Posts Tagged ‘Manav Kaul’

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Since I became a blogger writing sporadic pieces, I have given my opinion for most of the movies I have watched. There was a time when I used to watch Hindi movies with utter passion but now I hang my glasses. With calendar year passing by, my rate of watching Hindi-language movies have fallen drastically low now. Reasons are many but majorly what is lacking in nowadays Hindi-movies is a material which make you invest your time quality.

Bollywood still in its second decade of the century majorly lacks stories on which a perfect screenplay can be implemented and put to work. Quality of acting is not sublime and no matter how good the music sounds, the worse are the lyrics. Every beginning of the year, Bollywood and its pundits, moviegoers and viewers are focused on the most prestigious movies award, FILMFARE. Unfortunately, Filmfare also do not justify most of the awards and have richly fallen under the good-pockets and well-known showbiz families.

In last five years, I have noticed a slight change in movie production companies introducing new faces or encouraging some deserving talents and publicizing their image and promoting their movies on high-scale. In 2014, contrary to my expectations, I have watched some good movies. I chose almost 25 movies from the list of Hindi-language movies of last year from Wikipedia, which helped me increase my options of deciding to pick a promising movie. Some were disappointing but some were exciting.

Today in this blog, I present you my Bollywood’s best of 2014 from most of the categories I have scrutinized. This is the first time I am blogging for Bollywood and will also publish for Hollywood in near future. I will discuss most of the categories if not all and mention some noteworthy names related to that category. The categories are under three different sections.  So here I go;

MUSICAL SECTION

BEST BACKGROUND SCORE

A.R.RAHMAN (HIGHWAY)

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Other Notable Works: Vishal Bharadwaj (Dedh Ishqiya), Amit Trivedi (Queen) & Mathias Duplessy (Finding Fanny)

 

BEST PLAYBACK SINGERS

MIR MUKHTIYAR ALI (FANNY RE – FINDING FANNY)

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REKHA BHARDWAJ (JAGAAVE SAARI RAINA – DEDH ISHQIYA)

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BEST SONG & LYRICS

PATAKHA GUDDI (NOORAN SISTERS/IRSHAD KAMIL/A.R.RAHMAN – HIGHWAY)

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Other Notable Works: Bismil (Sukhwinder Singh/Gulzar/Vishal Bhardwaj – Haider)

 

BEST MUSIC

MATHIAS DUPLESSY (FINDING FANNY)

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Other Notable Works: Amit Trivedi (Queen) & Shankar-Ehsaan-Loy (2 States)


 

TECHNICAL SECTION

BEST CHOREOGRAPHY

SUDESH ADANA (BISMIL – HAIDER)

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BEST COSTUME DESIGN

PAYAL SALUJA (DEDH ISHQIYA)

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There are two prominent features in Dedh Ishqiya which gives you detailed texture – dialogues and costumes. Most of the shooting was done in Mahmudabad Palace near Barabanki. As per the script, ancient Urdu era was revitalized with royalty. So this adds major concern with two aforementioned features. Payal Saluja (Raanjhanaa, Ishqiya, Maqbool) has done fantastic work with costume designing and her first marks will raise your eyebrows when the attendees will gather in royal party in Begum Para’s Haveli. Excellent dress-work on Naseeruddin Shah and Huma Qureshi and most impressively on Madhuri Dixit.

Other Notable Works: Dolly Ahluwalia (Haider) & Tabasheer Zutshi (Miss Lovely)

BEST PRODUCTION DESIGN

TABASHEER ZUTSHI (MISS LOVELY)

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Ashim Ahluwalia offers a close look on the C-grade pulp Hindi-cinema of the eighties which used to make cheap horror-porn movies. It is a bold movie with independent theme where the director exposes backstage dealings behind the curtains and problems in shooting such movies in the past. With such script on the floor, all what matters to make the movie so special is costume and production designing. If this movie proved its worth on global cinematic village, then full marks to aforementioned designing works, both projected by Tabasheer Zutshi.

Other Notable Works: Subrata/Amit (Haider & Dedh Ishqiya)

BEST SOUND DESIGN

RESUL POOKUTTY (HIGHWAY)

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One of few impressive factors from Imtiaz Ali‘s road-movie is Alia Bhatt, ARR’s background score, attractive locations and sound designing. Rahman-Resul musical duo has proved winner most of the times and also have unforgettable achievement of bagging Academy Awards for Danny Boyle’s Slumdog Millionaire. Although A.R.Rahman was off-color with average tracks but the sound designer was in full form.

Other Notable Works: Sanjay/Allwin (Queen) & Anilkumar/Prabal (Mardaani)

BEST SCENE

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BEST EDITING

AARTI BAJAJ (UGLY)

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Aarti Bajaj was the first spouse of Anurag Keshyup and is regular movie editor for Anurag Kashyup and Imtiaz Ali movies. She is very responsible their successful movies. The beauty of moviemaking lies in editing and my pick is Ugly. Ugly has a lot of turns, script will fold you and different characters will puzzle you. Body smashing in traffic accident in same frame was pretty unnatural but the next scene of interrogation in police station is very realistic. For me that was one of the best scenes of 2014, the reason is it was almost a 7-minute interrogation scene. Normally such scenes bore you but the editing is so marvelous that the scene grows and boils in your nerves. The way the Indian police takes the case so light is fantastically shot and well acted. Besides, scenes of driving, phone calls, searching and beatings and many more brings a true color of translating a fiction into reality. Wonderful editing!

Other Notable Works: Aarti Bajaj (Highway) & Sanjib Datta (Mardaani)

BEST CINEMATOGRAPHY

PANKAJ KUMAR (HAIDER)

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Photography! Brilliant work by Pankaj on Haider. I cannot go with details about this but among many movies, I found cinematography of Haider the best one.

Other Notable Works: Anil Mehta (Finding Fanny & Highway)

BEST ACTION

SHAM KAUSHAL (UGLY)

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Sorry if anyone feel this pick offensive. I don’t have that level of enthusiasm for supernatural, unrealistic and larger-than-life action movies of Indian movie industry.  A lot of rage and fury, tortures and scorcher, gunshots and beatings. Ugly gives you a powerful display of action.

Other Notable Works: Manohar Verma (Mardaani)

BEST SCREENPLAY

RAJKUMAR HIRANI & ABHIJAT JOSHI (PK)

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It was tough for me to pick the movie with the most outstanding screenplay. Yes PK deserves this credit. This pair Hirani/Joshi is enjoying the booming period of scripting one of the best movies viewers have witnessed since the last decade. Under Vinod Chopra Films, they have scripted Munnabhai series, then 3 Idiots and now PK. Every aforementioned movie has a message, a rising voice towards the system transforming to roar over changing the system. Being comical in nature, their scripts marvelously have touched almost every viewer’s heart to fully accept the nature of movie. Every time their movies successfully inspires us with their trend-setting catchy dialogues. PK is no less than a revolution.

Both writers introduce an alien in the country of religions, hundreds of languages and cultures. He misses a gadget and in quest loses his edge and adapts the local language. Meanwhile he suffers a colossal hindrance towards different religious ways of breathing life. With the flow of script pulling the strings, the screenplay brilliantly develop characters to assist the alien to meet an end. Just another golden egg in their basket! Take a bow guys!

Other Notable Works: Rajat Kapoor (Ankhon Dekhi) & Homi/Kersi (Finding Fanny)

BEST DIALOGUES

ANURAG KASHYUP (UGLY)

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Natural!!!! very very lively and natural. No matter if that is a sick Shalini, tortured Chaitanya, opportunist Siddhant or furious Shoumik; dialogues are not on paper but well expressed on lips. Viewer/listener will never feel an inch of unoriginality of conversation. As more there is intense, the more the dialogues burn you. Best examples are the 7-minute interrogation scene as mentioned before and where Shoumik send Rahul to the prison where Chaitaniya is imprisoned and eating food. Wonderful job Keshyup sir!

Other Notable Works: Vishal Bharadwaj (Dedh Ishqiya) & Rajat Kapoor (Ankhon Dekhi)

 

BEST STORY

JANAKI VISHWANATHAN (YEH HAI BAKRAPUR)

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Ok the readers perhaps or surely will raise their eyebrows over this selection hehe but I am free to pick what I find more deserving. Many of you haven’t seen this movie and I promise you that the movie itself is below-average. But what attracts me the most is its story which is quite thought-provoking

Yeh Hai Bakrapur is a low-budget social satire based on rural part of India who blindly follow their faith. One small kid loves his goat and he doesn’t want it to get sold but his poor family has no solution to repay the debt. One young man who loves the kid’s sister, comes with a brilliant plan with the goat by painting the name ‘Allah’ on goat’s skin which makes the entire gaoonwalay fell in ultimate impression and belief that the goat is an angel and will be a sin to sell or sacrifice it. This rural blind faith following sketch is the bitter truth and a daring dilemma which speaks a lot of depth about the deception and extreme trust over something. Unfortunately the direction was painful which bombed a very scintillating subject.

 Other Notable Works: Amole Gupte (Hawaa Hawaai) & Hirani/Joshi (PK)


MAJOR SECTION

BEST SUPPORTING ACTRESS

DIMPLE KAPADIA (FINDING FANNY)

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She is my automatic pick. One of the finest actresses in Hindi-cinema always adapt the skin of the character. She has played many different roles and in Finding Fanny, she maintains her rythm. Dimple is Mrs. Rosalina “Rosie” Eucharistica, the self-appointed ‘Lady’ of Pocolim and mother-in-law of Deepika’s character Angie. She is over-proudy for nothing and her nose touches the clouds. Some terrific screenplays eases acting gurus to add another highlight in their CV. Brilliant display of acting.

Other Notable Works: Amrita Singh (2 States) & Lillete Dubey (One by Two)

 

BEST SUPPORTING ACTOR

VIJAY RAAZ (DEDH ISHQIYA)

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Tough one but this one is the best. It is no surprising for me that this man is one of the most underrated actors in Hindi cinema. His quality is that he makes the viewers observe him. He made his name from Rajat Kapoor’s Raghu Romeo. If small B’s not well-known movie ‘Run’ was a 50-50, then this ‘Kawwa Biryani’ actor was highly praised for his comedy. Amir Khan’s Delhi Belly was centered on three partners in crime but Vijay was again a specific name in talks. Now in Dedh Ishqiya, he plays another villainous role of Jaan Mohammad who is MLA-gangster of Mahmudabad. He doubles his poetry skills word-to-word copying from another poet to win Begum Paara’s heart, marry her and become the Nawab of Mahmudabad. The fury is hidden in his role as the greediness of the character gashes with the wait of approval from Begum Para. This Vijay Raaz deserves one prestigious award in his lifetime before lifetime achievement award.

Other Notable Works: Tahir Raj Bhasin (Mardaani), Manav Kaul (Citylights), Pankaj Kapur (Finding Fanny), Rajat Kapoor (Ankhon Dekhi) & Vineet Kumar Singh (Ugly)

 

BEST ACTRESS

KANGANA RANAUT (QUEEN)

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Although there have been many ladies in 2014 with majestic performances but none reach the clouds where Kangana was heavily raining. Kangana’s role of Rani Mehra in Queen is unanimous. She plays the role of a middle-class girl who wishes to spend her honeymoon with her soon-to-be husband in Paris. At the last moment, the man unties the knot and with all soreness of life knocking at a wrong time with tickets in hand, she decides to visit Paris by herself and breathe the life. There begins east-meet-west and sweet simple Delhi girl experience an unforgettable journey and befriends with people from different nationalities.

The flow of story looks unnatural at most of the times but let’s focus on Kangana. Since her debut, she looked promising and finally a feast is served as she displays her best performance ever. Her facial expressions are soooo natural and normal behavior towards unexpected Parisian lifestyle is fantastic. She will make you feel when her fiancé will inform her breakup in the beginning. She will make you stare when she will struggle to dance in the bar. You can’t ask for more than that. Queen is very Kangana-show.

Other Notable Works: Monali Thakur (Lakshmi), Seema Pahwa (Ankhon Dekhi), Alia Bhatt (Highway) & Tabu (Haider)

 

BEST ACTOR

SANJAY MISHRA (ANKHON DEKHI)

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Yeah it was a healthy competition between the three. Two were the most popular and the one was ignored at many functions (most probably because he don’t carry the personality which may give him stardom). I pick the latter because I believe Sanjay Mishra ran the character in fact the whole script on his strings with a perfect note.  As compared to the competitors, the movie wasn’t popular to the house of commons like PK and Haider but he was solely responsible to bring the movie to fame.

Sanjay plays Bauji from Dilli’s gharib-khana who has compromised with his ego to accept only those things as reality in life which he has witnessed by himself. Impact? He loses his job, his brother & family separates home, his philosophical thoughts bring many close neighbors his devotees. It is not only about the definition of his character but the aura he brought into it. Sanjay is a thespian and Bauji is melodramatic.

The character of Bauji will make you realize how comfortable how meaningful and how relief is the life you choose in the loud noisy world in your surroundings. People will laugh at you, make fun of you, of your wit and philosophy but you will remain calm. As the movie grows on you, you begin to judge him more, you begin to find him realistic more, you see yourself in him. As a father and a brother, you see the same Bauji in two different dimensions. He is an ass, a clown without makeup and a simple man who has everything to lose. Story of a terrible man with irreparable fate. Truly the best performance of the year!!

Other Notable Works: Shahid Kapoor (Haider) & Aamir Khan (PK)

 

BEST DIRECTOR

HOMI ADAJANIA (FINDING FANNY)

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Is Finding Fanny an Indian movie? I doubt, I really doubt. It will take the whole duration of movie to find out that it is an Indian movie because of its extremely rich portray of realistic sketching of realism and technicality of movie making. When you watch this, you will feel watching a Western European movie. Homi Adajania directed Being Cyrus and Cocktail before this.

From comedy to suspense, it is absolute entertainer. The characters are defined in the beginning, the story is developed and sprinted without any nonsense. Screenplay and editing of the movie has also played a major part to praise the director’s efforts to make such an incredible movie.

Why direction is so effective? Why this movie looks different from the others? Because of Pocolim? To some degree, I agree but Homi’s homework paid off. To make the movie look creative, natural and very realistic, Homi spent a month in village Salvador do Mundo of Goa and researched/learnt its culture and local Goan Catholics. Superb direction!!

Other Notable Works: Hansal Mehta (CityLights), Anurag Kashyup (Ugly) & Rajat Kapoor (Ankhon Dekhi)

 

BEST MOVIE

ANKHON DEKHI

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The last and most important category of my picking. Mithiya Talkies produced thought-provoking Ankhon Dekhi directed by Rajat Kapoor. Some movies are clobber dimensional and some are socially inspirational. Ankhon Dekhi is Rajat Kapoor’s miss call to those who have lost the battle of survival in life, who have gone hopeless to see the change and who have borrowed some time to ease and overcome their agony.

In old Dilli gharana lives the patriarch, Bauji. He lives in a small house with his family combined with his brother’s family. Has a job on which he just survives. Has a daughter who has an affair with a vagabond. Has a wife who is no less than a heater. After a lot of problems circulating on his head, he decides to accept only those things as reality which he has witnessed himself. This philosophy gives Bauji some disciples, but in off state he loses his job applying this philosophy, his brother shifts to new home with his family sick of him. Bauji has everything to lose.

Ankhon Dekhi has everything to impress you. Impressive story, brilliant screenplay, social satire, natural dialogues, simple costumes, one of best performances by any ensemble cast of 2014. It had tough competition in this category but I found Ankhon Dekhi reclusive. A wonderful movie!!

Other Notable Works: Ugly, Kya Dilli Kya Lahore, Citylights, PK & Finding Fanny

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What happens when a poor man from a village looks for a job in a city? What happens when he takes his family and settles down in metro-crowded-noisy city? One can never expect that anything will go absolutely right under his way. There goes a tremendous change in momentum of life and your initial steps are temporary hiccups to accept the changing circumstances over noisy and mad city. Making a movie on it may appeal some positive responses as the viewer takes the movie as something-about-to-happen experience. The movie-makers often make a comedy movie over rural-turn-urban life experience. But some become a socioeconomic subject for critical awareness to make you think how some of us taste such tragic encounters of life-changing gears. Migrated people always have that luck! 

That’s what happened couple of years ago when Sean Ellis made a British movie about a Filipino couples who had a land-migrating life-changing tragic experience from one part of Philippines to the other. The movie was ‘Metro Manila‘ that was Britain’s official entry for Best Foreign-Language Film at 86th Academy Awards last year. 

Metro Manila was an inspiration movie which reached to the doors of Indian movie industry. Citylights is produced under the banners of Vishesh Films and is official Indian remake of Metro Manila. Hansal Mehta was picked for the direction and the production of movie cost only 7 crore. Cast includes Rajkummar Rao (Love Sex aur Dhokha, Kai Po Che, Shahid), Manav Kaul and Rajkummar’s real-life girlfriend Patralekha. Set up is a poor young family of Rajasthan who migrates to Mumbai for money, better job and better future. Traveling all over from Rajasthan relying on one of close friend who never shows his face are all alone, homeless and self-dependent struggling to settle in crazy-life of Mumbai.

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Hansal-Rajkummar collaborates as director-actor for the second time after critical acclaimed movie Shahid. Director put all faith in viewers to promise yet another splendid movie with powerful performances by Rajkummar and Manav Kaul.  

Rajkummar Rao is one amazing Haryana-born acting talent who always mesmerizes you with any role he plays. His characters are challenging. Since 2013, he is in magnificent form and picking very selective movies to bring a lot of critical attention among the movie pundits, journalists and sensible moviegoers. Citylights is his 3rd critical acclaimed performance after Kai Po Che and Shahid. As compared to KPC and Shahid, this role is more tougher. This character is more broken and shattered, and his migration with young wife and little daughter becomes a curse. Lost in the citylights, he is compromised with the naked truth that poverty is a disease and and every honest man is to be stripped. There are many high points in the movie and truly the most powerful scene is when he is drunk and return to his wife.

Citylights is an absolute portray of betrayal and gear-shift morale-collapsing tragic life-story. It is an emotional roller-coaster and depiction of fake-expectation of something called ‘Ray of Hope’ where survival is not in your fate. You are supposed to fell down from your own roof. One of best movies of 2014. Thumbs up for Hansal-Rajkummar partnership!

Rating: 8.8/10

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Dil Chahta Hai, Rock On and Zindagi Na Milegi Dobara all buddy movies had one thing common. All were urbanized. Abhishek Kapoor, who himself directed ‘Rock On’, used Chetan Bhagat’s novel ‘The 3 Mistakes of my Life’ as center-base and produced 3 middle-class Gujrati friends to mark a highly exceptional movie with an inspiring bond of friendship with a passage of time running with a limit. UTV Motion Pictures rocks again with ‘Kai Po Che’.

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First, what is ‘Kai Po Che’? This is a Gujrati phrase that ‘I have cut the kite’. There is the only kite cutting scene where a friend roars up the title name of movie otherwise the name itself doesn’t really justify with the story at all. 

The movie is set in Ahmadabad, Gujarat back in 2000. The core characters are 3 childhood friends; Govind, Omkar (Omi) and Ishaan (Ish).

  1. Govind is the smartest of all, educated and well wit in accounts and plans for a business venture of sports accessories.
  2. Ishaan is highly ambitious cricket lover who suffered his cricketing time due to politics but want to produce highly talented cricketers from different districts.
  3. Omkar is the middleman between the two who is a source of financing their dreams into reality.

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Omi is nephew of Hindu politician Bittu mama and convinces him for a loan to get a place to open the shop. They get a shop for a business and a ground behind to train cricket to young lads. Ishan finds a richly talented hitter in a Muslim boy, Ali, belonging to a father running his political party in their community’s interest and in rivalry of Bittu mama’s party.

As the business grows, they open one more shop in a commercial mall. Meanwhile, Ishaan convinces Govind to teach his sister, Vidya, maths as exams are close. The teacher-student fells in love but hide their relation.

2001 is the year of a massive tragedy of earthquake in Gujarat where they lose their newly acquired shop in commercial mall. Ishaan is so much in Ali’s family and his community that he helps them find their shelter after their heavy loss. Whereas Omi begins working in his mama’s party and dedicated fully on Hindu’s interests. Ishaan and Omi’s friendship hits on communal issues.

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The Gujarat elections begin and Omi goes busy in mama’s politics. Ali’s father surprisingly wins elections over Bittu’s party. During political campaign, Bittu sends kar sevaks to Ayodhya to Ram Mandir which includes Omi’s parents. Then news of Godhra Train Massacre hits all over Gujarat with a conspiracy that large no of Muslims burnt the train with all kar sevaks alive.

This news coveys a message of bloody riots to happen in Gujarat between Hindus and Muslims. The bond of Govind, Omi and Ishaan hiccups in 2002 Gujarat riots with Vidya’s love and Ali’s cricket in the cradle of justice.

The movie is a remarkable storytelling and pacefully directed by Abhishek. Raj Yadav is one acting name with a lot of talent who got popular movies like Love Sex and Dhoka, Gangs of Wasseypur 2 and Talaash in the beginning. With role of Govind, he do justice. Amit Sadh and Sushant Singh Rajput, both marks debut as Omi and Ishan respectively and comes surprisingly from soap operas. Amrita Puri  who was Sonam’s friend in ‘Aisha’ makes a good role as Ish’s sister and Govind’s love interest.

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All the cast justified their role but I will rate Sushant and Manav Kaul’s roles as Ishaan and Bittu high as both were brilliant. Stage actor is terrific with a balance of his justification with pros and cons. Songs are well picturised and background score is tuning. The novel-based movie is of no nonsense but widely realistic and acceptable e.g. Indian cricket kits used in 2000 or Ishaan’s own cricketing skills make you think if he really is a player but he got 4 months cricket training under 2 coaches to make his role perfect. All homes are real where the characters lived showing simplicity of Gujarat life.

Movie Status: One of best Hindi movies of 2013

Rating: 8.6/10