Posts Tagged ‘Shahrukh Khan’

dhanak_poster_goldposter_com_2

The subject of Nagesh Kukunoor‘s films is always fascinating. His latest project is Dhanak, a tale of orphan siblings in the northern area of India where a SRK-fan sister Pari convinces her blind Salman Khan-fan brother Chotu to take him to Jaisalmer where SRK is active in shooting for an eye-donation event. Pari is convinced by a fortuneteller that Chotu will suffer if she doesn’t reach Jaisalmer to treat his blindness within three days.

From there begins a wonderful journey towards the different northern parts of India where they meet people from different walks of life who aid them reach their destiny. Kukunoor makes the destiny look a colourful dream with blends of cultural significance to spiritual addicts with combusting food for stomach afflicts.

dhanak-box-office-collection

There are severe odds over not meeting SRK but thanks to a wonderful screenplay which justifies the extraordinary stories of very ordinary people. The chemistry of the siblings, played by young kids Hetal Gada and Krrish Chhabria is very lively and natural. Both especially Chotu actor has given a splendid performance. Their arguments are very real and hilarious which creates a tone and makes you watch the destiny.

Kukunoor has depth in the presentation of realism in various ways. He dramatises the blood relations very well and he has done in his early films. It is quite deep and tragic that siblings do not get the proper caring from their guardians as much as they are well received by the outsiders. Also, I liked the segment of siblings meeting an American hippy from California.

 

I am very impressed with the background score and production of songs used in the film by Tapas Relia. Easily the best number is hippy Douglas Adam (Chet Dixon) singing a wonderful rendition of Damadam Mast Qalandar with Chotu (voiced by Devu Khan Manganiyar).

dhanak-filmy-sasi

The irony of the fate of Dhanak is that such a sensible storytelling masterpiece hardly earned mere 2.5 crore INRs which shows a mark of disinterest among the Indian viewers and stellar interest towards the popular masala entertainers. Whereas the very same film has earned an international acclaim in many film festivals.

The film won the Crystal Bear Grand Prix for Best Children’s Film in 65th Berlin International Film Festival. Also, includes in the accolades is the Best Film award in Sneaker’s Children Festival, Poland.

Dhanak is easily one of the best children’s films made in Bollywood in recent years or perhaps this century so far.

Ratings: 8.3/10

Follow me on TWITTER @saminaik_asn

Advertisements

aa-cinema-in-which-annie-gives-it-those-ones-cinema-screening-poster

Creative, Perceptual and Supplemental to ‘Change’…

A well-derived project driving to a theory among the young generations for ages! a very ageless message with no casualty of emotional hullabaloo…

There was a TV film played on Doordarshan channel back in the late 80s, “In Which Annie Gives It Those One“. I honestly believe it undeniably is one of the (at least) twenty-five best feature films ever produced in India in any language. The film achieved cult status in those days but has been lost and forgotten. You will find and can watch the film on YouTube.

Before becoming an author, famous political activist Arundhati Roy used to work for TV and films. And she has the credit to write the screenplay of the film which is based on her personal experience as a student of architecture in the School of Planning and Architecture. The film was directed by her the-then husband, Pradip Krishen.

It is not a coming-of-age film but portrays a group life of architects and their projects in their final year of college in the 70s, hanging on a critical time under the concluded judgment of ‘Fail’ or ‘Pass’ from the judges of fate, when one young man dreams the impossible while his academic career suffers low. It shows a teacher-student relation and their complicated personal and architectural understanding.

Student bullies are no new surprise as well as funny moments between the roommates. I like the way most of the students have been distinguished in their manners and traits. Among the enrolled students is a foreigner from Uganda who makes noises when he dreams and his mates make fun that he dreams Idi Amin who killed his father. Then there is a granny girl with a pair of two ponytail who is very traditional and staid in nature and there is one who is keen on playing table-tennis. Then few are love birds which carry joint boiling hearts who have to think twice for smooching (Yes there are few kissing scenes).

Among all the students, it is the story of student Annie mostly focused on who daydreams a project to plant fruit trees on either side of railway tracks, where rural India defecates daily. Also, he sells eggs from the two hen he keeps in the room to earn sum. He is a repeated failure in the institute and in relation with Bijli, a cabaret dancer.

Roy herself plays the supporting role in the film as Radha who is a nonconformist student and lives with her boyfriend, Arjun. By her screenplay, she has described a rich amount of civil and institutional confrontations like a disagreement between her and the teacher on architectural thesis and the teacher rejecting many creative art models prepared by the students and closing their subconscious dreams. Also, her presentation in the final interview to the panel of judges is also very interesting one.

There is an urban and liberal wave in the whole film with a lot of western influence which was quite innovative in those days but the story based on a Delhi institute of 1974, it shows the students in those days used to accept free speech , open and liberal views. Quite a movement ran by the hippies in the 60s had changed much of the value of thinking and living which can be seen in the film, say a shed of light. More proof to common opinion in my theory is the students were listening and singing The Beatles.

 

annie-film-photos

The whole film is mostly restricted to the rooms of the hostel and the classroom keeping it to the subject but what the most impressive aspect of the film is its heavy detailing. The direction reminds me my recent observation on directional works of François Truffaut who was a keen observer of the details related to the subject he shot. The classroom environment was lively and rigid, very true to reality like one particular ‘disturbed’ student coming late to the class, the students being juvenile and making awful sounds during the lecture, teacher smoking in front of students (quite rare in the films based on institute life) etc.

Room-renting is another interesting part in student’s social life and the director makes a good impression in displaying a heavily occupied small room where the projects are done, where the books become a pressure cooker, where a friend is helped to co-study with them and bring their girlfriends. If a viewer has a close look in the film, he/she will find very interesting graffiti everywhere (I like the graffiti of the toilet scenes). Then we have a couple of scenes of fantasy picking on Radha by street perverts and cheapskates.

The film involves impressive casting who later became popular names on TV and Hindi cinema. Besides Roy, the film stars Rituraj, Divya Seth, Deepika Deshpande and Himani Shivpuri. British actor Roshan Seth plays the principal of the institute. Raghubir Yadav and Shahrukh Khan (used to be TV actor before entering the film industry) have very short roles in the film.

The film is very poetic with the understanding that these students are the bright sunshine in the process of development and would like to theorize the word ‘Change’ and make their world a better place to live but the headmaster of the institute and all government appointees act as a hindrance. Seth’s principal character Y.D. Billimoria is named Yamdoot by these students. Yamdoot is Yama, an angel of death in Hindu mythology and even his character isn’t severely evil at all but sitting in the top chair and victimizing Annie for making fun of him despite begging/requesting numerous apologies makes him the culprit.

In Which Annie Gives It Those One was a remarkable TV project by Roy and Krishen, funded by Bobby Bedi‘s Kaleidoscope Entertainment. The film went on to win two National Awards for Best Feature Film in English and Best Screenplay. Despite the fact the overall performances were just average, it is a freshly baked story and brilliant filmmaking to avoid injustice. Not to declare underrated but it is easily one of the most famous ‘unwatched’ films in India.

Ratings: 8.4/10

FOLLOW ME ON TWITTER @saminaik_asn

annie-04

My Bollywood’s Best of 2015

Posted: July 20, 2016 in MovieTalks
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

collage_of_hindi_movie_posters-1-1440x564_c

Half a year is done and I forget to write a blog on my picks from different categories of Bollywood films. I did this last year for 2014 edition. I hope I am not that late as time pass swiftly nowadays. 

Like every passing year, Bollywood’s growth increases worldwide but the quality and standard of the film decreases. Recognition nowadays among the actors is star-power and among the leading actresses is the one with useful skin-shows. Above all you insured to be more successful in this industry if you have a strong background and belong to rich people who are industrialists, politicians, businessmen, military or in same cinematic profession. The unlucky ones have to join parallel cinema with more brain and wisdom among the cast and filmmakers.

In recent years, there has been change in atmosphere as the artists of parallel and entertaining cinema are involved in same projects and work together. Some sensible writers and talented directors work with involvement of more production companies. Some of the films from last year have been highly impressive and these were those which were not eye-catching in box-office collections.

What disgust me was pathetic inclusions in nominations for different categories in their recognized FILMFARE awards. Tragedy is that the functions are not worth and are more focused on high-level tcp ratings. If you notice, many many big names of the industry are absent and are disappearing in years. People have lost interest in FILMFARE because the functions are bias and predictable. Awards nowadays are won not by right and deserving candidates. Forget about winning, when the nominations are announced the viewers go insane because of plenty of blunders.

From below the categories, I will try to speak some lines where I see FILMFARE at huge fault. Like last year’s blog, I will divide the categories in three sections i.e., Music, Technical and Major. My selections are purely my honest selections to what I believe was deserving. Some of the categories do not need details because it is unnecessary. With the name of winners from each category, I will mention other names who deserve to be the other bests. So here I go;

MUSICAL SECTION

BEST BACKGROUND SCORE

SANDESH SHANDILYA (MANJHI: THE MOUNTAIN MAN)

manjhi-moviejunoon

Other notable works: Amit Trivedi (Bombay Velvet) & Hitesh Sonik (Hunterrr)

 BEST PLAYBACK SINGERS

PAPON – MOH MOH KE DHAAGE (DUM LAGA KE HAISHA)

NEETI MOHAN – DHADAAM DHADAAM (BOMBAY VELVET)

BEST SONG & LYRICS

AGAR TUM SAATH HO (ALKA YAGNIK/ARIJIT SINGH/IRSHAD KAMIL/A.R.RAHMANTAMASHA)

BEST MUSIC

ANUPAM ROY (PIKU)

Other notable works: Amit Trivedi (Bombay Velvet) & Indian Ocean (Masaan)

TECHNICAL SECTION

BEST COSTUME DESIGN

ANJU MODI & MAXIMA BASU (BAJIRAO MASTANI)

storyimage

Other notable works: Niharika Khan (Bombay Velvet) & Wafisha Rahman (Manjhi)

BEST PRODUCTION DESIGN

ERROL KELLY, SONAL SAWANT & SHAIRA KAPOOR (BOMBAY VELVET)

niharika-anushka-green-gown-cover

Other notable works: Sriram Iyengar, Saloni Dhatrak & Sujeet Sawant (Bajirao Mastani)

BEST SOUND DESIGN

BISHWADEEP CHATTERJEE (PIKU)

bishwa-main

BEST SCENE

MASAAN

Imagine a boy from extremely poor background, whose ancestors have history of working in profession of burning corpse and a girl from upper caste begin loving each other. And one day, after exchange of a lovely relationship for weeks, he happen to see her dead body in his working site brought to burn the corpse! We don’t see such tragic moments in young love stories like this. It was an intimate scene and full of intensity. There come this scene and the obvious case is more grieving. Vicky Kaushal‘s presentation of agony is unexplainable here. I could not find a HQ video of the scene. I have no doubt this is the best scene shot in any film of the year.

BEST EDITING

A.SREEKAR PRASAD (TALVAR)

Talvar still 2 (2)

BEST CINEMATOGRAPHY

NIKOS ANDRITSAKIS (DETECTIVE BYOMKESH BAKSHY)

11751753_470659756446068_639791804166712861_n

Other notable works: Avinash Arun (Masaan) & Rajiv Jain (Manjhi)

BEST ACTION

BADLAPUR

badlapur

Other notable works: Titli & Detective Byomkesh Bakshy

BEST SCREENPLAY

JUHI CHATURVEDI (PIKU)

352707-chaturvedi

BEST DIALOGUES

JUHI CHATURVEDI (PIKU)

juhi-thumb_650_091915033053

BEST STORY

KANU BEHL (TITLI)

Titli-Movie-2015

Other notable works: Jeethu Joseph (Drishyam) & Harshavardhan Kulkarni (Hunterrr)

MAJOR SECTION

BEST SUPPORTING ACTRESS

KONKONA SEN SHARMA (TALVAR)

1280x720-Lqr

Konkona don’t need any introduction. Open her filmography and you will find dozens of impressive roles she has played in her acting career. Talvar is another addition in her CV. She along with Neeraj Kabi displayed one of the best supporting performances in recent years and guess what, she wasn’t even nominated in Filmfare for this category.

Other Notable Performances: Shefali Shah (Dil Dhadakne Do), Tabu (Drishyam), Shivani Raghuvanshi (Titli) & Huma Qureshi (Badlapur)

BEST SUPPORTING ACTOR

NAWAZUDDIN SIDDIQUI (BADLAPUR)

img_5724

The year 2015 was remarkably a year for best male performances in supporting roles. Title was a trinity of performances between three brothers. Anil Kapoor developed his skills playing role of angry father in Dil Dhadakne Do. Neeraj Kabi brought all his theater experience in Detective Byomkesh Bakshy and Talvar. Vicky Kaushal turned out to be one of the most promising newcomers in Masaan. Karan Johar was the surprise package in Bombay Velvet and Ashraful Haque did superb job as Manjhi’s father in his final film.

But above all it is the actor in his heydays who is building a very strong career making his name in almost every film. Nawazuddin Siddiqui in Badlapur is someone you would like to hit and slap as much as hard you want. He gives a lot of energy to his villainous role and don’t even feel bad for the guy who lost his family. His character has shades and changes color like chameleon. He and Varun, the two leading actors of the film are two sides of the coin begging for mercy.

Other Notable Performances: Karan Johar (Bombay Velvet), Amit Sial/Ranvir Shorey (Titli), Vicky Kaushal (Masaan), Anil Kapoor (Dil Dhadakne Do), Ashraful Haque (Manjhi), Neeraj Kabi (Talvar)

BEST ACTRESS

RICHA CHADDA (MASAAN)

masaan-still-4

It wasn’t a year of extraordinary performance by the leading actresses. Then Richa Chadda happened. She is Devi Pathak in Masaan who was caught with him by the police in the hotel for obvious reason. Then her struggles begin to make a life of herself by switching jobs but cannot afford a payment of hefty bribe the policemen ask her and her father for the video they made in hotel. It was tough to decide the winner but then I decided that Deepika for Piku was the closest and second-best to her.

How rude and disgusting that such performance wasn’t appreciated enough to be nominated in Filmfare for the same category. More to a mockery, Kajol and Sonam Kapoor were gifted places in the category for Dilwale and Dolly Ki Doli whose performances were no where in comparison to this.

Other Notable Performances: Besides Deepika Padukone for Piku, Anushka Sharma did a terrific job in Bombay Velvet as Rosie the Jazz singer. She performed impressive facial expressions in numbers like Fifi and Dhadaam Dhadaam. Then there is Bhumi Pednekar (Dum Laga Ke Haisha) who gained 30kg for the role of an overweight wife and made a stunning debut, was also ignored by Filmfare in the category. And why should I not count lil’ Harshaali Malhotra! 8-year-old child actress made promising debut as Munni in Bajrangi Bhaijaan and was the only shining moment in the whole ridiculously garbage film. At this tiny age, she showed a character and discipline of emotions on a dolly face.

BEST ACTOR

NAWAZUDDIN SIDDIQUI (MANJHI)

image149

It will be a sin to overlook such astonishing performance. It will be a mockery to consider it only one of the best performances. His star is shining brightly in recent years but this performance need an author to release a book full of praise. I hardly have seen actors reaching closest to the perfection like J.K.Simmons in Whiplash or DiCaprio in The Revenant worldwide but in India, it is hard to bring that so much in the artistry to present a character what Nawaz did in portraying Dashrath Manjhi.

Nawazuddin’s title role of Manjhi is full of life. You want a father or a husband, you want a man of his principles or determination, you want an example of sacrifice and hardship and last but not the least you want to see a man who broke the mountain to honor his wife he loved the most in entire life – there you have all superbly defined.  

When it comes to emotions, this actor has no boundaries to express. A facial performance is very vital in acting and keen learners of theater always win the performances. He easily is the best actor for last year.

In three words – Shandaar! Zabardast! Zindabad!

Some readers may get confused of not picking Manoj Bajpayee for Aligarh. Let me clear, the reason I omitted is because the film is released in India this year in February. The closest to this competitor was hugely/heavily ignored Shashank Arora for Titli.

Omission of Nawaz for Manjhi from the last Filmfare Awards easily is one of the most shocking blunders in their history. How disgusting and utter disappointing is to see the genuine winner not included in the nominations but Salman Khan and Shah Rukh Khan for Bajrangi Bhaijaan and Dilwale respectively! This shows the standard of Filmfare nowadays and ridiculous selections by the judges of these panels.

Other Notable Performances: Shashank Arora (Titli), Sanjay Mishra (Masaan), Amitabh Bachchan (Piku) & Varun Dhawan (Badlapur)

BEST DIRECTOR

SRIRAM RAGHAVAN (BADLAPUR)

547fbcf3a1992.image

Yes he is and I am not surprised. A silent and dark tale of two characters hanging on different corners eagerly waiting to leave a mark on each other. It is about making an extraordinary film from an ordinary script. We have watched films when the leading actor loses the one he loves and plans to take revenge. Same goes here but with same story, it easily distinguishes from other films of the past thanks to Sriram’s directional artistry. 

What propels you is the building of intensity on Raghu (Varun Dhawan) when he loses his wife and child in very first scene. The rage factor of Raghu is where he work out, the way he beat or hit few characters by hammer is violent and loud to your ears. With time much to offer, Sriram builds the leading character very well. He is excellent on bringing the best of the leading performer as he did with Urmila in ‘Ek Haseena Thi‘ and Neil Nitin Mukesh in ‘Johnny Gaddaar‘. 

Other Notable Performances: The closest competitor to Sriram is Shoojit Sircar for Piku. Meghna Gulzar for Talvar was surprise package. I found Anurag Kashyup‘s direction for Bombay Velvet very very impressive as the film was hugely rejected by the viewers. Neeraj Ghaywan was also fantastic keeping a balance between two different stories in Masaan.

BEST FILM

PIKU

pikuposter2_635629007822200905

Piku (Deepika) plans a trip to Kolkata with her dad (Amitabh) but none of Rana’s (Irrfan) cab drivers are available. So Rana decides to serve them and the real fun begins. This is a freshly-baked comedy-drama film with mehfil-loot performances by main actors. Father-daughter chemistry is terrific and the characters development is right on spot. 

Piku is a beautiful slice of life or your favorite cup of coffee, a mind freshener giving your energy an extra-boost because the flow of the film builds on you. A combination of brilliant story, screenplay and dialogues make this very-original film exciting for the viewers and can be repeatedly watched. 

Other Notable Films: Masaan, Talvar, Titli, Manjhi, Bombay Velvet, Hunterrr, Drishyam and Badlapur.

FOLLOW ME ON TWITTER @saminaik_asn