Tag Archives: NBC

TV Review – Parks and Recreation

PARKS AND RECREATION — “One Last Ride” Episode 712/713 — Pictured: (l-r) Chris Pratt as Andy Dwyer, Aubrey Plaza as April Ludgate, Retta as Donna Meagle, Rashida Jones as Ann Perkins, Nick Offerman as Ron Swanson, Aziz Ansari as Tom Haverford, Rob Lowe as Chris Traeger, Amy Poehler as Leslie Knope, Adam Scott as Ben Wyatt, Jim O’Heir as Garry Gergich — (Photo by: Colleen Hayes/NBCU Photo Bank/NBCUniversal via Getty Images via Getty Images)

If a sitcom happens to be created, produced, or written by Greg Daniels, enter the name in your watchlist because there is a chance that you develop fondness towards his show. Personally, I had watched his American adaptation of The Office, Space Force, and then Upload before Parks and Recreation, and none of these disappointed me. In fact, The Office is one of my all-time favorite sitcoms.

Parks And Recreation give you the same vibes as The Office. Why not? After all, both the sitcoms have been set up in the office. If The Office was based on a fictional Dunder-Mifflin Paper Company in Scranton where that crazy Michael Scott was the Branch Manager then ‘Parks And Recreation’ is based on a fictional Pawnee City Hall where Leslie Knope is the deputy director in Parks and Recreation department.

Amy Poehler‘s Leslie character went through changes with time. Leslie was a bit silly in the first season and then the attitude towards her responsibilities changed especially when she involved herself in politics when her progress began to grab attraction and got offers to run the campaign. The PR to politics journey of Leslie was excellent.

Besides Leslie, my favorite character was Nick Offerman‘s Ron Swanson, the department director. He was socially detached who had parted ways with his wife, Tammy played by Offerman’s real-wife, Megan Mullaly. His dialogues were sparingly thoughtful and sometimes a soft curmudgeon’s bible.

The writing of the show gave a lot of breathing to the supporting characters and made the Pawnee diary exciting. Correlated themes like media and journalism portrayals also helped in the plot continuity. Pawnee crackdown through the failing budget was also an interesting move.

Without a doubt, Chris Pratt‘s Andy Dwyer had the best character development in the show. From being a lazy ass to becoming a television celebrity, Andy’s journey was fun to watch.

At some point in the middle, I had a feeling that the show was possessing time and wasn’t continuing well. The comic timing of the characters was getting a little flat. Aziz Ansari as Tom Haverford was an average beginning in a couple of seasons but then I began to ask myself what significance of the character really was. Tom was getting ridiculous minutes. Especially his comic partnership with Ben Schwartz‘s Jean-Ralphio in the show was extremely boring and annoying. If the latter’s contribution to the show was a question mark, the character’s sister Mona-Lisa raised the alarm about the decline of comic quality. Thank God, Jean and Mona were not promoted as regulars.

I will surely have one deep irritation about lacking the idea of not creating its own universe of department sitcoms. PR started after three or four seasons of The Office. The same team created both the shows, Greg Daniels and Michael Schur (yep, Dwight’s Amish brother, Mose Schrute). Both shows mostly ran together and that too on the same network, NBC. How could the producers not consider possible connectivity? Imagine Scranton-Pawnee crossovers! Michael Scott and Leslie Knope on the same stage!

Without a doubt, The Office was a way better sitcom than PR but the former should vanish from the mind in order to watch the fun of PR because, in all honesty, PR is really an exciting sitcom. I very much enjoyed it and will remember it for a long long time. The Office fans are definitely recommended to watch Parks And Recreation.

TV Review – Steptoe and Son

The poor father-son duo of Albert Steptoe and Harold Steptoe run a rag-and-bone business while living in Shepherd’s Bush, London. With time, Harold’s desires and aspirations meet Albert’s rigid tendency of accepting change. His naivety irritates Harold and pretends to be ill if the son leaves to live some portion of his life on his own. Dirty ol’ man Albert lies to unsuccessfully avoid the blame of his mischievous blunders. Albert jeopardizes wherever Harold takes him, say cinema, restaurant, party. The best writing lies in the generational conflict of these two characters for eight seasons and they never disappoint at all.

The old BBC classic sitcoms were always known for their rich content especially a thoughtful theme on which the quality of humor was so delicate and rib-tickling. Steptoe and Son (1962-1974) is an influential and groundbreaking sitcom that made its rounds in British households in the early 1960s, right on time. Because around three million people in Britain were living on the poverty line. So this sitcom was a fit to their sentiments, especially for the Cockneys.

I will not skip mentioning both the leading actors, Wilfrid Brambell and Harry H. Corbett. I mean what better father-son chemistry you will ask for. The generational conflict and comic timing between them were so striking and growing their partnership with the viewers for years being the only two major characters of the show is extremely difficult. Even Sandford and Son needed the assistance of the supporting characters especially Aunt Esther but the original show remained constrained.

Another significance of this sitcom is its cult status in Britain. Steptoe and Son was easily the first well-known British sitcom about a working-class, describing poor working men living without women in different setups. You can take an example of Ronnie Barker‘s Porridge and Open All Hours in the 1970s or most specifically the greatest British sitcom, Only Fools and Horses. The sitcom’s international influence can be measured by the fact that American tv producer and developer Norman Lear adapted the show and created Red Foxx starred Sanford And Son for NBC. 16 of Steptoe and Son episodes were recreated in the American adaptation. Steptoe & Son helped Norman Lear build his legacy in the 1970s when his developed sitcoms on NBC and CBS dominated the decade.

Had Steptoe & Son never happened, I wonder what the state of comedy would be in both regions. This is easily one of the best British sitcoms I have ever watched.

My favorite Steptoe and Son episodes:
01 – Season.1 – Episode.1 – The Offer
02 – Season.1 – Episode.2 – The Bird
03 – Season.1 – Episode.3 – The Piano
04 – Season.1 – Episode.4 – The Economist
05 – Season.2 – Episode.2 – The Bath
06 – Season.2 – Episode.4 – Sixty-Five Today
07 – Season.2 – Episode.6 – Full House
08 – Season.2 – Episode.7 – Is That Your Horse Outside?
09 – Season.3 – Episode.1 – Homes Fit For Heroes
10 – Season.3 – Episode.2 – The Wooden Overcoats
11 – Season.3 – Episode.4 – Steptoe à la Cart
12 – Season.3 – Episode.5 – Sunday for Seven Days
13 – Season.4 – Episode.2 – Crossed Swords
14 – Season.5 – Episode.1 – A Death in the Family
15 – Season.6 – Episode.1 – Robbery with Violence
16 – Season.6 – Episode.2 – Come Dancing
17 – Season.6 – Episode.3 – Two’s Company
18 – Season.6 – Episode.5 – Without Prejudice
19 – Season.6 – Episode.6 – Pot Black
20 – Season.7 – Episode.3 – Oh, What a Beautiful Mourning
21 – Season.7 – Episode.4 – Live Now, P.A.Y.E. Later
22 – Season.7 – Episode.6 – Divided We Stand
23 – Season.8 – Episode.2 – And So To Bed
24 – Season.8 – Episode.3 – Porn Yesterday
25 – Season.8 – Episode.4 – The Seven Steptoerai
26 – Season.8 – Episode.5 – Upstairs, Downstairs, Upstairs, Downstairs
27 – Season.8 – Episode.6 – Seance in a Wet Rag and Bone Yard