In the Kingdom of Wakanda, T’Challa dies of some illness. His mother leads the nation but Wakanda slowly looks to become vulnerable to the intervention of the world powers.
Wakanda is alarmed by the arrival of Namor, the King of Talokan, a civilization that lives underwater. He proposes to become allies and protect each other by striking the world powers since T’Challa revealed Wakanda’s true nature to them by the end of the first film. And then the conflict begins.
The sequel of Black Panther holds immense sentimental value as Chadwick Bosman passed away from colon cancer a couple of years ago. It was decided that the sequel will still continue with no new actor to replace him for Black Panther. So it became a bigger challenge to proceed like that with a story that has the potential to deservingly continue the legacy that Chadwick left.
And I fully appreciate director Ryan Coogler to come up with a story and screenplay that strengthen the continuity. T’Challa’s sister Shuri is the new Black Panther and I think no one deserves more than her after Chadwick. The large gap that T’Challa has left to fill for impactful leadership is well-directed. The emergence of Namor further intensifies Shuri’s concern as the CIA is helpless this time.
During all this, Queen Ramonda gets a much more solid outing this time as compared to the previous film. And Angela Bassett has given a pretty remarkable performance, especially the scene where she breaks down and laments. Angela’s best feature about her role is the body language of grief that was carried well. She already had lost her husband in Civil War and her son at the start. And then Shuri got kidnapped.
Surely, everyone heartfelt the funeral of T’Challa at the beginning. But my objection here is why none of the Avengers showed up at the funeral. I understand that the whole fighting crew will not assemble and attend the funeral of every superhero in the Marvel Cinematic Universe when they die like Iron Man. But this was a different case due to the real death of an actor. And I loved how the MCU’s traditional opening credits fully honored him. He deserved that.
One can easily differentiate the directional artistry of this Wakanda Forever from most of the MCU films. The tone is serious and looks pretty much for a mature audience. The film slipped only once when Shuri and Okoye go to collect Riri.
Shuri herself is quite young and now introduces Riri who is Ironheart. Ironheart is quite a new comic character created by Brian Michael Bendis that made debut a few years ago. She will have her own show later this year.
I am very much delighted to see Namor’s debut. Although I am unsure if the origin story the film ran is accurate to comics because I have never read him but I liked the connection to how he is brought to this exciting world. So if you have any knowledge of how accurate is Namor in comics, share it with me.
Black Panther: Wakanda Forever is a rare DNA amongst its equals in the MCU and deserves praise for being a film that stood for its story and matured well. Yes, at a length of 160 minutes, the film did slow down in the middle but justified because Namor was to be detailed. But the legacy of Wakanda and T’Challa has neither faded nor been ruined. It is convincingly amongst the best films Marvel Studios has ever produced.
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Gary “Eggsy” Unwin lives with his mother and brother Ryan in Peckham, South London. One night, he gets arrested for smashing up a stolen car. His uncle Jack London bails him out and recruits him to work for the British spy agency. After a three-year training, Eggsy is put in use to work as an agent, and along with Uncle Jack, they investigate a series of celebrity kidnappings that leads to the dangerous Doctor James Arnold whose mission is to reduce the human race to only one billion population to avoid facing a total extinction and establish a brand new society of intellect.
British literature has a proud history of presenting one of the most pre-eminent spies and detective writings. Kingsman may not rank amongst the great writings but established a cult status, especially after the first graphic novel was turned into a film. The popularity of the novel can be observed this way that Kingsman’s first novel ‘The Secret Service‘ was published in 2012 but the idea of filming the book began the very next year.
The Secret Service was created by a trinity of Mark Millar, Dave Gibbons, and Matthew Vaughn. Millar wrote, Gibbons drew, and Vaughn co. plotted. The novel has six issues and those who have watched the first film in the series will enjoy reading this and remember a lot of scenes coming straight from this novel. But after reading this, I feel that the film improved by sensationalizing the story. The audience will get more joy in watching than reading because of the ideas and the changes that were developed in the film.
And these are major changes I am talking about. Professor James Arnold, a small character portrayed by Mark Hamill in the film is actually the main antagonist of the novel as Doctor James Arnold. Colin Firth‘s Harry Hart is Jack London in the book but his relationship with the main character Eggsy differs. He is an uncle to the kid in the novel but not in the film. In fact, the film had a backstory that well supported the cause that introduced Eggsy to the spy agency. The famous William Horman quote Manners Maketh Man wasn’t written in the novel but picturized in the film. Jack London’s death scene is totally different, he got killed by Professor Arnold without knowing his identity whereas, in the film, Harry Hart is killed by the antagonist Richmond Valentine portrayed by Samuel L. Jackson after that magnificent action sequence inside the church. Gazelle is an African-American man in the book who can also speak but is a mute girl in the film.
So many things changed in the film but these are acceptable because it was the trinity of Millar, Gibbons, and Vaughn who made this film. Millar and Gibbons were the executive producers and Vaughn directed this. So there is no point in questioning the changes if the creators of Kingsman were responsible for the decision making.
Dave Gibbons’ artistry has a classic detailing of old-school comics with pretty good care on facial moods, posh attires, and brilliant bloody violent action scenes. Observe the gunshot exploding in Jack’s head. I don’t know why I have this feeling but the Blu-ish theme used in the night scenes is striking like Eggsy’s team flying near the mountains in Switzerland or the balloon in the air.
The Secret Service is a short story that gives the readers its share of entertainment, enjoyable humor, quality violence, and such an impressive character detailing of Eggsy and Jack. The fans of the Kingsman series can definitely give a try to this book.
Kingsman: The Secret Service Issues 1-6 (2012-2013)
For thousands of years, the group of immortals called Eternals have defended planet earth from the unnatural species of predators called Deviants. But in the present day, one of the Eternals finds out that the deviants still exist and they need to assemble to complete the unfinished business once and for all.
I haven’t read about Eternals in comics, so this film is the source of whatever the director felt to make the use of Jack Kirby‘s creations. So on paper, Eternals, I believe, are the strongest group of superheroes in the Marvel Cinematic Universe. And the group being socially diverse makes sense as the celestial picked his team to find deviants around the world.
A recent winner of the Oscar for Best Director, Chloé Zhao, was roped to work on this MCU project that brought a lot of challenges for the production. Because an Oscar-winning director for a superhero project becomes hyper-interesting as the audience expects the comic-book film to be a well-written and fine productional craft. And then the cinematography, visual effects, and Ramin Djawadi‘s score are other plusses giving a boost to the motive of the story.
But I am looking at the bigger picture. Into its fourteen years of existence and twenty-sixth film in line with the greatest cinematic universe ever, how important is this film for the future? Zhao’s direction does bring new breathing and way of observing a Marvel film but I guess despite having the magnitude of her quality presentation, the plotline is neither apt nor the screenplay is compelling.
If a viewer with a bird’s eye has to scale down a 156-minute film, he/she will certainly realize that there is something really wrong with the film. Let me try to point out why Eternals is not even close to being considered an average film.
One major blemish about the film is the introduction. This group of immortals is new to the audience and we have no idea how they were ever created. A Star-Wars-style intro text is not enough to accept them the way they are. Yes, the intro text emphasizes that they were needed but how these people ever become Eternals, there is no backstory. Instead, we travel time with them and observe how they protect some ancient civilizations and empires from deviants. I felt the dramatizing of old times was taken way too seriously and lost the meaning between the lines. Two of the Eternals are shown to develop a romantic interest in Babylon in 575 BC. Next scene? They are getting married in 400 AD in the Gupta Empire. The same amount of time would have been taken in dramatizing the intro text.
Another factor that ‘may’ have not worked with the audience is that Eternals is very quintessential to MCU aesthetics. They are so close to perfection and lacks human sympathy that was found for almost all the Marvel superheroes in the previous films. Seeing them fighting and killing the deviants straight from the start without knowing their whys and hows makes the purpose bleak.
The middle part of the film is a dead soul. The audience can easily give his/her popcorn to the person on the other seat and leave the theatre giving up. Amongst the team, Sersi (Gemma Chan) was easily the least favorite of all the characters, and she was chosen to lead the group. In the cast, I need to know why such established actors like Salma Hayek and Angelina Jolie were part of this project. Especially Jolie, what a terrible waste! Even Kit Harrington is not utilized.
There is no villain in the film. Fine, it is not compulsory to have a villain in a superhero film but the story has to be much captivating; the grip of the screenplay was loose. Eternal is a confusing experiment in which the director struggles to plot the film in a non-linear style and attempts to apply forced humor out of nowhere to keep the audience somehow happy. As the film tries to find its zone of compliments with such an excessive time, the film loses its transmission and drops flat.
Eddie Brock (Tom Hardy) is assigned to run a story about a prisoner Cletus Kasady. Cletus is bitten by Venom after he infuriates him. The bite makes Cletus the host of the alien symbiote. Eddie and Venom still struggle to live together in peace but during all this, they will need to stop Carnage making carnage in the city.
I felt the sequel of Venom was supposed to be more about the clash between Venom and Carnage but I feel the film is more emphasizing the complication that exists within the body between Eddie and Venom that leads to damages in the city caused by Cletus/Carnage.
I think such a good actor like Woody Harrelson as Carnage has been terribly wasted. He looked like some mediocre actor pressing his character execution too much. And both Cletus/Carnage was not really developed at all. The same problem with Stephen Graham, he looked so average.
It was like watching a CW superhero show where writing makes no sense and the script runs in a jiffy because the time is short. I can’t believe that Andy Serkis directed this.
Well, of course, it is the mid-credit scene that steals the show. But let me tell you this. If you are desperate to watch that mid-credit scene, you do not really have to watch the entire film. You can just watch it after the film concludes.
Venom, just like its predecessor, is there for pure entertainment. Yes, the film relaxes your mood and enjoy all the nonsense Venom annoys Eddie. I have no idea how accurate is this film to the comic book series ‘Maximum Carnage‘. But if you are interested to pass some quality time with your friends getting entertained, Venom is recommended.
Justice League film is not the ideal assembling of the greatest superheroes team for scores of reasons. Because the continuity of the universe is faltered from here and makes you feel if the other powerful substance stole the power from the God of this DC cinematic universe and in the process, claims to be God. When the universe is in the process of perpetuation, make your mind how to maintain and execute the project. The planning of the infrastructure of the universe should be done even before the beginning of this all Project: DCU.
In short: “If the God is making silly mistakes, do not blame the universe.“
This all sounds a pretty impressive plotline on paper but this all doesn’t fit in a universe whose existence is in a premature state. This is like some kind of sports shaping into the invention and is further announced for a global competition and in a few days, a team is created from nowhere to participate and win the jackpot. Yes, that last sentence didn’t make any sense. And that is my explanation about the fate of this DC Universe.
The audience knows nothing about these metahumans, Barry Allen aka The Flash, Arthur Curry aka Aquaman, and Victor Stone aka Cyborg, nor do they touch their origins. They are just contacted by the team leader and asked for help! Their becoming superheroes are just concerned in the dialogues which are not enough. And with the space of hardly two hours of the screen time, the film is a source of confusion and running a 100-metre sprint race without firing a starter pistol, just like Suicide Squad.
JL film creates a colossal issue of hows and whys of the universe. Many questions are to be raised by the audience especially the one who has never known this superhero team but wants to know. Why is Barry’s father in prison? How did Victor die before he became Cyborg? What’s this conversation of Mera and Arthur about? All the answers to these questions are in the dialogues which are not enough. You cannot explain and present the entire hows and whys in mere two hours. And with shortening or cutting the screen time of the film by almost 50 minutes, the filmmakers ask you to stop thinking that much and focus on the what-the-hell continuity.
MAN OF STEEL RETURNS
Now Superman’s return. From the release of Batman v Superman to Justice League, a lot of opinions and theories were established. Many questions were raised. Should Superman return? If so, then how? Why? Exactly when? Of course, the creation of a superhero team without him is impractical. The return was certain but to wait how long? 21 months? He died in one film and returns in the next. It all happened in haste but why so hurried? What train are the executives missing?
Superman’s return as many stated one of the best scenes, didn’t impress me, to be honest. First of all, the idea of his return itself is not so spectacular. Using the Mother Box to resurrect his body is not a wow! to me. This is not an ideal return. Imagine where does this resurrection nonsense stand in front of the comics storyline in the making of his return after his death while fighting Doomsday, nowhere!
Once he returns from the dead. He is confused and not at all alright. Fights his soon-to-be friends and before it is too late, enter Lois Lane to melt his anger and he flew with her to Smallville like what the actual f***! This scene is even worse and illogical than Martha one.
Yes, Superman not included in the marketing campaign was a wise idea as it produced a spectacular wait for the release of the film and watch the grand revelation of his magnificent return but his return was nonsensical. And what about Bruce’s Knightmare sequence in BvS? What was that all about if Clark had to return this way? Barry eventually was right that Lois is the key and she is the one who brought Clark back to his consciousness but I am not convinced that this was the motive behind the Knightmare sequence. Will this confusion be cleared in the Flashpoint film? Because I am not understanding when did Barry go and warn Bruce?
If Superman is returning, so is Clark. Superman’s return may be understood by the world but what about Clark? How is he back? Why are people in the surroundings not surprised? Hopefully, these questions may be responded in the sequel of Man Of Steel.
ISSUES AND TISSUES
Barry, in his own words, is afraid of guns and murder, and obnoxiously tall people. And he has never done battle. Victor, on the other hand, is new to the language on his head which he doesn’t understand and fresh of becoming some robot who is not aware of his powers which he is getting every morning. A shaky beginning of such metahumans who are put into a team to fight against the global threat. They haven’t proved their worth in their cities, Cyborg is hiding after his father’s experiment on his son’s dead body while Barry hasn’t even joined CCPD, but they are recruited to save the world from Steppenwolf.
CGI of Steppenwolf is very different and looks less-threatened to a Steppenwolf the filmmakers showed in a cameo in BvS. I have no idea how and why his face is so changed in a time period of two films but is easily the worst supervillain offered by the DCU so far. Even Doomsday or Zod looked more threatening than him. With the return of Superman, Steppenwolf is so easily defeated that gives a furthermore wrong impression about his threat. This was the same monster who with his army was fighting against a unified team in the beginning. How on earth is the normal mind to accept the fact that this killing beast Steppenwolf who was stopped with the collective efforts of the ancient Gods, Amazonians, Atlanteans, and Lanterns was manhandled by Superman alone? For Superman, he was such a piece of cake that he smashed him, then he went to save the civilians, raced with Barry, returned back and asked his teammates if he was still bothering them and resumed the beatings like if Steppenwolf was ever bullied by Superman back in the college before! This was so so wrong! Who was writing this part? Joss, was that you?
Aquaman’s first appearance in the film is so ordinary. His first appearance could easily have been where he saves a man in the boat. His character in the film is very underdeveloped. It is just a Jason Momoa show, not Aquaman. Although I liked the father-son conversation between the Stones but overall Cyborg was average. The excellence of Wonder Woman continues from where she left in the previous instalment and in fact, she further impresses with her leadership qualities. Her relation with Bruce was one of the positive points of the film. Barry Allen is funny and his character is lighter than the one in the Arrowverse. Superman doesn’t have enough lines but I think his character has been more lighted than the previous two appearances. I am convinced with this decision. A slight change in his personality after the resurrection helps the environment of the DC films proceed in the same mode.
I don’t know who was editing this film but it was a very unattractive start to the film with a camera recording Superman in one of the worst possible CGIs in an attempt of hiding his moustache. With such an enormous amount of money invested in this project, how possibly could CGI go that wrong? I wonder what made the makers think about keeping Superman clean shaved. In the comics, he did grow the beard. Speaking of the opening, in my opinion, the film could have its super blockbuster opening if they had shown that Steppenwolf’s ancient war against the unified army as the opener. Imagine the film opening with Steppenwolf stealing the Mother Boxes and with his army of Parademons about to invade the earth and suddenly steps a unified army to stop the threat. A perfect 10-minute starter making the audience understand the significance of the Mother Boxes and also explaining why exactly a League of Justice must be established. And by the way, this fight sequence is the only time in the whole film which made me convince to be directed by Zack Snyder. One of the best scenes of the film sadly was hardly a minute of screen time.
JL film is lighter in tone. Yes, a lot of humour is added but few were unnecessary like Aquaman sitting on Lasso of Truth, The Flash’s That’s Rude scene, and Cyborg and The Flash digging Superman’s grave, yes they were digging. I mean there could have been many ways to bring out Superman’s dead body. If this was some comic reference or homage then pardon me.
The fighting sequences are impressive. I liked the teamwork the way the heroes are helping each other like The Flash helping WW pick her Sword of Athena or Superman and The Flash dividing their work in saving the civilians or Aquaman reaching at the nick of time and saving his new friends by lowering the water pressure through his Trident of Neptune in the tunnel of the Gotham Harbor (The Ten Commandments tribute, anyone?).
COMICS EASTER EGGS & REFERENCES
Like all the DCU films, JL also has honoured some notable comic book references and dropped some easter eggs. The one obvious is the race between The Flash and Superman which happened twice in the film. This comic tradition of the race between the two speedsters has been presented many times in different mediums but this all began in the 199thissue of Superman back in 1967. The idea was devised by the writer of this issue, Jim Shooter, and penciler, Curt Swan. At that time, Jim Shooter was only 16 years old.
Parademons are exactly the same from the comics. Crispus Allen appears for a scene with Commissioner Gordon discussing the drawing of the Parademon. Who knows if Crispus becomes the Spectre in the future just like in comics. As I mentioned before that Steppenwolf is Darkseid’s uncle but this fact should not be confused if he is found later in the films that he isn’t his uncle because, in The New 52 version, he is just the general. This DCEU has been more based on The New 52 as you may notice the lineup of JL is exactly the same as New 52 comics. Cyborg replaced Martian Manhunter from the original work.
Bruce plans a headquarter for the JL which has to be the Hall Of Justice for sure. And further on, Diana adds the line “With room for more”, giving an obvious hint to have more superheroes in future to join the league. After winning the fight against Steppenwolf, Cyborg utters the word ‘Booyah’ which is not a comic reference but one of the most popular catchphrases Cyborg introduced in the Teen Titans cartoon. Barry’s Pet Sematary joke comes from Stephen King‘s novel and film with the same title.
A very important comics discovery was the Green Lantern fighting in that ancient war against Steppenwolf. That GL was none other than Yalan Gur. Check the comparisons in the pictures below. I screenshot the film sequence where, by few microseconds, the face is the clearest.
In comics, Yalan Gur abused his power and turned corrupt due to the fact his ring was then passed to Alan Scott who was the first character to bear the name, Green Lantern. Yalan Gur is killed by Steppenwolf in the sequence and so the ring leaves the finger and flies somewhere. Has the ring now passed to Alan Scott? Is Alan Scott the Green Lantern we are waiting for in the future films?
In the first meeting, when Bruce asks Barry about his powers, Barry in response is pretending and answers that he is skilled in learning sign language and gorilla language. That has to be quite obvious that Gorilla Grodd exists in the universe.
DCEU films have been blessed with the impressive musical scores from Man of Steel to Wonder Woman. Even before this universe, Hans Zimmer gifted our ears the unforgettable work on The Dark Knight Trilogy. But this time, even the music department looked compromised. Danny Elfman‘s score was flat and very ordinary. It was supposed to be Junkie XL but was later decided to replace him with Danny. Yes, Danny is the one who produced the iconic Batman theme which was also used in Batman: The Animated Series but that doesn’t guarantee his producing another top-notch. Instead, he reused the famous themes of Batman and Superman, the result? Average response. Listen to his score straight after the credits when the burglars are about to rob the bank and you will realize how ugly his score sounded. Also, many of his scores will remind you of his work on Hulk. Removing Junkie from the project was a bad bad bad decision. No situation in the film gives you the feeling from the background score. The genuine score builds the mood of the audience and sets a proper tone. Take an example of the No Man’s Land Scene when Wonder Woman raises and presents herself to the world as the answer for the victory and confronts all the shots and bullets. This is what I am talking about. The score in that scene melts you and that is what I wanted in JL like all the previous DCEU films, some quality.
JUSTICE LEAGUE NEEDS JUSTICE
JL film is as expected a very early breakthrough which should have happened after the audience gets the awareness of the superheroes, their worlds, their origins and hows/whys of becoming a superhero. After all this, then the God of this universe should have dropped the bomb over their heads by bringing a monster, a threat, a disease, against whom they collectively fight together for a better cause.
If the box office collections are low and the response of the audience is negative, Warner Bros. is to be blamed. They should not involve themselves in the director’s vision and creativity nor should they decide what to cut from the film. After director Zack Snyder’s departure due to the family tragedy (strong rumours are that he was fired), WB hired Joss Whedon which was a massive blunder. Many scenes were reshot and further added $50m to the extraordinary budget of $250m. Then the Warner Bros. CEO, Kevin Tsujihara, cut the screen time to 1hr59m which is extremely short for a superhero film like JL which needed a heavy detailing about the heroes and their worlds.
Many important scenes are rumoured and reported to be cut from the theatrical release. Barry’s love interest Iris West and Arthur’s advisor Nuidis Vulko are not featuring in the film. Two of the Lanterns, Kilowog and Tomar-Re, were to meet Batman in his Batcave in one scene but that was scrapped. Film’s principal photographer has confirmed Superman wearing his iconic black suit which never happened. Some sources are claiming that Darkseid was to appear in the film which never happened. Plus, few scenes which were observed in the trailer never featured in the film which is quite strange. Most significantly the one in which someone showed up to Alfred in the trailer became a mystery to the viewers and began finding the answer who that superhero can be by zooming Alfred’s glasses and observing the colour. To that level of madness among the die-hard fans, the producers chose to scrap this scene, wow! Now that scene has been added as the deleted scene in the digital release. All the above-mentioned scenes would have helped the audience leaving the room with comfort.
WARNER BROS! DO YOUR HOMEWORK!
I have never understood this philosophy or ideology of cutting the screen length in the theatrical release. Warner Bros. decided to cut almost half an hour of BvS in the theatrical release and paid the price of making the film confused and misunderstood full of plotholes to the viewers. From here, I actually thought Warner Bros. will learn from their mistakes because later on, they hit their peak through Wonder Woman. But for JL they cut no less than 50 minutes which is an extraordinary length. The audience can watch a film with a running time more than three hours IF the film makes you understand things what the director wanted to. Just in case if you had not watched the ultimate edition of BvS, you would never know that how come Superman couldn’t detect the bomb in the court or Steppenwolf and Luthor did meet each other. Warner Bros. has to get rid of making the horrible decisions before the viewers begin taking less interest in their films.
Warner Bros. has to slow them down and stop competing against the Walt Disney Studio to match the standards where their Marvel Cinematic Universe today is. This is not how you assemble the team and expect praise from the audience. Stop being in haste and focus on making people understand your universe.
The reason why Wonder Woman worked both on the box office and praised by the critics and the audience was that Wonder Woman was produced to make the audience understand the superhero, realize why she exists, and why the world needs this woman. Same goes for the other metahumans. Instead of implementing a JL project, the God of this universe should have focused on introducing the metahumans in their own solo or origin films so that the audience would be convinced and understood their involvement to their world.
MCU’s approach was the perfect one, they had the right plan in both cinema and TV on assembling their heroes in a convincing way. But I guess Warner Bros. decided to innovate a different structure of explanation and presentation so that they can separate the ideology from the Walt Disney Studio. But how long can they keep them away from the MCU philosophy? Two of the DCU films did follow the trend of surprising the audience with the post or end credits, JL and Suicide Squad.
Status of Zack Snyder in this universe is now confusing. Is he really fired? Because according to IMDb, he is the announced producer of future DCEU projects. But in any case, losing him as a director is a major setback. In addition, Warner Bros. is adding way too many films on so many characters in the universe and most specifically from Gotham city which I find unnecessary. Instead of rushing with so many projects like films on Nightwing, Batgirl, Black Adam, Gotham City Sirens, Lobo, Harley Quinn, JL Dark and God knows what else, better they stabilize the DCEU structure and reconsider what and how exactly they want from this universe and how to continue it with improvements.
For the sake of DCU’s prosperity, increasing a universal fan-following, overwhelming responses from the critics, and boosting the commercial sales through the marketing campaign and merchandising, WB have to take immediate and effective steps before the universe collapses and becomes a laughing stock. Things have still not gone that down financially. Their each DCEU film has worldwide grossed at least $650m despite the negative reviews which is absolutely not bad at all. From DCEU, Warner Bros. has earned $3.7b from only 5 films which shows the worldwide fan-following of DC Comics are excited and not giving up at all! I am hoping for a decent turnaround and may they learn from their mistakes and make the fruitful but not dreadful decisions.
Marvel readers! when you plan to watch a superhero film likeThor Ragnarok, I advice to forget what is written in the comics and just try to watch and imagine if this is not about Ragnarok to hit Asgard but a friend playing to you a parody video on YouTubeto hit your brain like when you have to watch Meet The Spartansafter 300.
And kindly do not expect any source material from Planet Hulk. It is just the costume in the combat reminding you about the comic event. I do not remember if any other element has been adapted. Perhaps the character of Korg who debuted in the storyline. And Hulk is speaking like a toddler, like Solomon Grundy, or like Eater Island Head asking for gum-gum from a new dum-dum. I really don’t know why but Hulk sounds stupid.
Ever seen Sir Anthony Hopkins funny? No? Now you can watch him as Odin for a short scene. The news was that Odin was supposed to be shown a crazy hobo wandering on the streets of New York after what happened in Thor: The Dark World but the director found the continuity of the role very tragic and then he recreated the character to be funny until he is moved to Norway to honor the character’s origin as the king of Asgard.
In my observation, the only two characters who were not the part of this comical roller-coaster were Hela and Heimdall. And these two were actually the most impressive roles with better performances by Cate Blanchett and Idris Elba. I like the continuity of Heimdall’s heroics in this film which is where the director deserves to be praised. By the way, Hela in comics is Loki’s child whereas, in the film, she is Odin’s daughter and Thor’s older sister, oh well.
Two of The Warriors Three are in the film for *thinking* 10 seconds? The other for hardly 5 minutes. Doctor Strange has a brief ‘funny’ cameo in the storyline. Yeah, he is also funny for a funny reason. Everyone is funny in the film, everything is funny in the film. Hulk/Thor fight is funny. The opening sequence of Thor-Surtur is funny. Yeah, Surtur also. Korg is funny (but I like this character). End-credit is funny. The director Taika Waititiis funny. Hiring this guy for the film is funny. Marvel Cinematic Universe is funny. The way I am now writing this review is also funny but this is exactly how the film is presented to you.
I hear that Taika Waititi is ‘offered’ to make a Star Wars film. May the audience have the courage to watch that film then.
Doctor Strange is just another comedy film from the showcase of Marvel Cinematic Universe, produced with the purpose of expanding the universe by bringing its viewers to the circus for mere entertainment. The production studio makes sure that the definition of entertainment from the vocabulary of a Disney-led universe should be:
a) Just another superhero trying to be funny/silly and performing slapsticks for the sake of applauses from the critics and viewers
b) and the filmmaker’s uncontrollable masturbation over the silver-age pages of the Lee/Ditko comics.
WHAT IS WRONG WITH THE FILM?
Erm, ‘almost’ everything. Disagreeing with comics accuracy is the biggest sin.
1) Benedict Cumberbatch as Doctor Strange looks the best screen test ever but in camera reel, the actor is not well defined with the character detail. First thing first, BC’s building American accent doesn’t fit with the character. He would rather have spoken in the usual way he does. Secondly, the stiffness of the pain-and-gain is beyond average from the turn of the frame from ego to hero. The third is the nature bound character which urges him to act like a monkey fed with peanuts, some silly slapsticks and lame humour adding nothing to the story but for your haha’s’ in the circus show.
2) Tilda Swinton, alright you are one of the best British actors in the cinema, but the makers completely lost their mind in selecting her for the role of Ancient One. First of all, AO is a very elder male character and second, he is of an Asian origin from the fictional Himalayan land of Kamar-Taj (based on Tibet). I believe in diversity but why on earth you want to change the fundamentals? This is not the first time MCU has banged a character.
3) Wong played by Wong is more than a librarian. In comics, he was Strange’s loyal servant, but in the film, he is his teacher.
4) Baron Mordo played by Chiwetel Ejiofor, is a ridiculous portrayal in the film. Mordo helps Strange in fighting against Kaecilius whereas, in comics, Mordo to Strange is what Luthor to Superman. Mordo is counted among Strange’s greatest villains and here in one scene, he helps the doctor inform the wifi password.
5) The main antagonist is Kaecilius in the film played by Mads Mikkelsen. The irony is that he was a henchman to Mordo in the comics who used to deliver messages and hence proved that MCU is still weak in bringing the best of villains in the films (besides Loki). In comics, he isn’t a major name in the list of Strange’s strangest villains but…
6) The Cloak to Strange in the comics is the Genie to Aladdin. The cloak acts what the master wishes but in the film, the cloak is seen responding to the others. Why? Just for *thinking* entertainment?
8) The fate of the AO is completely different from the comics.
9) The film lacks a critical grip of focusing on his training. As Strange focuses on slapsticks in the basic training, AO polishes him in mere 18 months as compared to 14 years in the comics.
IS THERE ANYTHING TO PRAISE IN THE FILM?
Yes, the only plus, in fact, the biggest plus of the whole film is the visual effects. There is no limit in mastering a remarkable creativity and has a very good inspiration from Nolan‘s Inception.Both the mid-credit and post-credit scenes are potential messages to what MCU are up to in the future.
Doctor Strange overall is just another circus show with popcorns and peanuts in your hands.
This part will touch some more important issues and aspects related to the film Batman v Superman (BatSup). Before I begin, I must remind the readers here that this blog is continuity to the previous blog. So the first timers of the ultimate case here should first read the previous part here.
1) COLLAPSE OF WAYNE BUILDING
Although it was General Zod‘s wrath on Metropolis as Mr. False God tried to avoid as many casualties as he can but it was too late and severe was the collateral damage. One of the damages perforated the owner and made his mind to save the entire human race from the culprit even if there was a 1% chance. The visual presentation of the collapse was intense and powerful. And the collapse was where the rivalry came to birth. Scenes after the collapse will remind the comic readers the story-lines, Batman: Cataclysm and Batman: Aftershock.
2) GRANNY’S PEACH TEA
No matter how bad was Shah Rukh as Lex Luthor, he did a cruel favor to Senator Finch and viewers by teaching a very expensive lesson. The court hearings abruptly paused by the scared Senator when she witnessed the jar. To the standards of a deceiving villain, this was unpredictably more than a cruel punishment. Luthor played an astonishing strategy behind the scenes and successfully manipulated much of the outsiders of court to gash more hatred towards a False God.
3) BRUCE WAYNE’S WORKOUT
The Batman of 40s cannot offer you much of the 127 styles of martial arts he learnt in young age in his prime fighting career but he performed impressive workouts which was highly necessary to present.
4) THE GLADIATOR MATCH
This was the match written in the clouds. As Lex played the role of Michael Buffer by announcing and adding more spice by billing the fight as God versus Man, Day versus Night, Son of Krypton versus Bat of Gotham, this created more intensity. Result? I found a much heavenly comfort to see the fight between the iconic heroes and that turned out to be jubilant. The fight surpassed my expectations. This is exactly what we all needed. Plus the glimpse of fight is somewhere similar to the writings of Frank Miller’s The Dark Knight Returns. One cannot ask for a better fight between God and man than this.
5) ARRIVAL OF WONDER WOMAN
As much as Lex proved an overacting jester to me, his creation shattered the level of curiosity to know him. Doomsday was Lex’s answer to destroy the MOS. The battle was deadly but it was more like a hard struggle of lowering down the sound knob of stereo system when it is the loudest when you are very far and your parents are about to enter home.
Anyhow the battle met its peak at the sudden arrival of Wonder Woman who as Diana Prince was walking hither and thither before. I would say the flow of that battle action sequence was so deep to me that I couldn’t realize that the one who saved poor Batman’s ass from Doom-Doom wouldn’t be the recharge Superman on the space but her. Wonder Woman theme was very impressive but the intro of WW was far better than the other two heroes in the film.
WHY BATSUP DIDN’T COME UP TO THE EXPECTATION?
Not many have noticed and tried to analyze as what exactly made the response of general public so negative. What deceived them? Why did the film with so many promises become unacceptable? In my view, the first reason was the funny guy in the red suit. Deadpool was released a month prior to BatSup. Being r-rated, Deadpool wasn’t a huge threat to the film’s business as Captain America: Civil War which was released after it. But Deadpool the superhero and Deadpool the film met an unexpected universal appraisal.
Contrary to philosophy and filmmaking of DCs, Deadpool was a highly entertaining popcorn grabbing comedy film which won heart of all age of viewers turning the tables wrong on the producers of BatSup who were prepared to show a very dark humorless presentation of the film a month later. Being the highest grossing r-rated film, such success built uninsured change in emotions among the viewers in tatters as the overjoyed viewers of Deadpool fell in their graves in the theaters to find the film awful. Naturally it was like watching any Terrence Malick film after any of Frat Pack films.
2) UNDERSTANDING A UNIVERSE DIFFERENT THAN MARVEL CINEMATIC UNIVERSE
Being a DC Comics lover, I have a lot of respect for Marvel comics as both the giant comics publishing companies created the most loving superheroes in the golden age for generations. But what hurts me is such a powerful cinematic universe of Marvel are more inclined towards box office collections than the character development of their superheroes. Filmmakers in MCU produce popcorn grabbing circus films where the focus is on winning hearts of the viewers by entertaining them. The producers are more focused on eating peanuts in circus rather than reading to us Marvel’s best comics stories. They make their superheroes jesters in the court. We see superheroes performing slapstick, acting silly and speaking one-liners. Films like Iron Man 3, Ant-Man, Guardians of the Galaxy and Age of Ultron were all funny films. Recently released Captain America: Civil War made a mockery of all involved major superheroes fighting in airport and joking/apologizing while punching each other.
As Marvel Studios were the first among the comics publishing companies to create a cinematic universe with the help of Walt Disney Studios, it became acceptable for viewers to recognize the films based on Marvel superheroes as the true comics cinematic industry. There was no competition in years as WB were focused on Christopher Nolan‘s The Dark Knight Trilogy. When The Dark Knight Rises was released, MCU were concluding their first phase. This year with the release of BatSup, MCU have entered in their 3rd phase.
Many of the DC superheroes are not that universally recognized as Batman and Superman. Even the third hero of trinity who is Wonder Woman never got a single film before this in 75 years, so is the case with other heroes. So for the viewers, it will take time to understand the existence and culture of this universe and its heroes, and their powers and villains. It is pretty hard to expect their heroes to be as funny and perform slapstick as heroes existing in Marvel universe.
3) IMPROPER CONSTRUCTION OF DCEU
After announcing the birth of their cinematic universe rival to MCU, the biggest challenge for the big bosses of DC/WB was to create a distinguished, recognized but an acceptable universe. WB lacks no finance to fund the DC films but it was all about the best brain creating a perfect theory before forwarding a proposal. For me the outcome was very strange and questionable.
In Oct.2014, when WB announced 10 DC films to be produced and released between 2016 and 2020, it was a massive disappointment to see every JL superhero gifted a solo film but not Batman! (Superman had his MOS before all this)
Besides that, film for Green Lantern, being such a beloved superhero among the comic readers was adjusted last which gave a hint that he will be introduced to us pretty late. Shazam indeed is a potential name but wasn’t DC’s original property in first place. Shazam character was created under Fawcett Comics and ran the issues until the company shut down. In 1972, DC publisher licensed Shazam from Fawcett and revived.
Two JL films were slated in different future timelines, the first part being the fourth in line to release even before solo films on Aquaman, Flash and Cyborg with no proper introductions which brought more confusions to understand their strategy towards assembling a team of heroes so early and so undefined with underdeveloped characters.
The reason why the story of BatSup to the viewers in theater fell so incoherent was the very reason described in previous paragraph that for assembling a team in so near future, they made the film look overstuffed.
4) BRINGING TWO ICONIC HEROES FACE-OFF TOO EARLY
Indeed historic announcement of bringing BatSup together at San Diego comic-con three years ago was crazy which made the attendees and viewers lose their mind in excitement. But some brains surely began thinking as what made them brought none other than Batman in to Superman’s world? Was that their only key to challenge or announce a new universe rival to them?
Bringing Batman meant connecting two different worlds in same film with more than one story. With recent conclusion of Nolan’s trilogy, reintroducing Batman in mere four years was too early. Producers needed some more breathing to watch a new Batman. Nolan’s and Zack’s Batman were very different, could have been better if he had been given his own standalone film first and later introduced him to MOS.
5) RELEASED PG-13 THEATRICAL CUT
This was the major reason why the film received negative reviews by critics and general public. A 150-minute film released in March worldwide offered us a confused broken story-line making every viewer Sherlock to magnify and puzzle the broken pieces himself/herself. The editor who chose to cut no less than 30 minutes lacerated very very critical and defining moments of the film due to the fact, the critics and general public turned clueless and gave up.
Had the producers decided to release the 182-minute original cut in first place, the critics would have penned positive reviews and would also have made the percentage bar rise above in Metacritic and Rotten Tomatoes. The general viewers would accept and the box office collections would definitely hit a billion-dollar mark. Like I said before, I waited months and watched the original cut at first place, and I admit that this version meticulously made more sense than the released one, defined the core characters more broad and created a more cohesive transition.
ADDITIONAL FOOTAGES IN ULTIMATE EDITION
Like I wrote above that many of the important scenes were badly cut from the released version. Let me notify you the deleted scenes proving the laziness of WB for forwarding the film without pointing or realizing what a terrible mistake that was;
1) Jimmy Olsen wasn’t introduced in the beginning.
2) Superman wasn’t shown helping the rescuers pulling out dead bodies after the blast in court which after that he flew in disdain and left the scene with the witnesses sharing negative responses.
3) The very next scene, Lex Luthor rushed to LexCorp only to spot a damaged glass-box with no kryptonite. It never showed the viewers that Lex Luthor had seen the footage from one of the CCTV cameras that Batman entered the LexCorp office and grabbed the element. Had they shown this scene in released version, would make sense for viewers how in the world the Caped Crusader got the Kryptonite.
4) Both scenes featuring Jenna Malone was cut from the released version which made the viewers pay a very heavy price of dislikeness. Malone played the scientist at S.T.A.R. Labs, Jenet Klyburn, who has a couple of scenes in the film of sheer prominence. UE version clears that she is the one to whom Louis Lane hand over the bullet for scanning which was shot and found in Africa.
In the other scene after the blast in court, it is again she who confirms that the same bullet and Wallace Keefe‘s wheelchair were made from the same metal and the inside of wheelchair was lined with lead. And we know Superman’s weakness that he can detect any solid object but not lead. Without this confirmation in released version, viewers would have raised the question how come Superman didn’t detect a bomb in the court.
5) The most important cut from the released version easily was the moment before the arrest of Lex Luthor which shows the upcoming JL villain Steppenwolf. His cameo before the arrest of Lex Luthor in UE was a very critical bombshell on the viewers after watching the whole film. WB will regret cutting this scene from the released version. An angry departure of his hologram existence after communicating with Lex Luthor raised questions. Was Lex aware of Steppenwolf’s existence even before he planned to take on Superman? Was Lex already in talks with him? Was creation of Doomsday idea of Lex or his?and many more. But in any case, his short appearance in ultimate edition made some sense of properly introducing the commander of parademons. The announcement of his being main villain was unnecessary if they had included this vital scene in released version.
HOW DC EXTENDED UNIVERSE SHOULD HAVE BEEN CREATED AND PRESENTED?
Ok I know the existing universe will run as planned whatever the case is but I have every right to forward my idea of a better and acceptable universe than this. Because in first place, I disagree with the decided structure of this running cinematic universe due to the reasons I explained above in Improper Construction of DCEU.
I need no urgency or haste to play cat and mouse game in order to come close to Marvel and their universe. If WB would hand me this responsibility, I would prefer presenting origin stories of iconic heroes over a gladiator match and assembling of JL at the speed of light. My creation of universe will have phases (say Phase I, II, III and so on). For a better foundation, my pillars in Phase-I should be strong enough to hold the next phases.
My Phase-I will have 8 films, seven of these will be origins-based solo films for each original member of the JL. Those members are Superman, Batman, Wonder Woman, Green Lantern, The Flash, Aquaman and Martian Manhunter. The reason of strictly picking these seven heroes for Phase-I is because when the first ever Justice League was assembled as JL or Justice League of America (JLA), the above-mentioned superheroes were assembled to appear in The Brave and the Bold (issue#28) back in 1960 conceived by writer Gardner Fox. With seven origins-based solo films, my eight and final Phase-I film will be a proper JL film where all the seven above-mentioned heroes will unite to fight against one of the main allies of Darkseid.
With 81% record drop in box office collections in second week, WB was hit by a meteorite with the most harsh responses and many of the viewers complained the film to be humorless. For the sake of excellent collections from future DC films, the producers are compromised to add humor in a dark universe and fulfill their demands, so that their eyes would meet a glimpse of a colorful circus show like the shows which are produced by Marvel studios. This is like a gunfire on an old pedestrian walking in a narrow street.
Some sources say that many scenes of upcoming Suicide Squad are re-shot for adding humor. Zack Snyder also has cleared that upcoming JL film will have a lighter tone than BatSup film. My expectations can raise the bar only if the upcoming films offer me potential stories and strong connectivity with storyline of other films keeping a balance between humor and dark. A serious story like BatSup cannot offer you humor but may entertain you once you understand the characters and their worlds.
For me, my major concern in future DC films is seducing me with dynamic presentation of stories where the directors properly focus on hero’s character development and nurture him/her with the flow. No matter the film is dark or funny, the director should use the influences and creativity of great comic writers and apply in their story, the winner must be the true portrayal of superhero and the audience should provide a positive response.
Roping and involving Geoff Johns and Ben Affleck for upcoming JL and Batman standalone films is a brilliant decision from WB. A creative team of comic-book consultants should be established under Johns who would have authority to raise their voice over the scripts and screenplays.
BatSup case is a mature affair with super-excellent work on screenplay and action sequences. The characters, Alfred and Lex Luthor, offer you to listen the best and powerful dialogues whereas performance-wise Ben Affleck as Batman is the true winner and his portrayal will remind you numerous Bruce Waynes from comic books. Laurence Fishburne as Perry White and Amy Adams as Lois Lane play tremendous supporting roles.
Henry Cavill as Superman is a dignified figure but not signified. He has been impressive but after finishing two superhero movies, I am still waiting for some signature mark on the character. He is yet to remind me Superman from the comic books as Christopher Reeve defined him in his time.
No wonder how many great actors have played the role of Alfred Pennyworth but none of them remind me the character I read in the comics. Not only the films, neither Alfred of Gotham TV show nor the one in the game Arkham Knight reminded me. Hans Zimmer (in his final superhero film) and Junkie XL produced very impressive scores. Zack’s favorite cinematographer Larry Fong has done terrific cinematography like previous Zack films.
I would like to humbly request all of you who have read such a lengthy review or to which I call an Ultimate Case, to kindly avoid/ignore the released version and consider it as a bad dream but give a favor to yourself and watch the Ultimate Edition. May the future DC films does Justice, Amen.
My excitement towards the film began three years ago after release of Man Of Steel (MOS) when to a very huge surprise for comics readers, it was announced in San Diego Comic Con 2013 that two of the most iconic superheroes, Batman and Superman, will feature in same frame for the first time in cinematic format. The hint and hope of bringing Batman in Superman’s world was humming when Christopher Nolan and David S. Goyer forwarded the idea to the Warner Bros. (WB) studio to bring back a Superman film. Both gentlemen were involved in The Dark Knight Trilogy as franchise’s director and writer respectively.
I will turn my head towards the proposed and finalized slate for DC Universe later. First thing first. The film was easily one of the most awaiting films of this year. Keeping in mind the decades-long rivalry among comics readers of two of the most recognized publishing companies, DC comics and Marvel comics, it was a huge test for WB to surpass all the expectations and make the new fictional comics universe look promising. Sadly the film couldn’t live up to the expectations and after a record collection on box office worldwide in first week, it suffered more than 80% drop in 2nd week resulting into failing to reach the rank of distinguished films of the elite three commas club.
Luckily I planned not to watch until the high-definition quality show up. Before the release, most of the critics unexpectedly passed extremely negative reviews. Then viewers heavily criticized the film for being too dark, humorless, lengthy, boring and many more. My honest believe was either the trailers of BatSup I watched were the most beautiful deception or the film’s message didn’t convey properly. When the news break out that the director’s cut will be releasing soon with additional footage of half an hour, then I made my mind to watch the ultimate edition straightly instead of the released version.
After watching directly an ultimate edition which was a three-hour film, I was at ease to say that it was much a defined film with many loose plot holes cleared. BatSup was pretty a mature affair on a well established script connecting with future DC films. The viewers must understand that as per the future plans of DC films shared universe, three aspects were taken into consideration while the film was shot;
1) Continuity from events of MOS
2) Batman taking on Superman after Metropolis attack
3) Foundation of Justice League (JL) by connecting the story with future DC Films
In all three cases, the running time of film was supposed to stretch at length so that it may offer you insiders for the coming busy years of the shared universe. At the same time, I feel sorry for viewers that they had to watch a released version of what looked like an incomplete film. My brothers pointed me the scenes which were cut from the released version which made me realize what a terrible mistake the producers made.
WHAT WENT WRONG???
1) UNIMPRESSIVE START
The film began with quite a traditional curtain openers presenting the name of film with cast and the rest which now often do not happen in big films. Plus beginning the film with Bruce Wayne’s origins was a bogus idea. Director Zack Snyder should have saved this moment exactly after that gladiator match when Superman speaks the name “Martha”. The film should have begun as depicted in the second scene that Bruce arrives Metropolis and struggles to rescue.
Also I have sympathies for Bruce whose parents come to the screen to get killed whenever they show up. His parents have more than that to offer in few Batman story-lines in comic books. Any of his parents’ moments with Bruce can be utilized in film and replace the scene with their murders because it has been repeated so many times that viewers are bored now.
2) CASTING SHAH RUKH KHAN AS LEX LUTHOR
Among all the performances, the character which majorly disappointed me was Lex Luthor Jr., the role performed by Bollywood actor Shah Rukh Khan. Could have been better if Jesse Eisenberg really have played the role as was planned. There was just too much overacting and Joker-esque phenomena which visually do not come up to villainthrophy. I tried my level best to take the character serious as his given dialogues were so powerful and because he IS the main villain and the creator of Doomsday. But I guess Zack misunderstood the character and made it look crazy and annoying.
3) BATMAN – THE PUNISHER
Ben Affleck’ version of Batman, the suit, the batmobile, the batplane, the weapons.. every single thing was very very well up to the mark besides one thing which I found not of his combating nature anymore, KILLING!!! That is some bitter truth that Batman used to kill his enemies in the earliest comics and you won’t believe but in brutal ways. I remember he once flew batplane with a monster whose neck was hanging by the rope and threw it in flight when it died. Well later on Batman decided to follow no-killing rule on which he is persistent for long long time. There have been moments in comics when Batman could have lost his patience and killed someone. In Batman: Under The Hood story arc, when Jason Todd demanded to Batman to kill the Joker after the tragic event in Batman: A Death in the Family, this was the most emotional moment he could have changed his mind but he chose not to kill the Joker.
If intensity has raised such a bar to test Batman’s patience and made him stick with no-killing rule, I see no reason of killing 32 bad people in the film whatever the situation is. Killing is simply not his cup of tea.
4) “MARTHA” & INSTANT BESTIES
I don’t have any idea whether Zack left the director’s chair and asked some amateur guy to conclude that epic fight or did he eeny meeny any of his alternative ideas of concluding the fight because this was the most ridiculous and embarrassing conclusion. This was not written on the clouds nor should Zack fool every viewer to make a fight turning into some B-grade parody.
Sup calling his adopted mother’s name to avoid killing from Bat Wayne was total nonsense. In few seconds, Bruce converted his enmity to friendship and even promised him that he won’t let his mother die, and later when Bat saved his mother, he gave a one-liner “I am a friend of your son’s” ffs!!!! This doesn’t make any logic!! This vacuous nonsense killed the viewer’s tempo and seriousness turned into laughing-stock. Director would have concluded this fight by more than hundred ways but not this.
5) UNNECESSARY EXPOSURE IN MARKETING
Reaching to the hype the producers created by the announcement of the film, many theories and rumors developed on the internet about the possible plotlines. Some theories later turned true as it happens with many films. But quite an excitement hit a low with over exposures. As Lex’s creation was much in discussions, they dropped the bomb in their second trailer by exposing the Doomsday as his very creation. I had no issue in his revelation but the trailer had exposed too much the origin of its character.
The second blow was in the beginning of this year when Empire Magazine gave a huge spoiler of Omega symbol. That opened further doors for completing the puzzle, with same picture introduced in final trailer. Showing Parademons in trailers was also very unnecessary. The plotline became too predictable after that.
6) KILLING JIMMY OLSEN
For God sake why? Why in the world did you kill such a prominent character who is Superman’s best friend in comics? Character of Jimmy Olsen should have been utilized for a lot of supporting role between Daily Planet and Superman. His portrayal of a CIA operative was taken from Mark Millar‘s Superman: Red Son, the other comic book story-line than The Dark Knight Returns the story of the film is inspired from. Killing of Olsen in this universe is a huge loss.
1) COMICS REFERENCES & IMPORTANT CLUES
The most impressive aspect of the film was its tribute to few comic books. Many of the scenes, many many scenes were referred from comic book issues and this is exactly what should be done in all comics-based films.
The Dark Knight Returns:
> Murder of Bruce Wayne’s parents was exact from Frank Miller’s The Dark Knight Returns. Even the killer’s gun caught under Martha’s string of pearls was accurate. Another peak of accuracy was the timeline of tragedy in the film set in 1981 which naturally made two important things look realistic. One was that Young Bruce in the flashback was seven (Alfred confirmed us at the White Portuguese ship scene) making him born between 1974-75 which makes him in forties today, exactly as Bruce Wayne is presented. Second is the marquee of Excalibur in the flashback, keeping in mind the famous British film with the same title was released in the same year. Well done Zack!
> Two cops checking some abandoned building near Gotham Seaport encountered the Caped Crusader and exchanged similar conversation as in the book.
> Superman affected by the nuclear blast and recharging was also taken from the same book.
> Batman bursting the wall to grab a bad guy and exchange of words were almost similar from the same book. The main difference was in comics he was saved a girl and in film, he saved hmm can I call her name Bruce?
> The scene with lightning in the background after Batman saves his ass from Doomsday was homage to one of the most important comic covers.
> In the last scene after Lois dropped handful of dirt on Superman’s coffin, it later floated or shall I say levitated will remind you the conclusion of the book with a different superhero.
> Don’t know if I am accurate here but I believe Lex’s insane repeat of “Ding, Ding, Ding” was the sound of Mother Box‘s “Ping, Ping, Ping” depicted in various comic issues.
> Ralph Lister played the role of Dr. Emmett Vale who brought the hunk of Kryptonite found in the Indian Ocean to the lab of LexCorp. Dr. Emmett Vale is the creator of Metallo, the Kryptonite-hearted cyborg and also one of Superman’s dangerous villains.
> Robin’s damaged suit in Batcave was a well-known tragic event of brutal killing of second Robin i.e., Jason Todd. Joker killed him in A Death In The Family.
> When Doomsday fell back to Metropolis after nuke, he was dropped to uninhabited site called Stryker’s Island. This is a prison in Metropolis holding Superman’s most dangerous foes in comics. This place holds same importance to MOS as Arkham Asylum to the Caped Crusader.
> This film will be remembered for ages for two most important reasons. The biggest obvious reason was bringing two iconic heroes together for the first time in a cinematic venture. The second was offering us viewers a cinematic look at DC Comics’ most unthinkable and unforgettable comic-books event, Doomsday and Superman killing each other. The event took place in story-line The Death of Superman when both titans ultimately punched each other, collapsed and died. Almost similar event occurred in the film when both the titans killed each other and collapsed at the same moment.
> In Superman’s funeral, his coffin is black with silver ‘S’ reminding the return of Superman when he wore black suit with silver ‘S’ on it.
> Superb Easter egg or shall I say a very unexpected bombshell!!! While the funeral of Superman was carried out, 5 military planes flew in the air to honor the deceased God. But one of the planes after few seconds flew straight up. That may be Dan Amboyer who in IMDb is listed as uncredited ‘Drone Pilot’. This scene gave a major hint that it could be none other than Amboyer with the role of pilot i.e., Hal Jordan a.k.a. Green Lantern, who paid the tribute and left the site.
2) LOIS LANE’s CHARACTER PROMINENCE
That one supporting character which impressed me a lot was Amy Adam‘s Lois Lane. Zack gave her a shot more critical than her role in MOS. She was the one who washed the bad image or say ‘False God’ image of Superman, she was the one who found LexCorp corrupted. She got a lot of space to settle a case of corruption behind the curtains between Batman and Superman.
3) 9/11 AND US POLITICS
This was the original script presenting a plot somehow bringing the iconic heroes together but more than that there was a more human part involving politics and conspiracy theories. The collapse of Wayne Financial gave me a feeling of 9-11 event when twin towers collapsed. Theology and science compromised on Metropolis attack as the defense and security measures became a question mark.
Also when the film headed towards Africa where Lois Lane deal with the commander of Tuareg fighters, it offered to watch more involvement of US govt. African scenes brought a glimpse of insider of American invasion of Mali few years ago if I am not wrong!
The Godly figure i.e., Superman became a confused figure to whether classify him a good God or a bad God. Senate hearings and further attacks pushed towards more of viewers assumptions. I like the angle where the Metropolis attacks became a much concern of somehow bringing the saviors at one platform in future.
4) FUTURE DC FILMS’ CONNECTIONS
Keeping in mind the BatSup film is foundation for future DC films, I would like to appreciate the director in connecting the story somehow with interesting shots. Zack had confirmed before the release that future films on other superheroes won’t be origin films, so he presented some glimpse of interesting events happening in other parts of universe mostly from JL film.
Batman has dreamed bad in comics and he dreamed twice in film. In first dream, he visited graves of his parents and noticed blood seeping out from Martha’s. The grave broke and out came a colony of bats. Then appeared a human looking bat. That could possibly be Dr. Kirk Langstorm a.k.a. Man-Bat which gave us a hint that the villain may possibly feature in future (could be in Batman standalone film). Those who have played Arkham Knight would know the villain.
In another dream, Barry Allen appeared from a questionable timeline to warn Bruce about a possible threat from Superman and confirmed how correct he was. He specifically spoke about Lois and said “She is the key”. This scene is very possibly creating a bridge with the JL film to be released in Nov.2017.
Another important scene connecting JL film was Batman visiting post-apokoliptic world. Batman witnessed Omega symbol on the ground which confirmed the existence of Darkseid and obvious involvement in future DC films. The flying creatures in that action sequence were Parademons which in comics are troops of planet Apokolips ruled by Darkseid. So fingers crossed on the precise location of this scene. We will come to know about this location in future whether Batman stepped in Apokolips or some land occupied by Darkseid and his troops. Now that Steppenwolf is confirmed the main villain of JL film, so there is possibility to see Darkseid very soon because he is Darkseid’s uncle.
Stone father & son had an interesting cameo. Father Silas Stone used Mother Box to repair critical injuries and replaced lost body parts with mechanical limbs to his son Victor Stone a.k.a. Cyborg. Mother Box in comics is a portable supercomputer which posses powers and abilities. Now that the sources confirm that the major story dropping in JL film is Steppenwolf searching three Mother Boxes, which are located in Atlantis (Aquaman), Themyscira (Wonder Woman) and Earth. So the earth part is Cyborg’s for our understanding.
WHAT SHOULD HAVE BEEN ADDED???
1) THE JOKER KILLING JASON TODD
Where ultimate edition cleared a lot of misunderstandings and plot holes from the released version, they missed a very important scene to add which was the fate of Batman’s counterpart Jason Todd a.k.a. Robin. In Batman: A Death In The Family, The Joker killed Jason Todd which is one of the DC Comics’ most important events. The Joker played by Jared Leto will feature in Suicide Squad but would have been more than a favor to add the tragic event exactly when Bruce looked at the damaged suit. A couple of minutes on the tragic flashback was easily replaceable to uninspired story-telling daddy Kent scene which was easily the most useless scene of the film. Now the tragic event is expected to hit the screen in Suicide Squad beginning a new cinematic phase of Batman-Joker historic rivalry.
2) GOTHAM CHARACTERS
As much as the viewers and journalists have called the film ‘overstuffed’ as well as the actor who played Alfred, Jeremy Irons, I would still pass a mark of appreciation towards the director in keeping some balance among the characters and story-lines connected with future DC films sharing the same universe.
In the meantime, I still believe that Gotham city didn’t get that exposure which was required in such a lengthy screen time. Alfred was the only recognized Gotham character supporting Bruce in the whole film as his parents were as usual killed again in couple of minutes. Lucius Fox is a potential character which the scriptwriters badly missed. With such remarkable work on Bat machines, Fox deserved to appear for couple of scenes. Also any member of the Gordon family should have been introduced.
(((Here I conclude the first part of my ultimate case towards the Dawn of Justice. The next and final part will be published very soon.)))