folking care. I just love wearing this cap because it facially completes me and defines differently. Now the judges on the floor behave like a curmudgeon falling from a banana skin. I enjoy the curiosity on the contrary note because this is my folking life.

In recent days I planned to watch classic films of Dustin Hoffman and after a long time, I watched Midnight Cowboy. Jon Voight played the leading role. He was a cowboy from Texas seeking work opportunities in New York. With all the excitement on his face hoping for a new career, things didn’t work and get frustrated living a new yorker life. That drop of emotional complexion is what among the millennials today. The world to us is quite a complicated and hopeless case.

A few days ago I happened to know what craziness everywhere is with the game Pokémon Go. I had no single idea of the game which has taken the world follow it madly everywhere especially on the streets which are some alarm to a social life. By realizing its features and by knowing how exactly this game is played, I was lost for a second. How far has the world gone from making logic? What the folk is wrong with people? I can easily distinguish two different classes of humans nowadays.

On one hand, there is a chaotic world where people are killing each other and both parties don’t even know the purpose behind this. Too much terrorism is disturbing the planet and a general life of a common man. There is too much ego and anger involve that installing or restoring peace between the two has become highly unlikely. While on the other hand, there is a very interesting generation who are roaming the streets, the malls and public places to catch the victims on their smartphones. To what level of craziness an app can take the entire human race!?!

By gaining weight and becoming lazy, I have temporarily stopped following google maps for interesting sites in the kingdom which is another minus to my mood. Globetrotting is a mood swinger which gives you fresh energy. Now I need coordinates for peace where I can listen to myself and follow it. I need fresh air with a bottle of alcohol with a beautiful lady beside me who can understand me, who can accept me, who can become a morphine and please to me.

But it is hard in a cruel world full of hatred and hypocrites because the faith and loyalty nowadays bargain at a cheap price. Meaning and importance of love have been damaged, sincerity has dropped and commitment has no word of mouth. Internet freedom has made things a lot easier to corrupt the word ‘LOVE’. You have more choices of rejecting and accepting a person with the least and easiest excuse that the one to whom you were in relation didn’t stand for you even if you were blatantly wrong. Love is a subject and adultery is the real business of frustration.

If we carefully notice then the newest generation of youngsters is more impatient and frustrated than the older one used to be. Internet freedom is one reason above but other genuine reasons easily are the usage of mechanism in their earliest ages which is making them clever, wit and fast but at the same time they are growing more hyper-tense than the old ones. Today a two-year-old kid can explain to the elders the salient features of smartphones. The kingdom where I live, children of 15 before the turning of new millennium weren’t that bound to television sets and watching films due to many reasons, and one of the reason is lack of TV sets at homes but now a child of 8 uncontrollably can download a film of his choice by illegal source and watch. I sense with the passage of time, nothing will be in our control. The human-made machines will kill the race and generations and we will not have a space of time to blame ourselves. It is an ugly truth.

I do not borrow commitments to tweet a decades-long relationship with ladies because there is no promise to muster my courage to betray the loyalty. Being healthy is when you are at your desiring peace. Fulfillment of lust has more promise than odd expectations in fake relationships. An honest reason to why a man fond of woman’s beauty fall prey to exotic dances and strip shows.

After losing the gem of my life, I don’t desire an espousal but a relationship before a possible nuptial. Because for me, it is disloyalty of love to consider someone for the rank I chose the one I loved the most and lost in brutally unamiable way. And secondly I believe in freedom of choice for both, the lady should have potential enough to replace her which is highly unlikely and I should be good enough for her that she will see her happiness in me.

Folk the love! What am I now? My eyes are catching artificial attractions everywhere I go. Women with crystal looks, deceptive faces full of makeup, winterful smiles, and a rainbow of huge bags are a source of blessing to my punctured and penetrating eyes. Why not is it pleasant? I don’t see any harm if my intentions were not to hurt her or spoil her mood. It is not the love I seek, but the curiosity of eyes I speak.

Jeddah is a potential metropolitan city. It’s nights on the busiest commercial roads are jazz to my ears. Sporadically when I plan to drive the popular and busiest streets of the city at night, I am lost. At that time when I am driving my vehicle, my ears play Bernard Herrmann‘s marvelous saxophone-theme of Taxi Driver. I feel myself Michael Caine driving a classic Aston Martin DB4 or a Mini Cooper S. That is some source of relaxation and comfort.

If you are mentally disturbed and need a peaceful mind, I advise you to listen to Jazz music. Jazz is the best source of music when you need to come out of stress. I recommend you to listen Miles DavisKind of Blue and some other phenomenal numbers of Thelonious Monk and Adderley Brothers.

I quest the eternal spots of repose and solace to relinquish the dystopia. In a bad mad world, the sound of seashores is more pleasant than the sound of silence; farm and cottage houses build on my masonry is a willoughby. A library of books, a shelf of action figures and comic books, a hologram light of Batman in the corner, a Jazz or Opera to my eardrums, four walls covered by frames full of historic wars and portraits, a hookah near my chair, a beautiful charming girl in her lingerie posing a centerfold near the fireplace is my ideal room with a view.

Scold my wonders but no abuse as I articulate my wish and borrow some time for eternal merriment. In my hemispheres, dictating emotions are sharper than a sword, silence is just a roof of all hurrahs. Peace and jazz of my borrowed life are just an endorsement which will swiftly and repeatedly ask me the same question all my life.

I AM SAMI NAIK


 

 

Movie Review – Whiplash (2014)

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Curtains raise and the show begins with no silly nonsense or boring beginning. Two main characters are remotely defined. One is first-year Jazz student Andrew who is hugely inspired from the legendary Jazz drummer, Buddy Rich, and wants to make his name as a Jazz drummer like him. The other character is Dr. Terence Fletcher, who is very stern and abusive Jazz instructor at Shaffer. In microseconds, he judge the music player and promote/demote him.

As the characters are potentially well described in first 15 minutes, the next is creating a charisma in student-teacher bond. With above intros of the core characters, it is merely understood what to expect but let the bargaining of your choice be settled in the classroom where they share a bravura for your best moments of watching a high-class drama.

Let me assure you, no sweat will dry, no bandage will stop blood, no sound will go mute. You will remain attentive till the end. Your ears will have an orgasm when Andrew will be all set to perform on a big stage in the final act.

When you make a drama movie based on music or a movie based on a life of a musician, the most important element is sheer MADNESS. You have to make the viewer crazy from every inch of presentation specially the character’s relation with the instrument he/she marries. That potential is also watched when lil Buddy and smashing teacher cross all the limits to produce one legitimate and accepted sound of a beat. When the music is played, LOVE is to feel every inch of its beat that drives you to other level. Insanity is must and if you are addicted to music, then ‘Whiplash’ is an absolute marijuana.

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Whiplash is a hardcore musical drama written and directed by 30-year-old Damien Chazelle. Movie is inspired from director’s real life experience. Damien is the real-life Andrew who struggled to make it as a Jazz drummer in high school at Princeton High School.

The director gives full justice with Jazz music and remembers legendary Buddy Rich on a higher note. It is very sophomore effort of Damien Chazelle to revitalize the genre of drama and give music a new meaning to life with psychological intensity. It will hit you hard specially those who made music their path but failed or gave up. 

Why Whiplash has marvelous creation of intensity? The major reason is the burning heart and boiled rage of filmmaker towards its being a rel-life story-line which inspires him to present originality and give freshness of characters as part of his life. 

Miles Teller and J.K.Simmons have played the characters Andrew Neiman and Dr. Terence Fletcher respectively. I must admit both have given equal respect to the roles they played and have done a terrific job. I am trying to understand why Miles Teller wasn’t nominated for ‘Best Actor’ in recently concluded Academy Awards. This actor at least deserved the nomination. 

The other side of coin, J.K.Simmons, has presented or shall I say augmented a supreme skill of acting. I doubt if he even was acting or what? How can anyone be so natural? His presentation of pedagogy is a silent whisper. He looks devil but teaches gospel. Superb body language and remarkable portraying of a highly demanding music teacher who will offend you to any level but make you a perfect music player. I will not rate him less than 9.8/10 if I am asked to judge his acting on rating scale. 

You are an ass if you reject this masterpiece. No doubt, one of best pictures of 2014. 

Ratings: 8.7/10

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